Review: A SHERLOCK CAROL Blends Dickens and Doyle at Kinetic Theatre
It has long been posited that Sherlock Holmes is difficult to adapt well, because the nature of Arthur Conan Doyle's 'Sherlock Universe' is so fragmented. Most of his memorable characters apppear only once and rarely interact; even more vexing, Holmes's own behaviors vary from the misanthropic and cold to the joyful and gregarious. How, then, does one construct the ultimate Sherlock Holmes story?
BWW Review: MOMENT OF GRACE, The Actors Centre
Ita??s 1987 and the AIDS crisis is peaking in the United Kingdom. Paranoia has pushed people to stigmatise and shun the diseased for fear of contagion even after it was proved that the virus couldna??t be transmitted by touch alone. To challenge public opinion and to prove a point, Diana Princess of Wales visits patients at Londona??s first AIDS Unit. The photo, picturing her shaking hands with one of them without wearing gloves, entered history.
BWW Review: THREE DAYS IN THE COUNTRY - A Time Well-Spent
The west coast premiere of Patrick Marber's THREE DAYS IN THE COUNTRY receives a sturdy mounting by the always dependable Antaeus Theatre Company. Marber's adaptation of Ivan Turgenev's classic A MONTH IN THE COUNTRY has been smartly condensed and updated from its original five-act length to a much more manageable (and most witty and enjoyable) two-and-a-half-hour running time.
THREE DAYS IN THE COUNTRY Receives West Coast Premiere At Antaeus
Full of wit, folly and heart, a tale of unrequited passion unfolds over the course of three days in the sunny Russian countryside as men and women, both young and old, learn the tender and ridiculous lessons of love. Antaeus Theatre Company presents the West Coast premiere of Three Days in the Country by Patrick Marber, a fresh, breezy update of Ivan Turgenev's classic comedy A Month in the Country. Andrew Paul directs the partner-cast ensemble for a July 12 and July 13 opening (one opening night for each cast) at the Kiki & David Gindler Performing Arts Center in Glendale, where performances continue through Aug. 26. Low-priced previews begin July 5.
Tim Arthur's DARKTALES Set for Edinburgh Festival Fringe
Horror-thriller Darktales is the scariest show at the Fringe! 21 years ago audience members gasped, screamed, fainted or had to leave the theatre. This chilling, creepy play explores the myths and the stories that scare us at night, and the two men who write them. The conversation becomes a sinister exchange, a dark rivalry - but the men are linked by more than their writing - there is a strong smell of sexual jealousy! And the mysterious Lucy looms over their stories. Confronting each other by demonstrating the power of each of their writing styles, slowly reveals a dark secret, leading to a terrifying conclusion.
New Theatre Company The Phoenix Presents BLUE/ORANGE, Now thru 11/23
The Phoenix, the New Theatre Company founded by long-time PICT artistic director and founder Andrew Paul and Pittsburgh Playwrights Theatre founder and former director of theatre initiatives at the August Wilson Center, Mark Clayton Southers, will debut with a four week run of Joe Penhall's provocative, caustically funny, Olivier Award-winning play Blue/Orange. The production will star acclaimed actors David Whalen, Sam Tsoutsouvas, and newcomer Rico Parker, with direction by Andrew Paul and scenic design by Mark Clayton Southers. Blue/Orange, sponsored by founding Phoenix Board Member and noted arts philanthropist Richard E. Rauh, plays tonight, November 1-23, 2013 at the Pittsburgh Playwrights Theatre, 937 Liberty Avenue in downtown Pittsburgh.
New Theatre Company The Phoenix to Present BLUE/ORANGE, 11/1-23
The Phoenix, the new theatre company founded by long-time PICT artistic director and founder Andrew Paul and Pittsburgh Playwrights Theatre founder and former director of theatre initiatives at the August Wilson Center, Mark Clayton Southers, will debut with a four week run of Joe Penhall's provocative, caustically funny, Olivier Award-winning play Blue/Orange. The production will star acclaimed actors David Whalen, Sam Tsoutsouvas, and newcomer Rico Parker, with direction by Andrew Paul and scenic design by Mark Clayton Southers. Blue/Orange, sponsored by founding Phoenix Board Member and noted arts philanthropist Richard E. Rauh, plays November 1-23, 2013 at the Pittsburgh Playwrights Theatre, 937 Liberty Avenue in downtown Pittsburgh.
The Phoenix Launches in Pittsburgh with BLUE/ORANGE, 11/1
Long-time PICT artistic director and founder, Andrew Paul and Pittsburgh Playwrights Theatre founder and former director of theatre initiatives at the August Wilson Center, Mark Clayton Southers have announced Pittsburgh's newest professional theatre company, The Phoenix. The mission of The Phoenix is to explore the issues facing our diverse and rapidly changing world through the language of theatre. The name is purposeful. The phoenix was a mythological creature that crossed borders finding a home in many cultures from ancient Greece and Egypt to Turkey, Persia, Russia, Tibet, China and Japan. It was and is a symbol of renewal, new life emerging from the ashes of the old in a never-ending cycle of death and rebirth.
PICT Announces New Interim Artistic Director Alan Stanford
Pittsburgh Irish and Classical Theatre (PICT) announces the appointment of Alan Stanford as Interim Artistic Director for the company, effective immediately. Mr. Stanford replaces Andrew Paul who, along with Stephanie Riso, founded the company in 1997.
IN THE NEXT ROOM, OR THE VIBRATOR PLAY Opens at PICT
Flip the switch and watch the sparks fly as PICT raises the voltage with their hot 2012 season! Pittsburgh audiences will get a charge out of a titillating new play by a leading American female playwright, a true story, an exploration of the comedic facets of a Russian master (and the great Irishman who was inspired by him), and a zany holiday farce!
PICT Announces Their 2012 Season
Flip the switch and watch the sparks fly as PICT raises the voltage with their hot 2012 season! Pittsburgh audiences will get a charge out of a titillating new play by a leading American female playwright, a true story, an exploration of the comedic facets of a Russian master (and the great Irishman who was inspired by him), and a zany holiday farce!