AN ITALIAN MIRACLE to Bring Dario D'Ambrosi's Pathological Theater Movement to La MaMa

On Monday, December 12, for one night only, La MaMa will present "An Italian Miracle," an evening of a performance, panel discussion and film screening, to introduce New York to "The Integrated Theatre of Emotion," a university-level program for mentally disabled people that has been established by Italian actor/director Dario D'Ambrosi.

D'Ambrosi is founder of the theatrical movement named Pathological Theater (Teatro Patologico). The program academically and professionally prepares people for careers in theater arts who are schizophrenic, catatonic, manic depressive, autistic or born with Down Syndrome.

"The Integrated Theatre of Emotion" has been fully operational for almost a year now at the University of Rome Tor Vergata, in one of Rome's outer boroughs, and has been revolutionary in the lives of people with mental disabilities and their families. The La MaMa evening will feature video clips, exclusive testimonials and presentations of results of scientific studies that demonstrate the accomplishments of the program, presenting it as a model that could be used worldwide to help give back to many marginalized people their deserved dignity.

Dario D'Ambrosi asserts, "They are forced to lie restrained in hospital beds or to wear straightjackets in many part of the world, but we offer them to take part to our Integrated Theatre of Emotion University Course. We are already the future."

PROGRAM:

6:00 PM - 7:30 PM

Excerpts from play, "The Buzzing of the Flies" by Dario D'Ambrosi, with Greta Scacchi and Giorgio Colangeli.

In a world without madness, a team of scientists and psychiatrists is working on a new ambitious project: to bring back folly to the earth, in order to fight boredom and depression. They capture the last three crazy people in the world: a failed painter, an absent minded dreamer and a sweet and sensitive piano player. First, the scientists observe the three for a while; then, with a surreal theatrical staging that is a form of therapy, they bring them back to their original day to day life, where their madness probably started. This "medically approved performance" is directed by this chief psychiatrist and features a group of professional actors and one of the facility's other psychiatrists, Dr. Natalia. When the three fools finally discover the true reason behind the experiment, they want to commit suicide. Dr. Natalia is the only one moved to compassion for them and becomes their accomplice. As we later find out, she suffers from the same disease of the three protagonists, a form of madness that she kept concealed. She convinces them to give up suicide and run away from the institute. Together they will restore joy and lightheartedness in this world without madness.

7:30 PM - 8 :00 PM

Presentation of the "Integrated Theatre of Emotion" university course and screening of the documentary, "An Italian Miracle."

The first ever university-level degree in "Integrated Theater of the Emotion" was born in Rome in 2016 thanks to the communal effort of Pathological Theater, the University of Rome Tor Vergata and MIUR (the Italian Ministry of University and Research). Its objective is to increase and sustain education for those with mental or physical disabilities. The curriculum includes a compendium of theater-related courses: acting, playwriting, directing, set design, costume design, music therapy, singing and dance. Through these studies, disabled students acquire tools to help them approach the professional world and recover an often denied dignity. Thanks to the success of this course, the "Integrated Theater of the Emotion" will also open at the University of Camerino in central Italy in 2017.

"An Italian Miracle" is a film that documents the work of professors and disabled students of the very first university-level degree in "Integrated Theatre of Emotion." The documentary shows excerpts from the lessons given at the Pathological Theater. It illustrates techniques of theater therapy that are employed and also transmits the atmosphere and the energy of Dario D'Ambrosi's lifetime of work.

8:00 PM - 8:30 PM

Panel Discussion of the scientific results with: Dario D'Ambrosi, Laura Coccia (member of Italian Parliament) and Francesco Serra Di Cassano (journalist and writer)

8:30 PM - 9:00 PM

Cocktails offered by Serafina Restaurant

9:00 PM - 10:30 PM

Screening of film, "L'Uomo Gallo - Days of Antonio" by Dario D'Ambrosi with Celeste Moratti, Luca Lionello and Dario D'Ambrosi.

In the 1920s, in a poor rural province outside Milan, a mentally handicapped boy with one leg shorter than the other was forced to grow up in a chicken coop, where he emulated the chickens and considered himself a rooster. Ultimately he was taken to a psychiatric hospital, where he struggled to build a human life. The film reveals his long and difficult ordeal at the institution, where he encountered a strange and desperate universe of characters, most of them funny and marginalized but with an abundance of humanity. In particular, the film spotlights his intense friendship with his room mate, who was manic about order and cleanliness. The two form a special relationship born of silence and small gestures of solidarity.

Celeste Moratti plays Antonio. Director of Photography is Andrea Locatelli. Art director is Francesco Frigeri, Winner of the David di Donatello in 1999 for "The Legend of the Pianist on the Ocean." Costume Designer is Maurizio Millenotti, Oscar-nominated twice for the films "Othello" (1986) and "Hamlet" (1990), both directed by Franco Zeffirelli. Make-up is by Manlio Rocchetti, Oscar winner in 1989 for "Driving Miss Daisy."

Dario D'Ambrosi is a former professional soccer player, one of Italy's leading performance artists and originator of the theatrical movement called Teatro Patologico. His plays investigate mental illness by grasping its vital artistic and creative aspects with the intention of restoring the "dignity of the fool."

In the '80s and '90s, D'Ambrosi marched irresistibly into the forefront of Italy's theatrical ambassadors, a cohort led by Pirandello, DiFilippo and Dario Fo. In 1994, he received the equivalent of a Tony Award in his country: a prize for lifetime achievement in the theater from the Instituto del Drama Italiano. D'Ambrosi first performed at La MaMa in 1980 and has been in residence there nearly every year thereafter. He has written and directed over 16 plays, acted in 18 major films and TV movies, and written and directed three full-length films. Fifteen of his plays have had their American premieres at La MaMa. In the US, he has also performed at Lincoln Center, Chicago's Organic Theatre, Cleveland's Public Theater and Los Angeles' Stages Theatre, among others.

For more info on Mr. D'Ambrosi, visit www.jsnyc.com/season/D'Ambrosi_bio.htm, www.teatropatologico.org and www.facebook.com/teatropatologico.org.

An integral part of New York City's cultural landscape, La MaMa (www.lamama.org) has a worldwide reputation for producing daring work in theatre, dance, performance art, and music that defies form and transcends boundaries of language, race, and culture. Founded in 1961 by theatre pioneer and legend Ellen Stewart, La MaMa is a global organization with creative partners and dedicated audiences around the world. La MaMa presents an average of 60-70 productions annually, most of which are world premieres. To date, over 3,500 productions have been presented at La MaMa with artists from more than 70 nations.

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