Review: SELLING KABUL at Northlight Theatre
Northlight Theatre's production movingly captures the pessimistic practicality and undying hope that still plagues those most affected by a conflict that never really ended. The play runs through February 25.
SCORCHED Comes to Expats Theatre This Month
Expats Theatre will present the live stage production of Scorched (original French title Incendies) by Lebanese-Québecois playwright Wajdi Mouawad. Learn more about the production and find out how to get tickets here!
Texas Talent Sweeps National Acting Competition at Amphibian Stage's 1st Annual Acting Competition
Amphibian Stage held an acting competition June 8, 9, and 10th as part of SparkFest 2023, an annual festival of new plays in development, workshops, concerts, and parties. This year, the 14-day event focused on MENASA (Middle Eastern/North African/South Asian) culture, bringing together 68 playwrights, directors, musicians, actors, and other creatives from across the country.
Review: HOLIDAY at Washington's Arena Stage: Deeply Flawed Show, Flawless Performance
They sure don't write them like Holiday anymore. A play about the foibles of a family of rich White people that supplies no meaningful social or racial context, a critique of the world of wealth which is bafflingly superficial, and a romance almost lacking in visible courtship, playwright Philip Barry's 1928 Broadway hit has very little claim to be produced now. Yet it's given a sumptuous and impressive production by Arena Stage in Washington. Go for the performances, the costumes, and the direction, and you'll be fine. Seek more, and you may be disappointed.
Review: HOLIDAY at Arena Stage
Philip Barry's 1928 classic is a romantic comedy, as advertised, but its layers of bittersweet emotional valence come through in this handsome production, directed by Anita Maynard-Losh.
BWW Review: HOTTER THAN EGYPT at ACT
Seattle has been honored with a number of new works from Seattle based author and ACT Core Company member Yussef El Guindi. Each one examining cultural differences that face immigrants especially Arab-Americans and Muslim Americans. And while his current World Premiere at ACT, “Hotter Than Egypt”, certainly deals with those cultural divides, it also wonderfully shows the cultural similarities between the races and does it with tons of humor.
ACT Season Opens With HOTTER THAN EGYPT This Month
It’s 2022 and ACT - A Contemporary Theatre is thrilled to officially announce casting for the first production of its return season, Hotter Than Egypt, written by acclaimed local playwright, Yussef El Guindi (Threesome and People of the Book).
BWW Review: EVERYBODY at Shakespeare Theatre Company
'Everybody' may not be for, well, everybody - it's a quirky play that tackles humanity, life, death, and our own fragile existence head-on. But those who are brave enough to face these uncomfortable truths are rewarded with a fast-talking, quick-witted, deep-thinking performance.
Shakespeare Theatre Co Announces Casting For EVERYBODY
Shakespeare Theatre Company will begin its 2019/20 Season with the 2018 Pulitzer Prize Finalist EVERYBODY by Obie Award-winner, MacArthur 'Genius' Grant recipient and Washington, D.C.-native Branden Jacobs-Jenkins (An Octoroon, Gloria). This 'fun and breezy' (Broadway World) comedy about life (and death) will play at the Lansburgh Theatre (450 7th Street NW) from October 15 through November 17, 2019.
Mosaic Theater Company Of DC Turns 5 This Fall And Celebrates Historic Year
Mosaic Theater Company of DC launches its 5th season this month with the DC premiere of Lynn Nottage's Fabulation, Or The Re-Education of Undine, previewing August 21 (see our August 1 Fabulation press release for opening night information, and our March 29 a?oe#Wokeseason5a?? release for full season line-up), exactly one month after the close of the most successful show in Mosaic's history, the co-production of Kelvin Roston Jr.'s Twisted Melodies, which sold out its last week of performances, playing to record crowds and box office, providing the capstone to a season of transformative artistic and fundraising achievements.
BWW Review: OSLO at Round House Theatre
Oslo is an amazing against-all-odds story of risk, trust, and diplomacy. It is about overcoming hard-and-fast assumptions. Oslo shows the value in finding common ground and allowing ourselves to hope. This Round House Theatre production is a wonder-a brilliant heartfelt, heart-filling experience.