BWW Reviews: Playhouse 1960's BOEING BOEING Bounces with Energy
When BOEING BOEING first landed on Broadway in 1965, it only ran for 23 performances. However, in 2008 the French Comedy, penned by Marc Camoletti and translated by Beverley Cross and Francis Evans, was revised and re-opened on Broadway. This version fared much better, garnering positive reviews. Playhouse 1960 is producing the reworked script and showing audiences why this play is a favorite of audiences and theatre companies alike.
BWW Reviews: Cone Man Running Productions' A SPONTANEOUS SMATTERING: HOLIDAY EDITION Puts the Ha Ha Ha in Happy Holidays
Cone Man Running Productions and Obsidian Art Space's popular 24 hour play festival, A SPONTANEOUS SMATTERING, was given a seasonal spin for last night's holiday edition. Drawing a crowd of theatre diehards, family, and friends, everyone in attendance was curious to see what these skilled and talented artists would create. Waiting for the show to begin, everyone was buzzing about the #smattering posts they had seen on Facebook, the writers' previous works, and their excitement about what they were about to witness. It doesn't hurt any that everyone was treated to a free shot as they picked up their tickets either.
BWW Reviews: Cone Man Running Productions' SPONTANEOUS SMATTERING - THE THIRD is the Iron Chef of Theatre
On Saturday night, August 25, I had the pleasure of attending Cone Man Running Productions' annual twenty-four hour play festival, SPONTANEOUS SMATTERING. Although this was my first official Smattering, Saturday night was Cone Man Running Productions' third inception, and it was clear that they had gathered an avid fan base over the past two productions. A couple of laughs into the first short play, I could see why it has become such a popular event. This annual twenty-four hour play festival showcases the creative talent of local playwrights, directors, and actors and provides Houston audiences with a night of theatre that is anything but mainstream.
BWW Reviews: I'M NOT RAPPAPORT Contains Few Laughs and Uneven Pacing
I've been writing for Houston's BroadwayWorld page for a brief 8 ½ months now, and one thing that I quickly learned and came to love about Houston is that there is always a wide selection of venues and titles to choose from. This past Saturday, I ventured from my residence in a Southeast suburb of the city to Playhouse 1960 for the very first time to see their production of I'M NOT RAPPAPORT. The aesthetically well-designed and beautiful performance space is nestled near FM 1960 and US 290, and the company provides audiences with a production of the Tony Award-winning comedy that leaves audiences with plenty to talk about it.
