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MEMPHIS Tickets On Sale Now in Orlando

By: Mar. 29, 2013
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MEMPHIS, the 2010 Tony Award Winner for Best Musical, opens at the Bob Carr Performing Arts Centre on May 14 for a limited one week engagement! Tickets go on sale Friday, March 29 at 10 a.m.

Tickets start at $41 and are available online at www.OrlandoBroadway.com. Tickets can also be purchased at the FAIRWINDS Broadway Across America - Orlando box office located at 100 South Eola Drive, Suite 101 in downtown Orlando or by calling 1-800-982-2787. Group orders of 10 or more may be placed by calling 407-704-6116.

Critically acclaimed MEMPHIS won four 2010 Tony Awards including Best Musical, Best Original Score (David Bryan and Joe DiPietro), Best Book (Joe DiPietro), and Best Orchestrations (David Bryan and Daryl Waters). MEMPHIS won four Drama Desk Awards including Outstanding Musical, Outstanding Performance by an Actress (Montego Glover), Outstanding Music (David Bryan) and Outstanding Orchestration (David Bryan and Daryl Waters). MEMPHIS has also won four Outer Critic Circle Awards including Outstanding Musical, Outstanding Score (David Bryan & Joe DiPietro), Outstanding Actress (Montego Glover) and Outstanding Choreography (Sergio Trujillo).

MEMPHIS takes place in the smoky halls and underground clubs of the segregated 50's, where a young white DJ named Huey Calhoun fell in love with everything he shouldn't: rock and roll and an electrifying black singer. MEMPHIS is an original story about the cultural revolution that erupted when his vision met her voice, and the music changed forever. Come along on their incredible journey to the ends of the airwaves -- filled with laughter, soaring emotion and roof-raising rock 'n' roll.

The show features a brand new Tony winning score with music by Bon Jovi's founding member and keyboardist David Bryan and lyrics by Bryan and Joe DiPietro (I Love You, You're Perfect, Now Change), who also pens the musical's book. Bryan and DiPietro also collaborated on the award-winning off-Broadway hit, The Toxic Avenger. MEMPHIS is based on a concept by the late George W. George (producer of the Tony nominated Bedroom Farce and the film My Dinner with Andre), with direction by Tony nominee Christopher Ashley (Xanadu) and choreography by Sergio Trujillo (Jersey Boys).

Scenic Design for MEMPHIS is by Tony Award winner David Gallo (The Drowsy Chaperone, Reasons to Be Pretty), Costume Design is by Tony nominee Paul Tazewell (In the Heights), Lighting Design is by Tony Award winner Howell Binkley (Jersey Boys) and Sound Design is by Ken Travis (The Threepenny Opera).

David Richardson of WOR Radio calls MEMPHIS "The biggest hit on Broadway" while Charles Isherwood of the New York Times says, ""David Bryan evokes the powerhouse funk of JAmes Brown, the hot guitar riffs of Chuck Berry, the smooth harmonies of the Temptations, the silken, bouncy pop of the great girl groups of the period." The New York Post raves "Of such thrills, Broadway is made," Newsday calls the show "A smash! An extraordinary show," the Daily News promises that MEMPHIS will "Blast you out the door humming and happy" and NY1's Roma Torre cheers, "MEMPHIS ROCKS!"

The national tour of MEMPHIS is produced by Junkyard Dog Productions, Barbara and Buddy Freitag, and Marleen and Kenny Alhadeff, with Latitude Link, Jim and Susan Blair, Demos Bizar Entertainment, Land Line Productions, Richard Winkler, Alex and Katya Lukianov, Dave Copley, Dancap Productions, Inc., 2 Guys Productions, Patty Baker, and Dan Frishwasser, in association with Eric and Marsi Gardiner, Linda and Bill Potter, Broadway Across America, Vijay and Sita Vashee, Apples and Oranges Productions, Brian and Betty Dovey, John Yonover and Ron Yonover, Loraine Boyle/Chase Mishkin, Remmel T. Dickinson/Memphis Orpheum Group, Jocko Productions/Shadowcatcher Entertainment, Scott and Kaylin Union.

MEMPHIS Performance Schedule:
Tuesday, May 14 - 8:00 pm.
Wednesday, May 15 - 8:00 p.m.
Thursday, May 16 - 8:00 p.m.
Friday, May 17 - 8:00 p.m.
Saturday, May 18 - 2:00 p.m. and 8:00 p.m.
Sunday, May 19 - 1:00 p.m. and 6:30 p.m.



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