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Review: H.M.S. PINAFORE at Winter Opera

It's a splendid production of Gilbert & Sullivan’s 'H.M.S. Pinafore', and it brims with glorious music, wonderful voices, and bright, delightful, timeless comedy.
Interview: SPENCER PLACHY of DRACULA at CLASSICAL THEATRE COMPANY

I've tried to draw as much from the novel as I possibly could. I have seen a handful of film depictions. There's one thing in the novel that Van Helsing mentions about how Dracula has what Van Helsing calls a child's brain. That being undead, you are reborn at that moment, and much of your experience of the world around you starts over.
Interview: Bekah Brunstetter on PlayMakers' THE GAME and Broadway's THE NOTEBOOK

Bekah Brunstetter is a native of North Carolina who just so happens to be a prolific playwright. Among her works are F*CKING ART, I USED TO WRITE ON WALLS, BE A GOOD LITTLE WIDOW, GOING TO A PLACE WHERE YOU ALREADY ARE, and THE CAKE.
Interview: How Zoe Kazan Was Pulled to DOUBT: 'I Have to Be a Part of This'

Read BroadwayWorld's exclusive interview with Zoe Kazan, as she discusses starring in Doubt on Broadway.
Robin de Jesús to Perform GETTING STARTED at Music Theatre of Connecticut

Music Theatre of Connecticut will welcome Norwalk, CT native & Tony nominee, Robin de Jesús in his cabaret show, Getting Started. Learn more about the show and see how to purchase tickets.
Wright&Grainger to Present ORPHEUS, THE GODS THE GODS THE GODS, and More at Adelaide Fringe

Wright&Granger returns to Adelaide for the 5th year with 4 shows - Orpheus, The Gods The Gods The Gods, Helios, and Say It & Play It. Learn more about the performances here!
Interview: Christopher Michael of CINDERELLA At Sierra Rep Shares His Thoughts on the West Coast, WICKED, and the Wonderful World of Sonora

The Prince is giving a ball! Rodgers and Hammerstein’s Cinderella is nearing the end of its run at Sierra Repertory Theatre (SRT) in Sonora, and you don’t want to miss the party. Slightly different than its Disney counterpart, this Cinderella is the sophisticated sister. Full of humor, social causes, and beautiful gowns, it has everything needed to entertain the whole family. BroadwayWorld spoke to Christopher Michael, who plays endearing revolutionary Jean Michel, about Cinderella, Sierra Rep, and which coast is the best coast.
BalletLORENT's THE VELVETEEN RABBIT Premieres in Newcastle in November

The Velveteen Rabbit or How Toys Become Real balletLORENT Premieres in Newcastle with shows from 15-18 November 2023 then touring from March 2024 including Sadler's Wells.
Sarasota Jewish Theatre Reveals 2023-2024 Season

Sarasota Jewish Theatre has announced its 2023-2024 season. Learn more about the full season lineup and how to get tickets here!
Tour Dates Unveiled For Take Your Seats Programme

The full tour dates for the three shows that have been programmed for Take Your Seats have been revealed! Learn how to purchase tickets!
BWW Review: Rich Melodies and Bromance at KING GILGAMESH & THE MAN OF THE WILD at Soulpepper

If KING GILGAMESH & THE MAN OF THE WILD doesn’t bring it with the plot, it more than delivers on music.
LOST LEAR Will Embark on Ireland Tour

Following the national and international tour of A Very Old Man with Enormous Wings, Dan Colley and his company have turned their sights on a very (very) loose adaptation of King Lear, examining the self and that part of us that's inaccessible to others.
Full Cast and Creative Team Set For LITTLE SHOP OF HORRORS at the Muny

The Muny has announced its full cast, design and production teams for the cult classic, Little Shop of Horrors, July 25 - 31. 
Invulnerable Nothings To Present The World Premiere Of GALATEA 2.0 Brooklyn Art Haus

Blue Gatorade, Greek mythology and sex work converge in the World Premiere production of Invulnerable Nothings' new play GALATEA 2.0 written by Sophie Dushko.
Review: Pittsburgh CLO Sets Sail with ANYTHING GOES at Benedum Center

Almost every time you see a major production of Anything Goes, it'll vary in some way from the last one you saw. There are at least three licensable editions of the show, from as far back as the 1930s and as recent as 2022. The song stack is in perpetual flux between a long list of Cole Porter greatest hits and B-sides, and there are several characters who appear only in certain editions of the show. About a decade ago, the show underwent a reputation update from 'park and bark' diva and vaudeville standard to an all-singing-all-dancing showcase for triple-threat performers. It's a lot of wigs on a very old head, but somehow the show still works.
Video: Fences Unveils Video For Latest Single 'No One' Off Upcoming LP 'Bright Soil'

Critically acclaimed singer/songwriter/guitarist Christopher Mansfield, who records under the Fences moniker, has unveiled the music video for 'No One' the latest single off his upcoming album 'Bright Soil' due out this fall on Enci Records. The track evokes a sense of movement and urgency as Manfield revisits his former self.
South East Venue Network Launches Take Your Seats Program

In response to a need from venues for more budget and resources to promote contemporary theatre and new writing following the pandemic and during the cost of living crisis, house – a South East venue network – has launched new initiative Take Your Seats. The initiative aims to engage local audiences with their theatres, and provides venues with a strong programme of shows along with the tools and resources to promote them.
Robin De Jesús, Patti Murin, and More Will Lead LITTLE SHOP OF HORRORS at The Muny

The Muny has announced that three-time Tony nominated actor Robin De Jesús, Patti Murin, Michael McGrath, Ryan Vasquez and Nicholas Ward will star in the comedy to die for, Little Shop of Horrors, July 25-31, 2023.
Edinburgh International Children's Festival Announces Its Programme With Tickets On Sale For 2023

The Edinburgh International Children’s Festival launched its programme with an exciting line up of activities, events and performances for young people, schools, families, and industry professionals to immerse themselves within.
Review: HADESTOWN at The Overture

The dancing was well choreographed, although, many numbers were very similar, presumably noting the tedium of the underworld. The use of the rotating stage was well executed, and the overall energy was high. In the end, although disappointed by the book and lack of passion between the two main couples, I was glad to have seen it. id our critic think of HADES TOWN at The Overture?

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