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Andrea San Miguel

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BIO

At her core, Andrea is a practitioner of empathy, a lover of words, a student, and a storyteller. She is continually inspired by the power of language, the lens by which we contextualize the world, and the work that influences it. She believes great art holds a mirror up to nature and consistently finds truth within itself to inspire and connect through shared experience.

Andrea, a proud Mexican-American from Austin, Texas, earned her BFA in Acting from the University of Minnesota/Guthrie BFA Actor’s Training Program. In 2015 she moved to Chicago; found representation with the incomparable team at Paonessa Talent and has since performed at The Goodman Theatre, Chicago Shakespeare Theatre, Writers Theatre, and Victory Gardens. Regionally she has been seen at The Guthrie Theatre, American Players Theatre, Indiana Repertory Theatre, and Cincinnati Playhouse to name a few.

Andrea’s super power is her ability to deconstruct text. By offering an inquisitive, investigatory perspective into the language, her quest is for complication, queerness, to find the richness of challenging deeply held assumptions, celebrate contradictions, and never stop asking “Why?”

Andrea’s personal mission is to amplify marginalized voices, to provide allyship to those whom history has attempted to erase or oppress, and to inspire her collaborators as much as the audiences she is interminably grateful for.

It takes a village. Andrea believes in the power of community and knows that her city, her community, her family and friends are at the heart of her work, her inspiration, and the source of her dedication.

News


Lookingglass Theatre Company Shares 2025 Performances, Post-show Discussion, Events, and More
by Stephi Wild - Jan 24, 2025

Chicago’s Tony-Award winning Lookingglass Theatre Company has announced its current 2025 season including two mainstage productions, events, and more.
Photos: Steppenwolf Celebrates Opening Night of THE THANKSGIVING PLAY
by Nicole Rosky - May 14, 2024

Steppenwolf Theatre Company continues its 48th season with the Chicago premiere of Larissa FastHorse’s The Thanksgiving Play, a biting comedy about everything right, wrong and woke in America, directed by Jess McLeod. Check out photos from inside opening night here!
Video: Scene from Goodman's THE PENELOPIAD
by Joshua Wright - Mar 25, 2024

Get a first look at this spirited scene from THE PENELOPIAD by Margaret Atwood starring Jennifer Morrison (Once Upon a Time, House) in an all-new video.
Review: THE PENELOPIAD at Goodman Theatre
by Rachel Weinberg - Mar 17, 2024

Goodman Theatre Artistic Director Susan V. Booth puts her own spin on Margaret Atwood’s decidedly feminist tale THE PENELOPIAD. As with her famous novel THE HANDMAID’S TALE, Atwood uses THE PENELOPIAD as a device to convey the horrors and abuse committed against women. Atwood’s points are valid and mirror the gender inequalities and abuse women still experience now (the original novella was penned in 2005). But THE PENELOPIAD’s feminist argument isn’t revelatory. Instead of providing truly new insight or perspective, the play rather reinforces existing (though rightfully undeniable) points. 
Video: First Look at Jennifer Morrison & More in Goodman's THE PENELOPIAD
by Joshua Wright - Mar 13, 2024

Get a first look at Goodman Theatre's world premiere of The Penelopiad by Margaret Atwood starring Jennifer Morrison (Once Upon a Time, House) in an all-new video.
Video: Choreographer JoAnn Hunter On Goodman Theatre's THE PENELOPIAD
by Joshua Wright - Mar 5, 2024

Watch Choreographer JoAnn Hunter talk about her collaboration with Artistic Director Susan V. Booth on The Penelopiad. 'I wanted the movement to help enhance storytelling...' she says in an all-new video.
Video: Jennifer Morrison & More on THE PENELOPIAD at Goodman Theatre
by Joshua Wright - Feb 20, 2024

Watch as the cast of The Penelopiad by Margaret Atwood starring Jennifer Morrison (Once Upon a Time, House) talk about the production's world premiere in Chicago. Watch the all-new video!
Jennifer Morrison to Lead All-Women Cast of THE PENELOPIAD at Goodman Theatre
by Chloe Rabinowitz - Feb 5, 2024

Goodman Theatre is presenting The Penelopiad by Margaret Atwood. See who is starring and learn how to purchase tickets!
Review: MARY SHELLEY'S FRANKENSTEIN at Indiana Repertory Theatre
by Melissa Hall - Sep 24, 2023

