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Angela Madaline

Birth Place: Philadelphia, PA

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BIO

Off-Broadway:
Golf- The Musical
Golf- The Musical
Female #1
Female #2
John Houseman Theatre
Sofia’s
Christopher Scott
Christopher Scott

NYC Theatre:
The Fartiste (staged reading)
Sugarbaby
Rites of Power (staged reading)

Jane Avril
Doris/Mavis
Rebecca Richter

TheatreNOW/ Pacheco Playhouse
DM Theatricals
Stageplays Theatre Company

John Gould Rubin
Frank Cwiklik
Tom Ferriter

Regional Theatre:
The Spitfire Grill
Golf- The Musical
Wild Dust- The Musical
Meet Me in St. Louis
Damn Yankees
Summer/Winter 2002
Oklahoma!
Little Shop of Horrors
Oliver!
West Side Story
Stonewall Country

Percy
Female #1
Hard Cora
Rose
Doris
Lily Langtry
Ado Annie
Crystal
Old Sally/ Milkmaid
Rosalia
Ellie

Pacheco Playhouse
Scottsdale Performing Arts Center
Centenary Stage Company
Granbury Opera House
Granbury Opera House
Lily Langtry’s Showplace
Lakes Region Summer Theatre
Lakes Region Summer Theatre
Lakes Region Summer Theatre
Lakes Region Summer Theatre
Lakes Region Summer Theatre


Carl Jordan
Christopher Scott
Cindy Marcus
Marty Van Kleeck
Ed Brazo
Greg Thompson
Joe Conger
Joe Conger
Joe Conger
Eric Nielsen
Barry Mines
Film:
Mona Lisa Smile
Panic & Confusion
This Morning
Featured Student
Alexis Devers
Beautiful Girl
Revolution Studios
TransOrb Pictures
Rob Smith
Mike Newell
Nick Briscoe
Rob Smith

Training:
B.F.A- Musical Theatre- Catawba College, NC
Acting: Scene Study w/ Julie Garfield, On Camera Technique w/ Peter Miner- T. Schreiber Studio
Musical Theatre Audition Technique- Paul Harmon
Dance: Jazz, Ballet, Tap, Hip Hop member of Catawba College Dance Ensemble
Vocal: Liz Caplan Vocal Studios

Special Skills:
Dialects: Cockney, Irish, Standard British, NY, Southern American, Philadelphian
Worship Band Leader, domestic executive, organizational enthusiast, & highly skilled action figure surgeon

STAGE CREDITS

[Off-Broadway]
Return Engagement [Off-Broadway], 2005
Performer


News


Nashville Rep's Season-Opening 9 to 5: The Musical Kicks Off An Eagerly Anticipated Slate of Theater

Baker’s superb direction brings all the various moving parts of this huge production together to deliver a gratifyingly heartfelt paean to the millions of working women (and men) who inspired the screenplay and musical book by Patricia Resnick. Baker’s vision for the piece, in concert with her team of collaborators, delivers a production of 9 to 5: The Musical that is delightfully fresh and new, eschewing the tendency of some directors to offer a rehash of what’s already been seen on Broadway, on tour or in regional theater.
The Friday 5(+1) on Wednesday: The Cast of Street Theatre Company's ORDINARY DAYS

Nashville's Street Theatre Company begins its residency at The Barbershop Theatre this weekend with their production of Ordinary Days, running March 17-April 1. Today, the musical's four castmembers - Angela Madaline-Johnson, Sachiko Nicholson, Grant Weathington and Alan Smith - take on our Friday 5(+1) questions to offer you some insight and to tell you why they think you should come see their show.
Friday 5(+1): Getting To Know The New Faces of Nashville Rep's RAGTIME

Ragtime opened last night, featuring a cast of Nashville stage veterans and a sizable coterie of performers, heretofore unknown to local audiences, who are certain to become fast favorites. Taking a brief respite from their hectic schedules of rehearsals, fittings, photo calls, more rehearsals and getting to know one another, four of those newcomers – Shelby Denise Smith, Wood Van Meter, Kortney Ballenger and Steven McCoy – took the time to answer our questions to tell you why you need to score those tickets for Ragtime now if you haven’t already.
Nashville Rep Comes Home to TPAC's Polk Theatre for Season-Opening RAGTIME

Opening Thursday night, November 11 and continuing for five performances through Sunday, November 14, Ragtime – the musical by Stephen Flaherty (music), Lynn Ahrens (lyrics) and Terrance McNally (book) which, in turn, is based upon E.L. Doctorow’s 1975 novel of the same name – promises to be a grand undertaking, which hopefully will blow away the cobwebs and the dust that’s collected in the past year-and-a-half during which the theater was dark and the company strived to remain relevant and productive amidst all the challenges that ensued.
BWW Review: Nashville Shakespeare Festival's JULIUS CAESAR Serves Up Political Intrigue at its Best

As the century was about to turn when Shakespeare first unveiled his tragic masterpiece, Julius Caesar - it's believed to have been written around 1599 - political turmoil was afoot in Britain as worries mounted about who would succeed the aging virgin queen on the throne upon her demise. Thus, all the political intrigue and conspiratorial backbiting of Elizabeth I's reign no doubt proved fertile enough to inspire Shakespeare's epic tale of the demise of the Roman leader.
BWW Review: Chaffin's Barn Re-opens With Habit-Forming SISTER ACT

Nashville's iconic Chaffin's Barn Dinner Theatre is back and better than ever! After some six months - and 50 or more years since its debut - the newly renovated and gorgeously appointed Chaffin's Barn has reopened with a rousing production of Sister Act, the habit-forming musical that played to sold-out audiences last summer.
BWW Review: DISNEY'S FREAKY FRIDAY Gets The Chaffin's Barn Musical Treatment

Chaffin's Barn Dinner Theatre, Nashville's iconic professional theater, opens its 2018 season - its 52nd! - with an entertaining, if somewhat overly long, production of Disney's Freaky Friday, the new musical with a starry musical theater pedigree.

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