Partly Cloudy People to Present Revival of TIGERS BE STILL, 5/9-25

Partly Cloudy People has announced its production of Kim Rosenstock's Tigers Be Still, directed by Pirronne Yousefzadeh. Tigers Be Still will play a three-week limited engagement at the DRILLING COMPANY THEATER (236 West 78 Street, Floor 3). Performances begin Thursday, May 9 and continue through Saturday, May 25. Opening night is May 9 (8 pm).

PRESS PERFORMANCES: Thursday, May 9 | Friday, May 10 | Sunday, May 12 (unofficial dates will be accommodated upon request).

Tigers Be Still is a hilarious, touching and deliciously dark comedy critically acclaimed by NY Times as "Piercing, Ferocious, and Devastatingly Hilarious." Sherry Wickman has just completed her masters in art therapy and she thinks all her dreams are about to come true. Instead, she finds herself unemployed hiding under the covers of her childhood bed most days. But when Sherry lands her first job as an art teacher in a local school, her future looks a bit sunnier. Now if only her mother would get out of bed, her sister would abandon the bottle of Jack she cradles incessantly, her first therapy patient would stop stealing, her new boss would leave his gun at home and someone would catch the prowling tiger that escaped from the local zoo, life would be great and dare she say, normal.

Tigers Be Still will serve as an awareness campaign and fundraiser for The Ackerman Institute for The Family.

The production features set design by Jason Ardizzonne-West, costume design by Beth Goldenberg, light design by Mike Inwood, and sound design by Emma Wilk.

Tigers Be Still plays the following schedule through Saturday, May 25: May 9-11 at 8pm; May 12 at 3 pm; May 17-18 at 8 pm; May 19 at 3 pm May 22-25 at 8 pm

Tickets are $18 and are now available online at www.partlycloudypeople.com or by calling 212-686-4444. Tickets may also be purchased in-person at the Drilling Company Theater Box Office, 30 minutes prior to the show. Running Time: 90 minutes, with no intermission.

Kim Rosenstock (Playwright) Plays include 99 Ways to F@%k a Swan, and Bride*Widow*Hag. In addition, she conceived and co-wrote the musical Fly By Night. She is currently working on a new musical with singer- songwriter Shaina Taub for Oregon Shakespeare Festival, as well as working on commissions for Roundabout Theater, Dallas Theater Center and Ars Nova where she was the 2011 playwright-in-residence and a member of the writers group, Play Group. She is a graduate of Amherst College where she first began writing plays under the mentorship of Constance Congdon. She subsequently earned her MFA in playwriting at Yale School of Drama. She is originally from Baldwin, Long Island and currently lives in Los Angeles where she is a writer for the television show, "New Girl."

Phillip Chavira (Producer) Phillip recently worked with the Vice President and General Manager at Davenport Theatrical (Avenue Q, Godspell, Chinglish, Speed-the-Plow). He is an MBA candidate and the Vice President of Communications for the Black and Hispanic MBA Association at Fordham University Business School. He is studying management and finance, concentrating on marketing and public relations. Phillip was the Company Manager for UnsungMusicalsCo's At Home Abroad, starring Bruce Villanch, and worked with UMC on Make Mine Manhattan, Nothing is Forever, and Gatsby staring Matt Cavenaugh. Phillip has worked with Identity Theater Company to produce reading series and children's theater tours in NYC. He recently worked with writer June Rachelson-Ospa and composer Daniel Neiden on Welcome to Tourettaville, originally produced by Rachelson-Ospa at the Kennedy Center in D.C. Phillip worked with Identity to also produce Cinderella-an adaptation. Other theater credits include Production Assistant and House Manager with Soho Rep (Elective Affinities with Zoe Caldwell, Born Bad), and Resident Stage Manager with Nico's Spoon Theater for two seasons. Phillip was Program Director and Musical Director for four seasons at Kamp Kaleidoscope at LimeLight Productions, Inc in Arizona.

