Albert SIlos
Latest News on Albert SIlos:
Video: SILVER LINING Cast Take Their Bows (Oct 25, 2023)
Video: SILVER LINING Cast, Led by Ricky Davao, Perform 'Atin 'To' (Oct 10, 2023)
BWW Review: CHITTY CHITTY BANG BANG Dazzles and Charms! (Nov 2, 2017)
Video: SILVER LINING Cast Take Their Bows (Oct 25, 2023)
Video: SILVER LINING Cast, Led by Ricky Davao, Perform 'Atin 'To' (Oct 10, 2023)
BWW Review: CHITTY CHITTY BANG BANG Dazzles and Charms! (Nov 2, 2017)
News
Video: SILVER LINING Cast Take Their Bows
Principal casts Ricky Davao (Leo), Joel Nunez (Anton), Raul Montesa (Raul), Nenel Arcayan (Josie), Jep Go (Rico), Shaun Ocrisma (Mart), Maronne Cruz (Dalai), and Hazel Maranan (Agnes) led the curtain call on opening night, Oct. 20.
Principal casts Ricky Davao (Leo), Joel Nunez (Anton), Raul Montesa (Raul), Nenel Arcayan (Josie), Jep Go (Rico), Shaun Ocrisma (Mart), Maronne Cruz (Dalai), and Hazel Maranan (Agnes) led the curtain call on opening night, Oct. 20.
Video: SILVER LINING Cast, Led by Ricky Davao, Perform 'Atin 'To'
A new original Filipino musical about hope and redemption, 'Silver Lining,' has recently welcomed friends from the media to its rehearsal space in Makati City. Cast members, including TV film actor Ricky Davao, performed a musical excerpt, 'Atin ‘To,' before their guests.
A new original Filipino musical about hope and redemption, 'Silver Lining,' has recently welcomed friends from the media to its rehearsal space in Makati City. Cast members, including TV film actor Ricky Davao, performed a musical excerpt, 'Atin ‘To,' before their guests.
BWW Review: CHITTY CHITTY BANG BANG Dazzles and Charms!
Do not let your unfamiliarity with the 1968 movie stop you from watching Resorts World Manila's newest production, Ian Flemming's Chitty Chitty Bang Bang. In fact, in this case, having very limited knowledge prior to watching the show (we are, of course, aware of the flying car since it is being used in the show's promotional advertisements) made the experience more thrilling and enjoyable. Thus, in this review, we shall afford you with the same courtesy and not give too many details about the story. If you happen to know the movie, trust us, this production can still dazzle you with enough charm, making it a satisfying time at the theatre.
Do not let your unfamiliarity with the 1968 movie stop you from watching Resorts World Manila's newest production, Ian Flemming's Chitty Chitty Bang Bang. In fact, in this case, having very limited knowledge prior to watching the show (we are, of course, aware of the flying car since it is being used in the show's promotional advertisements) made the experience more thrilling and enjoyable. Thus, in this review, we shall afford you with the same courtesy and not give too many details about the story. If you happen to know the movie, trust us, this production can still dazzle you with enough charm, making it a satisfying time at the theatre.
RWM Places Its Bet on Family-Friendly Musical CHITTY CHITTY BANG BANG
If timing is everything, wisdom is the impulse to tighten the cue or the restraint to yield the appropriate pause. It's one of the hallmarks of a seasoned thespian.
If timing is everything, wisdom is the impulse to tighten the cue or the restraint to yield the appropriate pause. It's one of the hallmarks of a seasoned thespian.
BWW Review: International Premiere of FUN HOME, Starring Lea Salonga, Eric Kunze
Atlantis Theatrical Entertainment Group's (ATEG) Manila production of the 2015 Tony© Best Musical FUN HOME opens and unravels with no fanfare: a minimalist set, a meager ensemble of ten actors, musical numbers that do not play to spectacular choreography and exploding lights, and a venue so small the performers and spectators are actually within an awkward spitting distance.
Atlantis Theatrical Entertainment Group's (ATEG) Manila production of the 2015 Tony© Best Musical FUN HOME opens and unravels with no fanfare: a minimalist set, a meager ensemble of ten actors, musical numbers that do not play to spectacular choreography and exploding lights, and a venue so small the performers and spectators are actually within an awkward spitting distance.
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