Review: RENT Soars at Broadway At Music Circus
A lot can happen in 525,600 minutes. Love is found, dreams are lost, and lives are irrevocably altered. Such is the premise of Jonathan Larson’s rock musical, Rent, which is loosely based on Giacomo Puccini’s 1896 opera, La Bohème. Larson wanted to tell the stories of his friends who were afflicted by the AIDS epidemic and, at the same time, highlight the struggles that he and his peers faced as young artists in New York City. Sadly, Larson died from an aortic aneurysm the night before Rent opened Off-Broadway. He would not see it go on to Broadway and win the 1996 Tony Award for Best Musical and the Pulitzer Prize for Drama; however, his vision continues in Broadway at Music Circus’ finale of their 2023 season.
Review: RAGTIME Sets the Standard at Broadway At Music Circus
A question that’s often posed is, “What constitutes good art?” For me, it’s a piece that stretches my knowledge while dispelling assumptions. It’s something that might make me uncomfortable, even if I’m not sure why. It’s a work that evokes such strong emotions that I am left thinking about it for days. Ragtime is good art. Broadway at Music Circus has outdone itself with this powerful production about social justice, feminism, and tenacity. Based on the novel of the same name by E.L. Doctorow, Ragtime opened on Broadway in 1998 and won four Tony Awards, including Best Book of a Musical and Best Original Score.
Review: PRETTY WOMAN THE MUSICAL Plays Nashville's Tennessee Performing Arts Center Through Sunday, 10/02
Pretty Woman The Musical – the latest offering in the 2022-23 Broadway at TPAC Series – is one of those shows that almost defies explanation and proves even more difficult to review. (Case in point: I’ve rewritten that sentence 758 times in the past 22 hours and it’s still not “singing,” is it?) Pretty Woman The Musical is a pleasant enough diversion, entertaining even, but there is little in the show’s first act to convince most people that the 1990 rom com, which starred Julia Roberts and Richard Gere, needed to be transformed into a glitzy and glittering Broadway musical (a term we use loosely in this case), with Olivia Valli and Adam Pascal in the leading roles.
Review: PRETTY WOMAN, THE MUSICAL at Denver Center for the Performing Arts
What did our critic think of PRETTY WOMAN, THE MUSICAL at Denver Center for the Performing Arts? Listen, If Julia Roberts is involved, I'm involved. But what in the world is Pretty Woman, The Musical? Having say through the show recently I can honestly say it felt like a fever dream with tits, ass, and Adam Pascal.
PRETTY WOMAN: THE MUSICAL Tour Recoups Investment
The producers of the first national tour of PRETTY WOMAN: THE MUSICAL have announced that the touring production has recouped its $4.7 million investment after 39 weeks on the road. The Equity tour, which launched in October 2021 at the Providence Performing Arts Center in Providence, RI, will continue through May 7, 2023 with the final scheduled engagement in Sacramento, CA.
Review: Say 'Hell Yes!' to THE COLOR PURPLE at Broadway At Music Circus
For me, the end of summer in Sacramento is signaled by the same event every year-the last show of the Broadway at Music Circus season. This summer’s end is particularly bittersweet, as it marks the finale of a return to the round after two years of being in the dark. Fittingly, this show is the most powerful production of the summer. The Color Purple is the last in what has been a remarkable season of unparalleled talent and delicate themes. Based on Alice Walker’s 1982 novel and 1985 movie adaptation of the same name, The Color Purple opened on Broadway in 2005 and earned eleven Tony Award nominations.