Pirronne Yousefzadeh (Director) Credits include: Grace, or the Art of Climbing by Lauren Feldman (Power Plant Productions/NPTC, Barrymore Nomination for Outstanding New Play), QVC by Sam Hunter (Partial Comfort Productions' TEN), The Tenant (Woodshed Collective; Best of 2011, The L Magazine), I <3 Revolution (NYC Fringe, Backstage & nytheatre.com critic's picks), What Happened to Bill Viola? by Cory Hinkle (Ars Nova, Hangar Theatre, Berkshire Fringe Festival), Far Away by Caryl Churchill (Williamstown Theatre Festival), Jack Perry is Alive (and Dating) by Harrison David Rivers, Daniella Shoshan & Julia Meinwald (Ars Nova, NYMF), Big Love by Charles L. Mee (Riverside Theatre), and numerous other productions, readings and workshops with New York Theatre Workshop, Soho Rep, Ensemble Studio Theatre, Rising Phoenix Rep, The Playwrights Realm, Noor Theatre, The Lark, Actors Theatre of Louisville, Milwaukee Rep, and Hangar Theatre. Pirronne is a Usual Suspect at New York Theatre Workshop and the Fellowship Coordinator, New Georges Affiliated Artist and member of The Jam, member of Rising Circle Theater Collective and the Old Vic/New Voices Network, and an alumna of the Emerging Artist Fellowship at NYTW, 2011 Lincoln Center Directors Lab, 2009-10 Soho Rep Writer/Director Lab, Ensemble Studio Theatre's Resident Director Program, and Drama League Directors Project. She is a directing mentor at Fordham University, and a guest artist at Ramapo College and Hofstra University. Upcoming projects include Helping People by Diana Stahl (IRT/Superhero Clubhouse). MFA, Columbia University. www.pirronne.com.

Stephanie Wright Thompson* (Sherry) Credits include: Mission Drift (The TEAM); Trade Practices (HERE Arts); The Bird and the Two-Ton Weight (EST); Habit (PS122); 1Rove (The Bushwick Starr); Samuel & Alasdair: A Personal History of the Robot War (New Ohio Theatre/Ars Nova/The Brick); The Tremendous Tremendous (The Brick); Woody Guthrie Dreams (Theatre for the New City); Another Part of the Forest (Peccadillo Theater); Michael and Edie (Greenpoint Division); Have You Seen Steve Steven? (13P); Girl's Room (Queens Theatre in the Park); The Children (NYMF); Camino Real and Ivanov (Columbia Stages). Regional: Six Years and Neon Mirage (Humana Festival); A Midsummer Night's Dream, Christmas Carol, and Dracula (Actors Theatre of Louisville); tempOdyssey (New Jersey Rep.); Wallflower (Stages Rep.). She is Co-Artistic Director of The Mad One.

Sarah Nedwek* (Grace) Credits: Vanda in Venus in Fur (The Repertory Theatre of St. Louis). She has performed in numerous productions with Josh Fox's International WOW Co., originated the role of Jane Fairfax in Michael Bloom's adaptation of Emma and starred in the Journeyman Pictures production, Memorial Day. She originated the role of Natalie in the world premiere of, Fashionistas and appeared in Anne Coburn's award winning comedic short, Pretty All the Time. Television appearances include All My Children and Bonnie Hood in Discovery ID's, My Dirty Little Secret. She is a proud graduate of The Cleveland Play House/Case Western Reserve MFA program. www.sarahnedwek.com

Juan Castano (Zack) Credits: TV: Blue Bloods (CBS); Alien Dawn (Nickelodeon); Elementary (CBS). Recent theater credits: Jesus hopped the 'A' train (Atlantic Stage 2); Minotaur (by Harrison David Rivers); La Nina que Moria a Cada Rato (NYC Spanish Rep). Drew Moore (Joseph) Credits: Orlando in As You Like It (Nashville Shakespeare Festival). Last year he returned to acting after an extended hiatus, during which time he earned a Ph.D in Comparative Literature at CUNY, and held teaching posts in Classics and English at Brooklyn College and West Point. Drew was in short film Uncommon Threads. Studied acting at Northwestern University and BADA.

Partly Cloudy People (Producer) NYC Theater Production Company, creates performances to support and raise awareness for community driven non-profit and education groups. We identify a non-profit whose mission statement aligns with the central theme of a play we want to produce. The productions explore the human condition, complete with its flaws, and potential to grow and heal. We believe in fostering new talent, diverse casting, and creating theater as a means to both educate and entertain. www.partlycloudypeople.com

The Ackerman Institute for the Family (Partner) Founded in 1960, the Ackerman Institute for the Family is one of the premier institutions for family therapy and one of the best-known and most highly regarded training facilities for family therapists in the United States. The Institute serves families from all walks of life at all stages of family life. www.ackerman.org

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