BWW Review: MY THING OF LOVE First Rate at Sixty-six Theater Co,
My Thing of Love is an off-center black comedy about the down side of marriage and the pain of love. Written by award winning playwright Alexandra Gersten-Vassilaros and produced by the Steppenwolf Theatre in the 1990s, the play is a lesser known work and rarely produced. The Sixty-six Theater Co, has audaciously seized the moment and mounted a sterling presentation that will appeal to your twisted sense of humor now through May 18.
BWW Interview: Artistic Director Paul Rush at Sixty-six Theater Co. Welcomes MY THING OF LOVE
Paul Rush is the artistic director of Sixty-six Theater Co. located inside the Strasberg Institute in Hollywood. This past weekend April 26 - 28 he opened a new play in the Marilyn Monroe Theater of the Institute entitled My Thing of Love. In our chat Rush talks about the play, the Sixty-six Theater Co. and why he started it three years ago.
Tell us about Sixty-six Theater Co. and its mission.
It was founded by myself and two of my friends (Maggie Cleary and Coleman Kelly) while we, new to LA, were in that typical Hollywood routine of asking people to look at us, and we got kind of tired of just humbly asking to be looked at. We thought we weren't giving to the community. We wanted to really create thought-provoking theatre with an intention of giving to our audience.
Do you always do first-run shows?
Brown/Trinity Rep MFA Programs Present SHE KILLS MONSTERS and HOW WE GOT ON this May
The Brown/Trinity Rep MFA Programs end their 2018-19 season with two plays in rep, How We Got On by Idris Goodwin, and She Kills Monsters by Qui Nguyen. She Kills Monsters, directed by Tatyana-Marie Carlo ('20) tackles grief through one of the most popular role-playing games, Dungeons & Dragons. How We Got On, directed by Josiah Davis('20), is a coming-of-age story for three young hip hop artists in the suburbs growing up alongside a new genre of music. All performances will take place in rep from May 3 - 19 at thePell Chafee Performance Center, 87 Empire Street, Providence. Tickets are on sale now at Trinity Rep's box office, by phone (401) 351-4242, or online atwww.TrinityRep.com/MFAShows.
HATE BABY, HEDGEHOG YEARS, and HORSE LATITUDE Win Inaugural James Stevenson Prize For Comedic Short Plays
Playing On Air announced today the three winners of the inaugural James Stevenson Prize for comedic short plays. First Prize ($7,500, plus a Playing On Air recording for radio and podcast distribution) has been awarded to Hate Baby by Gracie Gardner. (Gardner is also the winner of the 2017 Relentless Award and author of the New York Times Critic's Pick Athena.) Second Prize ($2,000) has been awarded to Hedgehog Years by Lily Akerman. Third Prize ($1,000) has been awarded to Horse Latitudes (Who Wants to be an Equine Extra?) by Elizabeth Logun.
Sam Waterston and John Douglas Thompson Star in Playing on Air's A MAN OF HIS TIME Podcast
Claudia Catania, founder and Artistic Director of Playing on Air, has announced the release of Playing on Air's 50th podcast: acclaimed actors Sam Waterston and John Douglas Thompson starring in Kate T. Billingsley 's A Man of His Time, directed by Estelle Parsons. A Man of His Time is now available for streaming and download along with Playing on Air's entire archive.
Gripping Adaptation of John Fowles' THE COLLECTOR Opens Off-Broadway
59E59 Theaters hosts the NY premiere of THE COLLECTOR, adapted from John Fowles' novel by Mark Healy, directed by Lisa Milinazzo. Produced by Nine Theatricals and Roebuck Theatrical, THE COLLECTOR plays a limited engagement through Sunday, November 13. Press opening is tonight, November 1 at 7:30 PM.
BWW Review: World Premiere BIG SKY Examines How the Truth Shall Set You Free
The World Premiere of BIG SKY written by Alexandra Gersten-Vassilaros and brilliantly directed by John Rando (Tony and Outer Critics Award winner for Urinetown) at the Gil Cates Theater at the Geffen Playhouse fits in nicely with the theme of the Geffen's upcoming 'Moments of Truth' season as revelations spoken by each cast member finally allow them to drop all pretense and work together toward a goal for their common good. And while the ending seems a bit obscure at first, listening to everyone talking about it as they were leaving the theater convinced me that something thought-provoking had just been shared with all of us.
BWW Interview: Johanna Pfaelzer, Artistic Director of The Powerhouse Theater
Vassar & New York Stage and Film have announced a few of the projects tapped for the upcoming 32nd Powerhouse Season, the annual summer season which stages full productions of new plays, workshop presentations of new plays and musicals, and readings of other works in progress, among other developmental programming.