Sharon Tate in Heaven has a new home in New York City for the August 8-11 run: The White Box Studio C at The Alchemical Theatre Laboratory. Sharon Tate in Heaven, presented by This American Blonde Actress™ and Mississippi Mud Productions, returns for a limited special New York City run this August 8th-11th, followed by two special dates in Lido Beach, New York August 16th and 17th at Theresa Academy for Performing Arts. Student artwork from the Academy will be raffled off each night in NYC and Lido Beach for the Academy's annual summer camp for students.
In this one woman odyssey, written and performed by Jen Danby (The Blonde Bombshell Project: Marilyn Monroe, Nina in SeaGull69, an adaptation by Mississippi Mud of Chekhov's SeaGull set in LA in summer 1969, directed by Austin Pendleton), and inspired by research into books, pictures, interviews, films, virtual explorations, and more, Sharon Tate is interviewed in Heaven TV style to talk about her life, acting, and love, as a Valentine message to her husband. In this special revival this August, looking back at August 1969, we present this tale. At the juncture of an American Tragedy that is cultural memory, this is the story of the actress and woman Sharon Tate, born in Dallas, Texas, with an American Dream and International Appeal, and it is a Love Story. Tickets on sale now for Manhattan and Lido Beach performances at sharontateinheaven.brownpapertickets.com.
Performances on August 16-17 will run at Theresa Academy of Performing Arts (Black Box, 250 Lido Blvd., Lido Beach, NY, 11561). On Saturday August 16th, the performance will begin at 8pm, and on Sunday August 17th, it will begin at 5pm.
Running time: approximately 1 hour 45 minutes. JEN DANBY ?With Mud: Jane in Vieux Carré, Sharon Tate in Sharon Tate in Heaven, Nina in SeaGull69, Maggie in Cat on a Hot Tin Roof, Marilyn Monroe in her original solo piece The Blonde Bombshell Project, Catharine in Suddenly Last Summer, Vivien in the solo piece Vivien Leigh: The Last Press Conference, Helena in Lust, all under Austin Pendleton's direction; Blanche Dubois, A Streetcar Named Desire at Mud Actors Lab (dir. Mr. Pendleton) and The Cherry Pit (co-directors Brian Lady and Mr. Pendleton), Vivien in Orson's Shadow (dir. Lauren Reinhard), and Blanche DuBois for a charity staged reading of A Streetcar Named Desire with Geoffrey Owens as Stanley Kowalski, directed by Peter Zinn, produced by Mississippi Mud as a fundraising event for the Martin Luther King Center in Long Beach NY. Select stage: Hedda Gabler; Valparaiso; The Rimers of Eldritch (dir. Amy Wright, HB Studio). Film/TV/New Media: The Wooster Group "Dailies" as Paula in Paula and Bad Pictures opposite Jim Fletcher (GATZ); True Hollywood Sitter; Run #3, All My Children, Love Monkey. Directing credits: Vieux Carre (NYC, with Mud, in a new AEA run), What of the Night? by Maria Irene Fornes, HB Studio, and Moony's Kid Don't Cry (Lido Beach). Founder & Artistic Director of Mississippi Mud and founder of This American Blonde Actress™ as actress, director, producer, teacher/acting coach. Ken Park Talent 212.566.8672 - kenparkmgmt@aol.com. AEA, SAG-AFTRA. jendanby.com AUSTIN PENDLETON has directed SeaGull69, Cat on a Hot Tin Roof (AEA Showcase), and Vieux Carre and A Streetcar Named Desire for the Mud Actors Lab. Last June he directed The Blonde Bombshell Project: Marilyn Monroe, a solo project with actress Jen Danby, with Mississippi Mud Productions. He recently directed Tribes at Chicago's Steppenwolf Theatre, where he has acted and directed, as a member of the Ensemble, for many years. In New York, he has directed several Mississippi Mud productions, including Suddenly Last Summer (in which he also appeared). He was most recently seen as Dr. Dorn in SeaGull69 and Choir Boy at the Manhattan Theatre Company. He has directed three Chekhov productions at Classic Stage Company: Uncle Vanya, Three Sisters (for which he won an Obie), and Ivanov, featuring, between them, such actors as Maggie Gylenhall, Peter Sarsgaard, and Ethan Hawke. He has acted in many movies and in recurring roles on such TV series as Homocide and Oz, as well as on Broadway in, most recently, The Diary of Anne Frank, with Natalie Portman and Linda Lavin, in a script revised by Wendy Kesselman, in whose musical, The Black Monk, he played the title role. He has written three plays: Orson's Shadow, produced at Mud after its off-Broadway run which lasted the year of 2005, at the Barrow St. Theatre, directed by David Cromer; Uncle Bob, which has been produced in NY, around the country and internationally; and Booth, which starred Frank Langella in its productions in New York, Williamstown Theatre Festival, and the Long Wharf Theatre in New Haven; as well as the libretto for A Minister's Wife, music by Josh Schmidt and lyrics by Jan Tranen, commissioned and produced by Chicago's Writers' Theatre in 2009, and at Lincoln Center in 2011. All these works have been published. He directed Elizabeth Taylor on Broadway in Lillian Hellman's The Little Foxes. He recently directed The Last Will in New York (in which he also appeared), by Robert Brustein, at the Abingdon Theatre. He teaches acting at HB Studio, in New York. Mississippi Mud Productions is a Made in the USA theatre company, working with artists from around the world. Mississippi Mud Productions is a sponsored project of Fractured Atlas, a non-profit 501(c)(3). http://www.mississippimudproductions.comVideos