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AM I ROXIE?, SYLVIA SYLVIA SYLVIA and More World Premieres Set for Geffen Playhouse '25-26 Season
by Chloe Rabinowitz - Apr 15, 2025

Geffen Playhouse has unveiled the seven productions that will make up its 2025/2026 season lineup, including two world premieres and more. See the full lineup and learn how to purchase tickets.
Jade Jones, Kyle Beltran and More to Star in WE ARE GATHERED at Arena Stage
by Chloe Rabinowitz - Apr 8, 2025

Arena Stage at the Mead Center for American Theater has revealed the full cast and creative team for Academy Award winner Tarell Alvin McCraney’s new play We Are Gathered. See who is starring and learn how to purchase tickets.
Immersive PARADISE BLUE Cast Now In Rehearsals At Studio
by A.A. Cristi - Apr 5, 2025

Rehearsals are now in full swing for Studio Theatre's fully immersive production of Paradise Blue, the modern classic by Dominique Morisseau, part of her acclaimed Detroit Trilogy.
Cast Set For New Production THE BEAUTIFUL FUTURE IS COMING at Bristol Old Vic
by Stephi Wild - Apr 2, 2025

Bristol Old Vic has announced the full casting for the new production of The Beautiful Future Is Coming, a bold new play set to begin in May. Learn more about the show here!
THE BROTHERS SIZE Comes to Portland Center Stage
by Stephi Wild - Mar 26, 2025

Portland Center Stage will present The Brothers Size, an evocative and powerful play by Tarell Alvin McCraney, beginning next month, at the U.S. Bank Main Stage.
The Theatre School at DePaul University to be Honored by The Jeff Awards
by Chloe Rabinowitz - Mar 19, 2025

The Joseph Jefferson Awards will honor The Theatre School at DePaul University with the 2025 Joseph Jefferson Special Award at the 51st Non-Equity Awards. Learn more about the awards and see how to attend.
How Glenn Davis Shepherded PURPOSE on Its Path to Broadway
by Nicole Rosky - Mar 16, 2025

Glenn Davis had a huge part to play in the Purpose's journey, not only as a cast member in Chicago and now on Broadway, but as Steppenwolf's co-Artistic Director and the person behind pushing along its development in recent years.
Steppenwolf Sets World Premiere and More for 50th Anniversary Season
by Chloe Rabinowitz - Mar 12, 2025

Steppenwolf Theatre Company has revealed its its 50th Anniversary Season. Learn more about the 50th anniversary programming and see how to purchase tickets to upcoming productions!
a.k. payne Wins The 2025 Susan Smith Blackburn Prize For FURLOUGH'S PARADISE
by A.A. Cristi - Mar 11, 2025

The 2025 Susan Smith Blackburn Prize has been given to U.S. playwright a.k. payne for their play Furlough's Paradise. Awarded annually since 1978, the prestigious international Prize is the largest and oldest award recognizing women+ who have written works of outstanding quality for the English-speaking theatre. 
Meet the Cast of PURPOSE, Beginning Previews Tonight on Broadway
by Stephi Wild - Feb 25, 2025

Steppenwolf’s Purpose begins previews tonight, February 25, ahead of an opening on March 17th, and running through July 6, 2025 at the Helen Hayes Theater. Meet the cast of Purpose here!
Kyle Beltran and Nic Ashe to Headline Tarell Alvin McCraney’s WE ARE GATHERED at Arena Stage
by Chloe Rabinowitz - Feb 19, 2025

Arena Stage will present Tarell Alvin McCraney’s new play We Are Gathered, a world-premiere production about queer love and forest magic from the screenwriter of Moonlight.
CAP UCLA Announces Future Visions, A Celebration Of Emerging YoungArts Filmmakers
by A.A. Cristi - Feb 13, 2025

UCLA's Center for the Art of Performance (CAP UCLA) in partnership with YoungArts, the national foundation for the advancement of artists, will present Future Visions, a celebration of YoungArts award winners' burgeoning artistry in filmmaking and storytelling at the UCLA Nimoy Theater on Saturday, March 22.
John Douglas Thompson To Be Honored At Red Bull Theater Benefit
by A.A. Cristi - Jan 15, 2025

Red Bull Theater has announced that John Douglas Thompson will be presented with the Matador Award for Extraordinary Achievement in Classical Theater at the Running of the Red Bulls Gala Benefit.
Cast Set for BUSINESS IDEAS at The Alliance Theatre
by Chloe Rabinowitz - Jan 14, 2025

The Alliance/Kendeda National Graduate Playwriting Competition will continue to spotlight the best emerging playwrights with a full production for the 21st competition winner: BUSINESS IDEAS. Learn more.
LaTanya Richardson Jackson, Harry Lennix, Kara Young & More Will Star in PURPOSE on Broadway
by Nicole Rosky - Dec 9, 2024

Complete casting has been announced for the highly-anticipated Broadway transfer of Steppenwolf Theatre Company’s production of Tony Award-winner Branden Jacobs-Jenkins’ new play, PURPOSE. Check out who has joined the cast!
Alvin Ailey American Dance Theater Kicks Off 2024-25 Season At December 4 Gala
by A.A. Cristi - Nov 27, 2024

Alvin Ailey American Dance Theater‘s 2024-25 season celebrating the life and legacy of Artistic Director Emerita Judith Jamison kicks off on Wednesday, December 4 at 7pm with a star-studded Opening Night Gala.
2025 YoungArts Award Winners Announced
by A.A. Cristi - Nov 26, 2024

YoungArts has announced the 2025 YoungArts award winners— more than 800 of the most accomplished young visual, literary and performing artists from across the country, heralding the next generation of artists to watch.
Vineyard Theatre Reveals Winners of the Emerging Artists Awards
by Chloe Rabinowitz - Nov 20, 2024

Vineyard Theatre has revealed the recipients of the 2024-2025 Paula Vogel Playwriting Award and Colman Domingo Award. Learn more about the award and the recipients!
Review: WAITING FOR GODOT at Geffen Playhouse
by Evan Henerson - Nov 20, 2024

As embodied by Rainn Wilson and Aasif Mandvi in the revival of GODOT at the Geffen Playhouse, Vladimir and Estragon are a formidable pair. Beckett’s play about the unknowable darkness of the human condition has - go figure! - long been catnip for comedians, and you get why Wilson and Mandvi would want a whack at them.
Feature: BEYOND CASTING: THE PLAY IS THE THING
by Herbert Paine - Nov 7, 2024

While casting practices have evolved to enhance diversity (albeit, too slowly and not enough), the selection of plays remains strikingly homogeneous. We need to focus on what is produced as much as who is cast.

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