When it was first published in 1889, Leo Tolstoy's The Kreutzer Sonata immediately became a cause célèbre and was banned by the Russian authorities for its explicit portrayal of the corrupting power of sexual obsession and jealousy. Tolstoy had been inspired by the Beethoven piece of the same name and hoped one day to see his work performed to the accompaniment of music.
Over a century later, London's Gate Theatre has realized Tolstoy's dream, commissioning celebrated young playwright Nancy Harris to adapt Tolstoy's text for a production that incorporates film, live music and performance. The resulting show, directed by the Gate's departing co-Artistic Director Natalie Abrahami, made its world premiere at the Gate in 2009, winning vast critical praise and breaking all of the theater's box office records. Following a return to the Gate, from January 6-February 18 of this year, the production comes to La MaMa's First Floor Theatre (74A East 4th Street) for its American Premiere, running March 8-25.In The Kreutzer Sonata, a man boards a train, and in the confined space of the carriage, potent memories are triggered. Soon he is confessing to a terrible crime for which he holds Beethoven's Kreutzer Sonata responsible.
At La MaMa (and in the limited return engagement at the Gate in January-February), Hilton McRae reprises his role as jealous husband Pozdynyshev. Also returning are original cast members Sophie Scott as Pozdynyshev's wife and Tobias Beer as supposed lover Trukhachevski.Videos