Review: POTUS at ACT Theatre
Dear Readers, there is nothing like live theater, especially when it all comes together. And even though Selina Fillinger’s hilarious play “POTUS or, Behind Every Great Dumbass Are Seven Women Trying To Keep Him Alive”, currently playing at ACT, cannot claim that it ALL came together (especially last night, but we’ll get to that), what did come together was comedy gold even with (and sometimes including) that little hiccup.
Review: SISTER ACT at Taproot Theatre
Dear Readers, the musical version of the hit 1992, Whoopi Goldberg comedy “Sister Act” has never been one of my favorites. On paper it should work with an Alan Menken score and fabulous source material were it not for those lackluster Glenn Slater lyrics. He writes passable songs but nothing that truly grabs you. But it’s a big, flashy musical with nuns rocking out so it isn’t all bad. But I must emphasize “big”, which is why the choice to put this up on Taproot Theatre’s quite cozy space baffled me. However, director Bretteney Beverly managed it. Sure, there were some downfalls, but overall, she managed it.
Review: SOMETHING'S AFOOT at The 5th Avenue Theatre
Curating a season is not an easy thing, especially for a large, professional theater. You want to strike that delicate balance of diversity, entertainment, cutting edge, and most of all audience appeal. But when the 5th Avenue Theater announced they were doing “Something’s Afoot”, an old show often done by community theaters, I was perplexed. But maybe it’s good, I mean, I’ve never seen it. Sadly, it’s not.
Classic Holiday Tradition A CHRISTMAS CAROL Returns To ACT For 48th Season
ACT Contemporary Theatre announced today the cast and creative team for their 48th production of the beloved classic, A Christmas Carol. Originally adapted for the stage in 1976 by ACT founder Gregory Falls, this season's production will see Seattle actor Darragh Kennan in the infamous role of Ebenezer Scrooge.
Review: SWEENEY TODD at The 5th Avenue Theatre
Dear Readers, I’m baaack! It’s been months since we’ve spoken or even since I’ve been in a theater due to a medical issue that’s kept me homebound. So, one of my favorite shows, Stephen Sondheim and Hugh Wheeler’s bloody masterpiece “Sweeney Todd, The Demon Barber of Fleet Street”, currently playing at the 5th Avenue Theatre, felt like a great choice to dip my toes back in the theatrical waters. And I’m happy to report it was a mostly fantastic return. I say, “mostly” as while it was a super solid production, especially from a tight and gifted ensemble, there was one element, and a rather large one at that, that kept me from being truly immersed in this macabre world. But we’ll come to that in a bit.