BWW Review: CRY IT OUT Concludes Merrimack Rep's 40th Season
Merrimack Repertory Theatre concludes its 40th season with Molly Smith Metzler's CRY IT OUT, a delightful human comedy that surfs along on the waves of a burgeoning friendship between a pair of mothers of newborn babies, while also acknowledging the myriad challenges that lurk beneath the surface. The playwright examines some of the decisions faced by families when baby makes three, bringing up socioeconomic differences, stresses on the marriage, and debating child-rearing best practices. Over coffee in their adjoining backyards, the women help each other navigate the waters of their new realities and learn that modern day motherhood is no day at the beach.
MRT Presents CRY IT OUT
Merrimack Repertory Theatre (MRT) will present Molly Smith Metzler's Cry It Out, an insightful comedy about the absurdities of being a new mom, as the final show of its 40th Anniversary Season, from April 24 to May 19, directed by Amanda Charlton at the Nancy L. Donahue Theatre at Liberty Hall, according to Artistic Director Sean Daniels and Executive Director Bonnie J. Butkas.
A DOLL'S HOUSE, PART 2 Opens at the Rep in October
A Doll's House, Part 2 continues The Repertory Theatre of St. Louis' Mainstage season, October 10 - November 4. Written by Lucas Hnath and directed by Timothy Near, it's a period comedy with a modern attitude.
A DOLL'S HOUSE, PART 2 Comes to Walker
Next up on Weston's exciting new Second Stage is the eight-time Tony Nominated comedy, A Doll's House, Part 2. Opening August 2 at Weston Playhouse at Walker Farm, this recent Broadway hit by Lucas Hnath spotlights Ibsen's famed 19th century heroine, Nora Helmer, as she returns to the place she once called home with an urgent request. One of the most highly sought offerings for regional theatres across the country, A Doll's House, Part 2 will have its Vermont Premiere in Weston.
Photo Flash: Geva Mounts THE DIARY OF ANNE FRANK
Geva Theatre Center's 2017-2018 Season continues with The Diary of Anne Frank, by Frances Goodrich and Albert Hackett, newly adapted by Wendy Kesselman and directed by David Ira Goldstein, in the Elaine P. Wilson Stage from February 13 through March 18.
Geva Theatre Center Presents THE DIARY OF ANNE FRANK
Geva Theatre Center's 2017-2018 Season continues with The Diary of Anne Frank, by Frances Goodrich and Albert Hackett, newly adapted by Wendy Kesselman and directed by David Ira Goldstein, in the Elaine P. Wilson Stage from February 13 through March 18.
Photo Flash: First Look at Francis Guinan and More in THE REMBRANDT at Steppenwolf Theatre Company
Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon. This subtle and elegant play features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin). BroadwayWorld has a first look at the cast in action below!
Photo Flash: In Rehearsal for THE REMBRANDT at Steppenwolf Theatre Company
Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon. Currently in rehearsals, this subtle and elegant play features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin). BroadwayWorld has a sneak peek at the company in rehearsal below!
Photo Flash: In Rehearsal for THE REMBRANDT at Steppenwolf Theatre Company
Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon. Currently in rehearsals, this subtle and elegant play features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin). BroadwayWorld has a sneak peek at the company in rehearsal below!
Taylor Mac's HIR Gets Chicago Premiere This Summer at Steppenwolf
Steppenwolf Theatre Company presents the Chicago premiere production of Hir, a subversive comedy by celebrated playwright, actor, singer-songwriter and performance artist Taylor Mac. Directed by Steppenwolf Artistic Producer Hallie Gordon, the cast features ensemble members Francis Guinan (Arnold) and Amy Morton (Paige) with Em Grosland (Max) and Michael Holding (Isaac).
Photo Flash: Inside Rehearsal for Taylor Mac's HIR at Steppenwolf
Rehearsals are underway for Steppenwolf Theatre Company's Chicago premiere production of Hir, a subversive comedy by celebrated playwright, actor, singer-songwriter and performance artist Taylor Mac. Directed by Steppenwolf Artistic Producer Hallie Gordon, the cast features ensemble members Francis Guinan (Arnold) and Amy Morton (Paige) with Em Grosland (Max) and Ty Olwin (Isaac). BroadwayWorld has a sneak peek at the company in rehearsal below!
Taylor Mac's HIR Gets Chicago Premiere This Summer at Steppenwolf
Steppenwolf Theatre Company presents the Chicago premiere production of Hir, a subversive comedy by celebrated playwright, actor, singer-songwriter and performance artist Taylor Mac. Directed by Steppenwolf Artistic Producer Hallie Gordon, the cast features ensemble members Francis Guinan (Arnold) and Amy Morton (Paige) with Em Grosland (Max) and Michael Holding (Isaac).
BWW Review: The Repertory Theatre of St. Louis Presents a Myriad of Possibilities with CONSTELLATIONS
Playwright Nick Payne takes an unusual approach to his work, CONSTELLATIONS, crafting a simple story that's made more complex by the way in which he allows it to unfold. It's a interesting and engaging piece of theatre that the less open minded might find a bit frustrating due to the very nature of its construction. The Repertory Theatre of St. Louis had put together a fascinating production of this work, which is graced with two excellent performances and sharp direction that fully seeks to explore the world that is created. I found it thoroughly engaging, and I think it's a play that deserves your time and attention.