Amor Artis to Give 30th Annual New Year's Eve Bach Concert at Church of St. Jean Baptiste
Each year, classically minded New Yorkers in the know enjoy the elegance of an all-Bach New Year's Eve Gala. This 30-year tradition of the Amor Artis Chorus & Orchestra continues with Music Director Stephen Somary conducting the festive Cantatas 41 and 190, Brandenburg Concerto No. 2 and Concerto for Oboe and Violin at the Church of Saint Jean Baptiste (Lexington Avenue & 76th Street), Tuesday, December 31, 8PM. Admission is $50. The concert is over at 9:45, so there's still time to paint the town red!
Bard Music Festival Presents STRAVINSKY RE-INVENTED: FROM PARIS to LA Tonight
'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York'sAnnandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens tonight, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.
Bard Music Festival to Present STRAVINSKY RE-INVENTED: FROM PARIS to LA, 8/16
'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York's Annandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens on Friday, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.