EDINBURGH 2023: BED Q&A
BWW catches up with the team behind Bed about bringing the new musical to the 2023 Edinburgh Festival Fringe.
BWW Review: LOOKINGGLASS ALICE at Lookingglass Theatre Company
Lookingglass Theatre Company’s signature LOOKINGGLASS ALICE has returned to Water Tower Water Works—and it’s just as whimsical and delightful as I remember it when I first saw the production back in high school. Director David Catlin’s charming and inventive adaptation combines storytelling elements from Lewis Carroll’s ALICE’S ADVENTURES IN WONDERLAND and THROUGH THE LOOKINGGLASS. The production’s partnership with The Actors Gymnasium has also cemented Lookingglass Theatre Company’s unique combination of literary adaptation and impressive aerial artistry. LOOKINGGLASS ALICE not only calls for a talented company of actors but also places considerable physical demands upon its ensemble.
BWW Review: Curiosity-Baiting New Play THE SIEGEL Brings Fresh Comedy to South Coast Repertory
Utilizing a sort of amusing, somewhat wacky plot that somehow works in a sustainably fresh, surprisingly plausible, and audaciously charming way, the world premiere production of playwright Michael Mitnick's thoroughly engaging new play THE SIEGEL---continuing at SCR in Costa Mesa through April 23---proves itself quickly to be one of this season's must-see new plays. Of course, when you see the cast list before even knowing anything about the play, THE SIEGEL is already proving to be quite a curiosity-baiting production. But if you look past the familiar star-wattage and observe the interesting characters and the absorbing story, you'll discover a witty, entertaining, and even thought-provoking comedy that will have you asking... 'are we in a relationship with the right person?'
Photo Coverage: University School of Nashville's THE ADDING MACHINE
Elmer Rice's play The Adding Machine premiered on Broadway in 1923, yet it speaks to the issues of the day: mechanization, corporation, immigration, sexism and bigotry--all at the expense of the individual human being. Fast foward: 2015. Nearly 100 years later, we're still there. So says Catherine Coke, director of The Adding Machine at University School of Nashville.