BWW Review: CRAVE at Intiman Theater
by Amelia Divine - Feb 23, 2025
CRAVE, Sarah Kane’s stylistic one-act play, is an uncompromising plunge into the raw, chaotic landscape of human emotion. Now performing at Intiman Theater, this is a 55-minute concept piece that seems to revel in its own disarray. In true avant‐garde fashion, the play introduces us to four enigmatic characters–A (Lathrop Walker), B (Christopher Morson), C (Marya Sea Kaminski), and M (Alexandra Tavares)–whose disjointed, abstract musings recall the erratic pulse of late 90s beat poetry. Their relationships remain a mystery, their interactions sparse, each figure channeling a distinct, seething rage that resonates deeply with our current socio-political climate.
Photos: CRAVE Presented By Intiman Theatre
by A.A. Cristi - Feb 19, 2025
Love, loss, sex and desire play across the stage in this poetic and deeply personal play from legendary playwright Sarah Kane, returning to Seattle nearly two decades after it last stunned audiences as one of the first productions from Washington Ensemble Theatre (WET). Check out photos from the production.
Latest Standings Announced For The 2024 BWW Seattle Awards
by BWW Awards - Dec 9, 2024
Don't miss your chance to vote for the 2024 BroadwayWorld Seattle Awards! Voting ends on 12/31 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
First Standings Announced For The 2024 BWW Seattle Awards
by BWW Awards - Dec 2, 2024
Check out the first stats for the 2024 BroadwayWorld Seattle Awards! Voting ends on 12/31 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
Review: MRS. LOMAN IS LEAVING at ACT
by Jay Irwin - Oct 18, 2024
Dear Readers, like many, I love a good rollicking backstage comedy. One of those plays within a play where we get to peek behind the stage and check out the antics happening beyond. The classic “Noises Off” for example has always been one of my favorites. Now, along comes this new work from Katie Forgette, 'Mrs. Loman is Leaving', currently at ACT, and while certainly having more than a few funny moments, for a show that makes it very clear to be focused on the oft forgotten Mrs. Loman, and women in general, the resolution of her story arc felt a bit rushed and unsatisfying.
Review: THE BED TRICK at the Center Theatre At Seattle Center
by Shelley Dean - Mar 24, 2024
Best friends, betrayals, love, and lust - Keiko Green’s new work, The Bed Trick, has it all. Seattle Shakespeare's first new commissioned work is set to be a complete hit. Skillfully directed by Makaela Milburn, the dorm window blinds have opened at the Center Theatre at Seattle Center.
Review: THE LOWER DEPTHS at the Erickson Theater
by Shelley Dean - Feb 10, 2024
This weekend, Intiman Theatre and The Seagull Project opened their outstanding, heart-wrenching, and purposefully uncomfortable production of Maxim Gorky’s The Lower Depths. Housed at the Erickson Theater, the extremely cohesive 14-person cast takes the audience on a journey that is intertwined with effective social commentary and award-worthy performances.
THE TEMPEST Comes to Seattle Rep Next Month
by Stephi Wild - Jul 21, 2023
Seattle Rep has announced the cast and creative team for their upcoming Public Works production of The Tempest, adapted with music and new lyrics by Todd Almond and originally conceived and directed by Lear deBessonet.
Review: SOLARIS at Book-It Repertory Theatre
by Jay Irwin - Jun 20, 2023
One thing that can be said about Book-It Repertory Theatre, Dear Readers, is that they know how to surprise and thrill. Their 2016 productions of “The Brothers K” still live rent free in my head. So, when I heard they were tackling a novel such as Stanislaw Lem’s “Solaris”, currently playing at the Center Theater, I was dubious but excited. Taking on this Sci-Fi/thriller/love story is not an easy thing to do. It’s been attempted many times including a few movies, the most recent in 2002 with George Clooney, but to put the Solaris Space Station up on stage sounded like a stretch. But then, I did say they always surprise, and they did this time, as well as thrill.
Review: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW at Intiman Theatre
by Kelly Rogers Flynt - Feb 11, 2023
THE SIGN IN SIDNEY BRUSTEIN’S WINDOW is a complicated story about complex people dealing with complex issues that reveals some simple truths. Ideals and reality clash with reverberating effects. The play forces you to consider your beliefs, commitments, the value of honesty, and what we bring and take from relationships. You will be challenged, provoked, prodded, and rewarded.
Intiman Theatre Announces Cast For THE SIGN IN SIDNEY BRUSTEIN'S WINDOW
by A.A. Cristi - Jan 11, 2023
Intiman Theatre and The Williams Project have announced the cast and creative team for their co-production of Lorraine Hansberry's The Sign in Sidney Brustein's Window, the first professional production in Seattle. All ticket tiers are now available for the play which will show February 7-25, 2023 at the Erickson Theatre (1524 Harvard Ave. Seattle 98122) as part of Intiman's residency at Seattle Central College.
Review: MACBETH from Seattle Shakespeare
by Jay Irwin - Oct 29, 2022
In this time of year with black cats, ghouls and ghosts, and things that go bump in the night, it stands to reason that Seattle Shakespeare would bring out one of the bloodier and creepier of Shakespeare’s canon, “Macbeth”, or “the Scottish play” as it’s known by superstitious theater folk who don’t wish to incur its curse. And while this production, directed by the incredible John Langs, hits most of the right notes (in more ways than one), there was one major point of the show that just didn’t work for me. But we’ll get to that in a minute.
BWW Review: THE THIN PLACE at ACT
by Jay Irwin - Mar 25, 2022
Do you like a good ghost story, Dear Readers? I do. I love it when a creepy tale can make my flesh crawl and jump out of my seat. But there are so few creepy tales on stage. Well, enter Lucas Hnath’s “The Thin Place” currently performing at ACT. Not only is this a truly terrifying tale but it’s from one of the hottest new playwrights around today, author of “Dana H” and “A Dolls House, Part 2”. Add into that a stellar cast and you have a frightfully fun evening on your hands.