Boston Ballet's Digital Season to Conclude With BB@YOURHOME: PROCESS & PROGRESS
Boston Ballet’s digital season will conclude with BB@yourhome: Process & Progress, an approximately one-hour long program featuring a collection of dance films by international choreographic and new-to-North America voices Ken Ossola and Nanine Linning, boundary-breaking choreographer Lex Ishimoto, and Boston Ballet Principal Dancer John Lam.
Boston Ballet Announces 2019"2020 Company Roster
Boston Ballet Artistic Director Mikko Nissinen announces the 2019a?"2020 season roster. A total of 69 dancers make up the Company roster, with 56 in the main company and 13 in Boston Ballet II (BBII), Boston Ballet's second company.
Boston Ballet Announces 2019"2020 Season Promotions
Boston Ballet Artistic Director Mikko Nissinen announces seven dancer promotions for the 2019-2020 season. Second Soloists Chyrstyn Fentroy, Lawrence Rines, and Addie Tapp have been promoted to the rank of soloist. Artists Maria Álvarez, Dawn Atkins, Emily Entingh, and Matthew Slattery have been promoted to second soloists.
Photo Flash: School of American Ballet's 2014 Workshop Performance Benefit Raises Almost $860,000
The School of American Ballet's Workshop Performance Benefit 2014 on Tuesday, June 3, 2014 celebrated 50 years of these annual performances and raised nearly $860,000 for scholarships and school programs. The evening began with cocktails at 5:30pm in Juilliard's Morse Hall, followed by the presentation of the Mae L. Wien Award for Outstanding Service to Dena Abergel, SAB faculty member and NYCB Children's Ballet Master, and Wien Awards for Outstanding Promise to Lyrica Blankfein, Christopher Grant, Baily Jones, and Addie Tapp. Scroll down for photos from the event!
BWW Reviews: THE SCHOOL OF AMERICAN BALLET Celebrates 50 Years of Workshop Performances
On June 3rd 2014, The School of American Ballet's 50th annual Workshop Performance at the Peter Jay Sharp Theater at Lincoln Center once again proved that Balanchine was right when he famously said "But first a school". That remark was Mr. B's response after Lincoln Kirstein invited him to come to the United States to co-found a ballet company in 1933. Eight decades later, as evidenced by the overall high level of talent and artistry on stage, SAB continues to deserve its reputation as this country's foremost pre-professional training ground for ballet dancers versed in the Balanchine style.