Leonard Jacobs, Founder of the Clyde Fitch Report, to Lead Talkbalk Following THE CLIMBERS

Obie Award winning Metropolitan Playhouse stages THE CLIMBERS, Clyde Fitch's indictment of a decadent and selfish age, directed by Metropolitan favorite Michael Hardart, at the Playhouse: 220 E 4th Street, New York City.

"Bringing many artists from Metropolitan's past seasons together for the first time, it is the play to begin the Season of Resilience," says Artistic Director Alex Roe.

Previews begin 9/8/17
Opening 9/15/17
Closing 10/8/17

Press Previews:
Sunday 9/10/17 at 3 pm,
Monday 9/11/17 at 7:30 pm
Thursday 9/14/17 at 7:30 pm

(Press also welcome at any performance from 9/16 - 10/1/17.)

Tickets are $30 general; $25 students/seniors; $10 children, and may be purchased online at www.metropolitanplayhouse.org/tickets or by telephone at 800 838 3006

Metropolitan Playhouse (220 E. Fourth Street) announces that Leonard Jacobs, the current Director of Cultural Institutions at The New York City Department of Cultural Affairs, will lead the talkback following the 3 p.m. matinee performance of Clyde Fitch's 1901 satire The Climbers on Sunday, September 10.

A longtime arts journalist, critic, author, blogger and practitioner, Jacobs is the founder and editor emeritus of The Clyde Fitch Report, as a curated opinion site at the nexus of arts and politics. Leonard is a former national editor of Back Stage, the trade publication for American actors, and founding editor of Theatermania.com; he also authored the book Historic Photos of Broadway, celebrating the NY Public Library for the Performing Arts. In 2016, Jacobs joined the faculty of Baruch College (CUNY) as Adjunct Professor in its MA Arts Administration program.

The Climbers is a sharp satire from the Gilded Age of both vulgar competitors for wealth and status, as well as the censorious critics who resisted them. In Fitch's incisive eye, the scramble to assert superiority is a curse for all sides in a play that is a welcome appraisal of a divided culture from a century past. His vote for compassion and empathy is one that should count again.

At the dawn of the 20th century, the altruistic and esteemed head of the Hunter family has died before his time, leaving his wife and three daughters with an unwelcome surprise. Desperate in his final months to keep up with the demands of their extravagant social life, he made a risky investment and lost the family's once substantial fortune, leaving them with no assets or income at all. Mr. Hunter's widow, youngest daughter, and son-in-law scheme to dupe others into making up their losses. Meanwhile, his sister and two elder daughters vow to care for themselves and their families whatever the personal costs. From these different campaigns spring both the wicked comedy and tender pathos of the play.

Clyde Fitch (1865-1909) between 1890 and 1909, wrote at least 62 plays-36 original scripts, 21 adaptations, and five dramatizations of novels. For most of his career, he was the reigning king of New York Theater: On one occasion, he had four plays running on Broadway; on another occasion, he had five. In the days before income tax, his annual earnings were equivalent to $15 million today. As sensational as his plays were, with their opulent, realistic settings and reliance on well-worn plots and melodrama, were hot controversies involving the man, including plagiarism (false), obscenity (acquitted) and homosexuality (true). Two of his finest plays (both revived at Metropolitan) raised eyebrows-what with Fitch's female lead in The Truth committing suicide, and audiences at The City shocked and even fainting over Fitch's depiction of drug abuse, incest and an actor uttering the word "goddamn" for the first time on a Broadway stage. He collaborated with Edith Wharton to create a stage version of The House of Mirth, last presented at Metropolitan in 2012. Off-stage, Fitch raised eyebrows with his sartorial flamboyance, effeminacy, luxurious lifestyle, and, early in his career, a brief romance with Oscar Wilde to whom he was often compared. Fitch died in France in 1909 at age 44.

The Climbers is directed by Michael Hardart and features in the cast Levi Adkins, Becca Ballenger, Erin Beirnard, Margaret Catov, Ian Eaton, Alexandria Ann, Marc LeVasseur, David Licht, Matt McAllister, Erin Leigh Schmoyer and Alyssa Simon.

PERFORMANCES
September 8th - October 8th, 2017
Thursdays - Saturdays at 7:30 pm
Sundays at 3 pm

ADDITIONAL PERFORMANCES
Monday, 9/11 at 7:30 pm (Pay What You Will)
Wednesdays, 9/27 & 10/4 at 3 pm
Saturdays, 9/30 and 10/7, at 3pm

ABOUT METROPOLITAN PLAYHOUSE

METROPOLITAN PLAYHOUSE explores America's theatrical heritage through forgotten plays of the past and new plays of American historical and cultural moment. Now in its 26th season, the theater received a 2011 OBIE Grant from The Village Voice for its ongoing productions that illuminate who we are by revealing where we have come from. Called an "indispensable East Village institution" by nytheatre.com and "invaluable" by Back Stage, Metropolitan has earned accolades from The New York Times, The Village Voice, and The New Yorker. Other awards include Outstanding Performing Arts Group from the Victorian Society New York, and 18 nominations for NYIT Awards since 2010, with winners Lenore Wolf for short script, Sidney Fortner for costumes, Frank Anderson for lead actor. Recent productions include ON STRIVERS ROW, LEAH, THE FORSAKEN, END OF SUMMER, O'NEILL (Unexpected), WALK HARD, ALISON'S HOUSE, INJUNCTION GRANTED, THE MAN OF THE HOUR, ICEBOUND, WITHIN THE LAW, THE HERO, A MAN'S WORLD, BOTH YOUR HOUSES, THE HOUSE OF MIRTH, DEEP ARE THE ROOTS, THE JAZZ SINGER, ONE-THIRD OF A NATION, UNCLE TOM'S CABIN, and DODSWORTH, as well as the Alphabet City and East Village Chronicles series.

To post a comment, you must register and login.