Review: MRS. LOMAN IS LEAVING at ACT
Dear Readers, like many, I love a good rollicking backstage comedy. One of those plays within a play where we get to peek behind the stage and check out the antics happening beyond. The classic “Noises Off” for example has always been one of my favorites. Now, along comes this new work from Katie Forgette, 'Mrs. Loman is Leaving', currently at ACT, and while certainly having more than a few funny moments, for a show that makes it very clear to be focused on the oft forgotten Mrs. Loman, and women in general, the resolution of her story arc felt a bit rushed and unsatisfying.
Review: THE BED TRICK at the Center Theatre At Seattle Center
Best friends, betrayals, love, and lust - Keiko Green’s new work, The Bed Trick, has it all. Seattle Shakespeare's first new commissioned work is set to be a complete hit. Skillfully directed by Makaela Milburn, the dorm window blinds have opened at the Center Theatre at Seattle Center.
Review: THE LOWER DEPTHS at the Erickson Theater
This weekend, Intiman Theatre and The Seagull Project opened their outstanding, heart-wrenching, and purposefully uncomfortable production of Maxim Gorky’s The Lower Depths. Housed at the Erickson Theater, the extremely cohesive 14-person cast takes the audience on a journey that is intertwined with effective social commentary and award-worthy performances.
THE TEMPEST Comes to Seattle Rep Next Month
Seattle Rep has announced the cast and creative team for their upcoming Public Works production of The Tempest, adapted with music and new lyrics by Todd Almond and originally conceived and directed by Lear deBessonet.
Review: SOLARIS at Book-It Repertory Theatre
One thing that can be said about Book-It Repertory Theatre, Dear Readers, is that they know how to surprise and thrill. Their 2016 productions of “The Brothers K” still live rent free in my head. So, when I heard they were tackling a novel such as Stanislaw Lem’s “Solaris”, currently playing at the Center Theater, I was dubious but excited. Taking on this Sci-Fi/thriller/love story is not an easy thing to do. It’s been attempted many times including a few movies, the most recent in 2002 with George Clooney, but to put the Solaris Space Station up on stage sounded like a stretch. But then, I did say they always surprise, and they did this time, as well as thrill.
Review: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW at Intiman Theatre
THE SIGN IN SIDNEY BRUSTEIN’S WINDOW is a complicated story about complex people dealing with complex issues that reveals some simple truths. Ideals and reality clash with reverberating effects. The play forces you to consider your beliefs, commitments, the value of honesty, and what we bring and take from relationships. You will be challenged, provoked, prodded, and rewarded.
Intiman Theatre Announces Cast For THE SIGN IN SIDNEY BRUSTEIN'S WINDOW
Intiman Theatre and The Williams Project have announced the cast and creative team for their co-production of Lorraine Hansberry's The Sign in Sidney Brustein's Window, the first professional production in Seattle. All ticket tiers are now available for the play which will show February 7-25, 2023 at the Erickson Theatre (1524 Harvard Ave. Seattle 98122) as part of Intiman's residency at Seattle Central College.
Review: MACBETH from Seattle Shakespeare
In this time of year with black cats, ghouls and ghosts, and things that go bump in the night, it stands to reason that Seattle Shakespeare would bring out one of the bloodier and creepier of Shakespeare’s canon, “Macbeth”, or “the Scottish play” as it’s known by superstitious theater folk who don’t wish to incur its curse. And while this production, directed by the incredible John Langs, hits most of the right notes (in more ways than one), there was one major point of the show that just didn’t work for me. But we’ll get to that in a minute.
BWW Review: THE THIN PLACE at ACT
Do you like a good ghost story, Dear Readers? I do. I love it when a creepy tale can make my flesh crawl and jump out of my seat. But there are so few creepy tales on stage. Well, enter Lucas Hnath’s “The Thin Place” currently performing at ACT. Not only is this a truly terrifying tale but it’s from one of the hottest new playwrights around today, author of “Dana H” and “A Dolls House, Part 2”. Add into that a stellar cast and you have a frightfully fun evening on your hands.
BWW Review: Seattle Rep's THE GREAT MOMENT is a Moment but Not So Great
If you're going to put up an autobiographical play, then you need at least one of two things. You either need a life, or a moment in your life, in which something extraordinary happened, or you need to have moments that amount to a message or meaning that is not widely known by your audience. The Seattle Rep's world premiere of Anna Ziegler's a?oeThe Great Momenta?? has neither of these things. Instead, it amounts to one of my theatrical pet peeves, someone else's therapy on stage.
Casting Announced For Village Theatre's FESTIVAL OF NEW MUSICALS
With The 19th Annual Festival of New Musicals taking place this upcoming weekend, Village Theatre is excited to announce the casting for XY, an uplifting musical about identity and coming to terms with your past; Cold Turkey, a wild and funny satire; Modern, an inspiring tale about a group of Amish teenagers; Eastbound, an poignant story about Chinese brothers in search of a home they've never known; and Cowboy Bob, an adventurous rock musical about a bank-robbing woman. The Festival will take place in Issaquah August 9-11, 2019 and provides an essential platform for writers to develop new works. Past Festival shows include Tony and Pulitzer Prize-winning shows such as Next to Normal and Million Dollar Quartet, as well as Broadway and Off-Broadway hits: It Shoulda Been You, Desperate Measures, Lizzie, and many more.
BWW Review: The Seagull Project's Dark and Moody UNCLE VANYA
OK, so putting up a dark and moody production of Anton Chekhov's 'Uncle Vanya' may sound redundant but remember, this is The Seagull Project. They've spent the last eight years killing it with all things Chekhov and now with the completion of the main plays, the dark and moody tone isn't so much the story but the way it's presented that thrilled.
BWW 2018 Seattle Critic's Choice Awards (Jay's Picks)
Dear Readers, it has been one crazy year with some amazing theater. You know it's true. We've had dead teens riding a roller coaster, demonic puppets, and an ageless guy with a picture of himself in his attic. And, of course, a hip-hop founding father sweeping through town. But let's not talk about the juggernaut when we have such amazing things right here that blew us all away. At least they blew me away. So, let's talk about what blew me away this past year and what I have chosen to give my BWW 2018 Seattle Critic's Choice Awards (Jay's Picks) to (not to mention all those honorable mentions since often I can't limit myself to just one).
BWW Review: Seattle Public's IRONBOUND Delivers Raw Power
Seattle Public Theater tends towards the darker, edgier plays. That's not to say they're adverse to a comedy now and then as is evident with their next offering, 'Hand to God' which I saw on Broadway and laughed my butt off all the way through but still a very dark comedy. But I digress. Typically, they lean toward stories with grit, pathos and anguish. Now I'll admit that their choices don't always hit with me but when they do they hit hard. Past shows like 'On Clover Road' or 'Grounded' still reverberate in my memory as shows that managed to grab me by the heart and soul and shake me around like a little rag doll. Such is the case with their current offering, 'Ironbound' by Martyna Majok.
Working Class Immigrants Choose Survival Over The American Dream In IRONBOUND
At a bus stop in a run-down New Jersey town, Darja, a Polish immigrant cleaning lady, is done talking about feelings; it's time to talk money. Over the course of 20 years, and three relationships, Darja negotiates for her future with men who can offer her love or security, but never both. Award-winning playwright Martyna Majok's IRONBOUND is a darkly funny, heartbreaking portrait of a woman for whom love is a luxury-and a liability-as she fights to survive in America.