UnsungMusicalsCo. Inc. (www.UnsungMusicals.org) will present a special exploratory reading of the 1947 musical comedy Barefoot Boy With Cheek on January 14 at 3pm as the launch of its new initiative: The Archival Project. Based on the best-selling novel by Tony Award nominee Max Shulman (The Many Loves of Dobie Gillis), the musical has a book by Mr. Shulman, music by Sidney Lippman ("Too Young", "A...You're Adorable") and lyrics by Sylvia Dee ("Chickery Chick", "The End of the World"). UMC artistic director Ben West (Platinum, How Now, Dow Jones) will direct the reading.
The reading will be held at
Manhattan Theatre Club's Creative Center, 311 West 43rd Street.
A nutty 1947 musical romp, Barefoot Boy With Cheek follows a bright-eyed young freshman at the fictitious University of Minnesota as he navigates a rowdy campus complete with swindling frat boys, dreamy jocks and communist coeds.
The cast will feature
Fred Berman (The Normal Heart, The Lion King),
Sarah Litzsinger (Amour, Beauty and the Beast),
Nora Mae Lyng (Into the Woods, Cabaret, My Favorite Year) and
Oliver Vaquer (Talk Radio).
Fran Minarik (How Now, Dow Jones, Sessions) provides new musical arrangements from Mr. Lippman's original score. The reading restores Mr. Shulman's original libretto as well as the originally penned act one finale, "Don't Spoil the Party", which was cut in 1947 during the musical's development. Additional casting to be announced.
To attend the reading and receive exclusive invitations to future UMC readings, sign-up at www.UnsungMusicals.org. UMC's Archival Project will present a reading of its next restoration in Spring 2011.
UMC is creating The Archival Project with the aim of researching, assembling and restoring both librettos and scores from past musical productions. The collection of these historic works will further our mission of preserving musical theatre for future generations. Many Golden Age musicals have gone unpublished while others that were once published have since gone out of print. The material for these shows is often difficult, if not impossible, to find, leaving several extraordinary musical works unproduced and forgotten. The Archival Project seeks to create a resource of complete musical material so that the works of the past will have the opportunity to inspire, influence and entertain the artists and audiences of the future.
The original Broadway production of Barefoot Boy With Cheek opened on April 3, 1947 at the
Martin Beck Theatre where it set a house record for box office gross in its first full week of performances ($34,232). Produced and directed by
George Abbott, the musical starred
Nancy Walker,
Red Buttons,
Billy Redfield and
Ellen Hanley. It received favorable reviews, particularly for its pre-Broadway engagement in Boston, and played 108 performances. Hanley won a
Theatre World Award for her debut.
Original 1947 Reviews:
"A fresh and lively hit!" - NY Daily Mirror
"A smash hit!" - Boston Herald
"A zippy, tuneful and altogether delightful show!" - Billboard
"A fast, bouncing, youthful and high-spirited girl-and-music carnival!" - New York Post
"A wonderfully amusing musical comedy!" - Boston Post
"A brightly mounted, brisk show with breezy young collegians!" - World Telegram & Sun
Max Shulman was a novelist, playwright and humorist whose many books include Barefoot Boy With Cheek, The Feather Merchants, The Zebra Derby, Sleep Till Noon, Anyone Got a Match?, Potatoes Are Cheaper and Rally Round the Flag, Boys!, which was made into a film starring
Paul Newman and
JoAnne Woodward. In 1945, he began writing Dobie Gillis stories for humor magazines. They would later be published collectively as The Many Loves of Dobie Gillis, which was followed by a hit television series of the same name and the Dobie Gillis novel I Was a Teenage Dwarf. His other Broadway credits include the play The Tender Trap and the musical How Now, Dow Jones for which he received a Tony Award nomination.
Sidney Lippman composed the Nat King Cole hit "Too Young" which was the top song on "Your Hit Parade" 12 times. His other popular songs include the
Perry Como hit "A...You're Adorable", "Chickery Chick", "I'd Forgotten", "I'm Thrilled", "It Couldn't Be True" and "A House With Love in It". Barefoot Boy With Cheek was his only Broadway musical.
Sylvia Dee wrote the Skeeter Davis hit "The End of the World". Her other popular songs include Nat King Cole's "Too Young", "Chickery Chick",
Ella Fitzgerald's "I Taught Him Everything He Knows", "I'd Forgotten", "My Sugar is So Refined", "It Couldn't Be True", "Stardreams", "Have You Changed", "I'm Thrilled", "A House With Love in It" and "Moonlight Swim". She also wrote songs for the
Elvis Presley films Blue Hawaii and Speedway. Barefoot Boy With Cheek was her only Broadway musical.
UNSUNGMUSICALSCO. INC. (
Ben West, Artistic Director) is a not-for-profit
Production Company dedicated to the preservation of musical theatre through the presentation of infrequently performed works. Focusing primarily on overlooked projects from the Golden Age, both hits and substantive misses, UMC treats each property as a new musical thereby providing a unique collaboration between the artists of today and those of the past. www.UnsungMusicals.org
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