Do you think you know the story of Frankenstein? Do you picture a green-skinned creature with bolts in his neck? The true story is less about the monster than it is about its creator and this adaptation looks closely at the writer behind the story. It's a tale of man's hubris and catastrophic guilt and how very human those things are.
Iconic Board Game CLUE Closes Syracuse Stage Season
by A.A. Cristi - May 23, 2023

Syracuse Stage closes its 2022/2023 season with a production that celebrates the pure joy and simple fun of live theatre, the fan favorite and ultimate whodunnit, CLUE. The production runs June 7 to 25 in the Archbold Theatre at Syracuse Stage, 820 E. Genesee St., Syracuse.
Review: THE NOTEBOOKS OF LEONARDO DA VINCI at The Old Globe
by E.H. Reiter - Jan 28, 2023

THE NOTEBOOKS  OF LEONARDO DA VINCI at The Old Globe brings a visually sumptuous peek into the mind of a creative genius.  The production is so much more than a play; it is art, movement, dance, math, and philosophy all brought to life on stage.
Video: First Look at Northlight Theatre's GEORGIANA & KITTY: CHRISTMAS AT PEMBERLEY
by Stephi Wild - Dec 6, 2022

All new video footage has been released for Northlight Theatre's new production of Georgiana & Kitty: Christmas at Pemberley, running now through Christmas Eve.
GEORGIANA & KITTY: CHRISTMAS AT PEMBERLEY to Open at Northlight Theatre in November
by Chloe Rabinowitz - Nov 2, 2022

Northlight Theatre will continue its 2022–2023 season with Georgiana & Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon, directed by Marti Lyons. The production runs November 25 – December 24, 2022.
Review: THE NOTEBOOKS OF LEONARDO DA VINCI at Shakespeare Theatre Company
by Roger Catlin - Oct 6, 2022

What did our critic think of THE NOTEBOOKS OF LEONARDO DA VINCI at Shakespeare Theatre Company?
Northlight Theatre Announces Casts for 2022-2023 Season Shows; THE GARBOLOGISTS, ANDY WARHOL IN IRAN & More
by Chloe Rabinowitz - Sep 14, 2022

Northlight Theatre has announced its 2022-2023 season, opening with the buddy comedy The Garbologists by Lindsay Joelle, directed by Cody Estle.
Chicago Shakespeare Theater Celebrates Shakespeare's 458th Birthday On April 23
by Stephi Wild - Apr 12, 2022

As literary events converge with National Poetry Month in April and World Book Day and William Shakespeare's Birthday on April 23, Chicago Shakespeare Theater is celebrating with productions and programs onstage, online, and in classrooms across the country.
THE NOTEBOOKS OF LEONARDO DA VINCI Opens Tonight
by Chloe Rabinowitz - Feb 22, 2022

Nearly 30 years after its acclaimed premiere, one of the most popular works in Goodman Theatre history opens tonight in the Owen Theatre in a major revival—and will be available to view online next month!
Photos: First Look at THE NOTEBOOKS OF LEONARDO DA VINCI at Goodman Theatre
by Chloe Rabinowitz - Feb 18, 2022

Goodman Theatre is now presenting their major revival of Mary Zimmerman’s The Notebooks of Leonardo da Vinci—three decades after the play premiered in the Goodman’s Studio Series (at the Art Institute of Chicago). Movement and music unite to deliver a poetic glimpse into the mind of history’s ultimate Renaissance man.
Casting Announced for THE NOTEBOOKS OF LEONARDO DA VINCI at Goodman Theatre
by Chloe Rabinowitz - Jan 25, 2022

 Movement and music unite to deliver a poetic glimpse into the mind of history’s ultimate Renaissance man in Mary Zimmerman’s The Notebooks of Leonardo da Vinci—one of the most popular works in Goodman Theatre history—in a major revival nearly 30 years after its premiere.
BWW Review: HOW TO DEFEND YOURSELF at Victory Gardens Theater
by Rachel Weinberg - Feb 2, 2020

Liliana Padilla's HOW TO DEFEND YOURSELF offers a brilliant examination of collegiate life, and, more specifically, the ways in which rape culture and the entirely real possibility of sexual assault affect university students. But what makes Padilla's play so powerful, fascinating, and entertaining is that their playwriting never becomes preachy or pointed. By capturing the parlance and cadence of the language that college students use with acute accuracy, Padilla allows the expertly fleshed out characters to reflect on these issues in a grounded and compelling manner.

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