Anna Claire Perry
Latest News on Anna Claire Perry:
Review: Matt Logan Directs 'Stunning, Powerful, Deeply Moving' THE HIDING PLACE in Nashville Premiere (Jul 10, 2022)
BWW Review: Studio Tenn's 19-20 Season Opens With High-Spirited MAMMA MIA! (Aug 28, 2019)
BWW Review: Studio Tenn's Holiday Season Offering of BEAUTY AND THE BEAST (Dec 14, 2018)
Review: Matt Logan Directs 'Stunning, Powerful, Deeply Moving' THE HIDING PLACE in Nashville Premiere (Jul 10, 2022)
BWW Review: Studio Tenn's 19-20 Season Opens With High-Spirited MAMMA MIA! (Aug 28, 2019)
BWW Review: Studio Tenn's Holiday Season Offering of BEAUTY AND THE BEAST (Dec 14, 2018)
BIO
Choreography credits include MAMMA MIA!, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, BEAUTY & THE BEAST, CINDERELLA THE LION, THE WITCH, & THE WARDROBE, SPAMALOT! (STUDIO TENN), WEST SIDE STORY (A.D. Players at The George), FIDDLER ON THE ROOF, ON THE TOWN, SIDESHOW, THOROUGHLY MODERN MILLIE, LITTLE WOMEN (Belmont University)
Performance Credits include Cha-Cha in GREASE, Graziella in WEST SIDE STORY, Peacock in THE LION, THE WITCH & THE WARDROBE, Ensemble in SPAMALOT!, Ensemble in EVITA (Studio Tenn), Pearl Lady/Daphne in THOROUGHLY MODERN MILLIE (Prism Theatrics), Ensemble in KISS ME KATE (Westchester Broadway), Alice in SEVEN BRIDES FOR SEVEN BROTHERS (La Comedia), Ensemble/Swing in A WONDERFUL LIFE (John W Engeman).
Dance credits include two years with Royal Caribbean Productions and three seasons will collidEdance Company.
BFA JAZZ DANCE PERFORMANCE FROM THE UNIVERSITY OF THE ARTS.
News
Review: Matt Logan Directs 'Stunning, Powerful, Deeply Moving' THE HIDING PLACE in Nashville Premiere
Stunning. Powerful. Deeply moving. The words come rather easily in an attempt to adequately describe the awe-inspiring performances to be found in director Matt Logan’s beautifully crafted production of A.S. Peterson’s The Hiding Place. Now onstage in its Nashville premiere at the Soli Deo Center (which, to be frank, is equally notable and worthy of excessive praise) at Christ Presbyterian Academy through July 23, the play – which had its premiere in September 2019 at A.D. Players in Houston, Texas – proves to be both accessible, engaging and, we daresay, hopeful even as it tells a story from one of the darkest eras in human history.
Stunning. Powerful. Deeply moving. The words come rather easily in an attempt to adequately describe the awe-inspiring performances to be found in director Matt Logan’s beautifully crafted production of A.S. Peterson’s The Hiding Place. Now onstage in its Nashville premiere at the Soli Deo Center (which, to be frank, is equally notable and worthy of excessive praise) at Christ Presbyterian Academy through July 23, the play – which had its premiere in September 2019 at A.D. Players in Houston, Texas – proves to be both accessible, engaging and, we daresay, hopeful even as it tells a story from one of the darkest eras in human history.
BWW Review: Studio Tenn's 19-20 Season Opens With High-Spirited MAMMA MIA!
Directed with his signature creative flair, boundless imagination and penchant for fun by Benji Kern, Studio Tenn's interim artistic director, Mamma Mia! features a stellar cast of performers bringing the show to life with the expected verve and energy that the ABBA score virtually demands. Led by Erica Aubrey as Donna and Emily Urbanski as her daughter Sophie, Studio Tenn's production is vibrant, colorful and energetic, tapping into the universal appeal of the music thanks to music director/conductor Stephen Kummer and his seven member band who perform the score with consummate professionalism and more than a little Disco-era panache.
Directed with his signature creative flair, boundless imagination and penchant for fun by Benji Kern, Studio Tenn's interim artistic director, Mamma Mia! features a stellar cast of performers bringing the show to life with the expected verve and energy that the ABBA score virtually demands. Led by Erica Aubrey as Donna and Emily Urbanski as her daughter Sophie, Studio Tenn's production is vibrant, colorful and energetic, tapping into the universal appeal of the music thanks to music director/conductor Stephen Kummer and his seven member band who perform the score with consummate professionalism and more than a little Disco-era panache.
BWW Review: Studio Tenn's Holiday Season Offering of BEAUTY AND THE BEAST
Before Broadway comes calling for Hatty Ryan King, the young Nashville actress with an enviable resume (the Lipscomb University sophomore is a Spotlight Award winner, was a finalist for The Jimmy Award, has worked with theater companies both community-oriented and professional and has proven herself a capable leading player along the way), you might want to get your tickets to see her onstage in Studio Tenn's ambitious, if woefully uneven, holiday season offering of Beauty and The Beast. In a role that could have been written for her, King shines as Belle, the ambitious and eager to learn and to embrace change young woman who is the heroine of the musical which features a score by Alan Menken, lyrics by Howard Ashman and Tim Rice and a book by Linda Woolverton.
Before Broadway comes calling for Hatty Ryan King, the young Nashville actress with an enviable resume (the Lipscomb University sophomore is a Spotlight Award winner, was a finalist for The Jimmy Award, has worked with theater companies both community-oriented and professional and has proven herself a capable leading player along the way), you might want to get your tickets to see her onstage in Studio Tenn's ambitious, if woefully uneven, holiday season offering of Beauty and The Beast. In a role that could have been written for her, King shines as Belle, the ambitious and eager to learn and to embrace change young woman who is the heroine of the musical which features a score by Alan Menken, lyrics by Howard Ashman and Tim Rice and a book by Linda Woolverton.
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