BWW Review: SALOME, National Theatre
Salome, that dancing seductress who demanded the head of John the Baptist, has been reclaimed by Yael Farber in this new feminist interpretation (the RSC stages Oscar Wilde's more familiar take next month). Or at least that's the intention, but Farber's production sacrifices the personal for the mythic - ironically once again losing the girl history erased in a storm of overblown symbolism.
Book Now For SALOME At The National Theatre
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salome at the centre of a revolution.
Rufus Norris Announces New Work for the National Theatre in 2017
New work by Inua Ellams, Ya?l Farber, DC Moore, Lindsey Ferrentino and Nina Raine is announced today by Rufus Norris, Director of the National Theatre. Four world premieres and two European premieres are further announced as forthcoming productions for the National Theatre in 2017.
BWW Review: Stunning and Provocative SALOME at the Shakespeare Theatre Company
SALOME is a visually stunning world premiere that brings us deeply complex characters struggling for command and dignity in one of history's most highly contested strips of land. Yael Farber, the award-winning adaptor-director, returns to the Shakespeare Theatre Company. With SALOME she has shaped a compelling work of power and contradiction.
This production upends the traditional view of Salome, considering her as principled and calculated rather than a monstrous harlot. Here, Salome uses the tools she has - access, sensuality, brains - to effect change. Even within the limitations society placed on her, Salome sees opportunity.