Review: H.M.S. PINAFORE at Winter Opera
It's a splendid production of Gilbert & Sullivan’s 'H.M.S. Pinafore', and it brims with glorious music, wonderful voices, and bright, delightful, timeless comedy.
Interview: SPENCER PLACHY of DRACULA at CLASSICAL THEATRE COMPANY
I've tried to draw as much from the novel as I possibly could. I have seen a handful of film depictions. There's one thing in the novel that Van Helsing mentions about how Dracula has what Van Helsing calls a child's brain. That being undead, you are reborn at that moment, and much of your experience of the world around you starts over.
Interview: Christopher Michael of CINDERELLA At Sierra Rep Shares His Thoughts on the West Coast, WICKED, and the Wonderful World of Sonora
The Prince is giving a ball! Rodgers and Hammerstein’s Cinderella is nearing the end of its run at Sierra Repertory Theatre (SRT) in Sonora, and you don’t want to miss the party. Slightly different than its Disney counterpart, this Cinderella is the sophisticated sister. Full of humor, social causes, and beautiful gowns, it has everything needed to entertain the whole family. BroadwayWorld spoke to Christopher Michael, who plays endearing revolutionary Jean Michel, about Cinderella, Sierra Rep, and which coast is the best coast.
LOST LEAR Will Embark on Ireland Tour
Following the national and international tour of A Very Old Man with Enormous Wings, Dan Colley and his company have turned their sights on a very (very) loose adaptation of King Lear, examining the self and that part of us that's inaccessible to others.
Review: Pittsburgh CLO Sets Sail with ANYTHING GOES at Benedum Center
Almost every time you see a major production of Anything Goes, it'll vary in some way from the last one you saw. There are at least three licensable editions of the show, from as far back as the 1930s and as recent as 2022. The song stack is in perpetual flux between a long list of Cole Porter greatest hits and B-sides, and there are several characters who appear only in certain editions of the show. About a decade ago, the show underwent a reputation update from 'park and bark' diva and vaudeville standard to an all-singing-all-dancing showcase for triple-threat performers. It's a lot of wigs on a very old head, but somehow the show still works.
South East Venue Network Launches Take Your Seats Program
In response to a need from venues for more budget and resources to promote contemporary theatre and new writing following the pandemic and during the cost of living crisis, house – a South East venue network – has launched new initiative Take Your Seats. The initiative aims to engage local audiences with their theatres, and provides venues with a strong programme of shows along with the tools and resources to promote them.
Review: HADESTOWN at The Overture
The dancing was well choreographed, although, many numbers were very similar, presumably noting the tedium of the underworld. The use of the rotating stage was well executed, and the overall energy was high. In the end, although disappointed by the book and lack of passion between the two main couples, I was glad to have seen it. id our critic think of HADES TOWN at The Overture?