From tonight, October 8, through October 25, Theater for the New City will present the world premiere of "Wives," newly written by Mario Fratti, in a double-bill with his breakthrough play, "The Academy." Taken together, the two plays illustrate the changing nature of the battle of the sexes between the postwar period and now. The two-part evening is directed by actor/director Stephan Morrow, who plays the instructor of a school for gigolos in "The Academy."
In "The Academy," it's 1950 Venice and amid the postwar nihilism and defeat, a reactionary professor has organized an 'academy' to teach young Italian men how to seduce and exploit American women. The six young gigolos who are his students are not the helpless loafers we know from Fellini's "I Vitelloni." Rather, they are enterprising young men, most bearing names that were commonly given to babies of the period (Afro, Benito, Corso, Donato, Elio) in praise of Mussolini's regime. All owe a curious debt to the Professor's wife, who oddly represents the postwar nation as reflected in the character of a woman. "The Academy" was originally presented by
Lucille Lortel at Theatre De Lys in 1963; in the cast were
Ron Liebman and
Jacqueline Brooks. The play was published in "Masterpieces of the Modern Italian Theatre" and its success put Fratti on the map of the best European playwrights. The play's Professor, who trains the young men in the sympathetic tactics to conquer vulnerable American dowagers, will be played in this production by director Stephan Morrow. Other casting is incomplete as of this writing. His wife will be played by Kate Rose Reynolds and the students will be played by Michael Striano,Fergus Scully,
Kellan Peavy, Nick Palazzo and Taylor Petracek and Tucker Lewis.
"Wives" the world premiere, was written recently and offers a contrasting view of American women. Instead of being victimized by an opportunistic man, they are firmly in control. Compared to "The Academy," "Wives" displays a definite power shift in the battle of the sexes. Carlotta Brentan plays the man's divorced wife,
Giulia Bisinella plays his new fiancee. Both appeared last year in Fratti's "Six Passionate Women" at TNC.
Mario Fratti (
www.mariofratti.com), a prolific playwright and drama critic, was born in Italy but has been living in New York since 1963. Some of his plays have been performed in more that 700 theaters in 19 languages. Among them are "Cage," "Victim,"
Eleonora Duse," "Return," Academy," "Lovers," "Sister," "Che Guevara," "Bridge," "Porno," "A.I.D.S.," "Seducers" and "Madame Senator." His adaptation of his Felliniesque play "Six Passionate Women" (inspired by Fellini's "8½," depicting a maestro shooting a film about women in Venice) became "Nine," the now-legendary Broadway musical that grabbed seven Tony awards and eight Drama Desk awards. So, Fellini's life became a wonderful musical from "8½" to "Nine." Fratti's book, "28 Unpredictable Plays by
Mario Fratti," has been published by New York Theatre Experience.
He enjoys working at Theater for the New City with producer/artist/director
Crystal Field "because she does not know the word censorship. She always allows my approach to political dramas." It's an interesting historical footnote that Fratti's "Chile '73" was TNC's first international production when it was presented in 1974 at the Parma International Theater Festival. He also instigated a theater exchange between Theater for the New City and La Piccola Brigata of L'Aquila--his home town--in the 1988-1989 theater season.
Fratti's recent Theater for the New City productions include "Trio" (2010), "Quartet" (2011), the double-bill of "Three Sisters and a Priest" and "Suicide Club" (2012), "The Vatican Knows (about the kidnapping of that young woman)" (2013) and"Six Passionate Women" (2014). All five productions were directed by Stephan Morrow.
Director Stephan Morrow relates that the first play he ever acted in as an adult was a Fratti play, "The Cage," at
Manhattan Theater Club, followed closely after by "Her Voice," which was part of an evening of one-acts by Fratti at The
Quaigh Theater. Since then, he has directed six Fratti productions, all of them at TNC. Morrow was mentored into the Playwright Directing Unit of the Actor's Studio by
Elia Kazan. After working on two plays and a film with
Norman Mailer, Morrow acted in and directed Mailer's play, "The Deer Park - Hollywood goes to Hell" in 2007 and was invited to co-direct and act in a film of the play. He has also collaborated closely with
Arthur Miller,
Norman Mailer,
Lyle Kessler and
Murray Schisgal. He has helmed, among many others, "Triangle - The Shirtwaist Triangle Factory Fire" by J. Gilhooley at 59E59St Theaters, concert readings of
Murray Schisgal plays at The Actor's Studio and TNC, and the NY theatrical debut of "Dogmouth" by
John Steppling at TNC. He directed and acted in the independent film of "Dogmouth," which has now been invited to six festivals. It won three awards May 7 at The Bergenfield Film Festival, including Best Actor for Morrow. Other awards include the prestigious Award of Merit: Film Feature at The IndieFEST International Film Competition. The film is now being brought to The Toronto International Festival by a producer/distributor, Marie Adler and Assoc. Morrow is Artistic Director of The Great American Play Series, which presents 'performances on book' of neglected American classics featuring prominent actors.
Set design is by
Mark Marcante. Lighting design is by Alexander Bartenieff.
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