The Wooster Group will premiere its new production of Bertolt Brecht's The Mother at Vienna's prestigious international Wiener Festwochen from June 8-17, 2021.
Brecht conceived of The Mother as a "learning play," intended to both entertain and incite social change. It tells a story of a poor, uneducated Russian mother's journey to revolutionary action. The play premiered in Berlin in 1932 and was the last of Brecht's plays to open before the Nazis seized power.
The
Wooster Group's production of The Mother:
• is a modern American interpretation of Brecht's concept of a "learning play";
• is a feminist reiminaging of Brecht's heroine;
• evokes parallels between contemporary political unrest and the socialist revolutions that inspired Brecht to write the play; and
• highlights the utopian impulse inherent in communism and socialism.
The Mother had been scheduled to open at last year's edition of the Wiener Festwochen, which was canceled early in the Covid-19 pandemic. The production returns this year as the festival's only theater piece from the United States. The Group will perform for limited capacity audiences in accordance with Austrian health mandates, with all company members observing quarantine prior to opening. Tickets are available beginning May 14 from the Wiener Festwochen website.
After its Vienna premiere, The Mother will open in New York for a run at the Group's home theater The Performing Garage in October/November 2021.
The
Wooster Group's production of The Mother is composed by the Group and directed by
Elizabeth LeCompte. It features performances by
Kate Valk,
Jim Fletcher,
Ari Fliakos, Gareth Hobbs, and Erin Mullin. The sound is by
Eric Sluyter, the video by Irfan Brkovic, and the lighting by
David Sexton. Musician and composer
Amir ElSaffar, who works across classical, jazz, and Arabic musical forms, has provided new music for the piece. (The play's original music was written by
Hanns Eisler).
The full tour company for The Mother includes Hai-Ting Chinn (choral music director), Cynthia Hedstrom (producer), Bona Lee (production manager), Erin Mullin (stage manager),
Michaela Murphy (assistant director), and Joseph Silvosky (technical director).
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