Scandinavian Theater Co Presents HOME SWEET HOME At PS122 11/111-28

The toll on Scandinavian soldiers from peacekeeping--and the agony of popular indifference to their sacrifice--will be profound for American audiences to witness in "Home Sweet Home," an award-winning psychological drama by Danish playwright Andreas Garfield. The play was prominently recognized in Denmark's equivalent of the Tony Awards in 2007 and will be presented for its English Language and American premieres by Scandinavian American Theater Company (SATC) November 11 to 28 in the 9th Space at PS122. SATC is an emerging professional theater company that will be offering New York audiences daring and innovative works from Scandinavia's burgeoning theater scene. This one will be staged by Christoffer Berdal, who is currently one of Denmark's most sought-after directors.

In the past two seasons, there have been one or two distinguished plays Off-off Broadway reflecting the American experience in Iraq and Afghanistan. This play reveals the traumatic experience of war and the unsympathetic indifference of home as refracted through a Nordic country. Denmark has been a strong supporter of international peacekeeping and has soldiers currently serving in Kosovo, Afghanistan, Lebanon and Somalia. In the play Kim, a former Sergeant in the Danish army, and his girlfriend Iben, an editor of women's magazines, are preparing a "welcome home" dinner for Carsten, Kim's lifelong friend and once his Captain in the army. Cartsten has recently returned from service in Iraq and arrives for dinner handsome and fit. But during the evening, the couple are confronted with a person whose personality has become dark and secretive and whose understanding of life has become radically different from theirs. A pleasant reunion becomes a fatal evening where all three characters' relationships, values and principles are tested. The play is fictional, but was inspired by a true story.

"Home Sweet Home" (Hjem Kære Hjem) was a sensation in 2007 when it premiered at Teater Grob in Copenhagen, a well-known venue for experimental theater and new work. Since then, Teater Grob has toured the play around Denmark. The year of its debut, playwright Andreas Garfield won the prestigious Talent Prize in the Reumert Awards, Denmark's equivalent of the Tony Awards. "Home Sweet Home" was also nominated in the categories of Best Play and Best Leading Actor and won in the category of Best Supporting Actor. This recognition was exceptional since the playwright was a student at the time. He graduated from the playwrighting division of Aarhus Theatre, Denmark, later that year and his plays have since been produced in theaters all over Denmark and Scandinavia.

This is the English language debut for "Home Sweet Home" and its first American production. The translation is by actress Lisa Bearpark in collaboration with the company of SATC. The part of Carsten will be performed by Albert Bendix (Denmark). Iben will be played by Lisa Pettersson (Sweden-USA). The part of Kim will be played by an American actor, Brian Smolin.

Director Christoffer Berdal, born 1967, is one of Denmark's most sought-after current directors. He graduated from the Danish National School of Theatre in 1998 and has since kept busy directing plays in all genres; from classics, to musicals to notable new Danish and International drama. He has worked at the major theaters all over Denmark as well as internationally. He is also a returning director at "Groennegaardsteatret," the Danish equivalent of "Shakespeare in Park" in Copenhagen. His credits, a total of 60 productions, include "Richard III," "Much Ado About Nothing," "The Seagull," "The Master Builder," "Tartuffe," "The Misanthrope," "Don Juan," "The Threepenny Opera," "Baal," "Private Lives," "Cabaret" and "Company." Berdal has also taught at the National Theatre schools across Denmark, The National Film School of Denmark and the Aarhus Theatre Playwright School. He is a multiple time recipient of the Danish Arts Foundation's competitive work grant. Other awards include the prestigious "Teaterkatten" in 2008 for Director of the Year, Preben Neergaards Honorary Grant in 2008, Erling Schroeder's Honorary Grant in 2004 and the Reumert Talent Prize in 1999.

Scandinavian American Theater Company (SATC), the first-ever Scandinavian-American theater company in New York, was founded in 2009 by a group of New York-based Scandinavian theater professionals wishing to introduce the new generation of Scandinavian playwrights to an American audience. In the last twenty years, contemporary Scandinavian plays have successfully broken through generational barriers to open the world of theater to a new and younger audience. This new wave of theater reflects the new Scandinavian society both stylistically and dramatically. SATC's mission is to present high-quality, cutting-edge productions of contemporary Scandinavian plays as well as fresh interpretations of Scandinavian classics. Being a multilingual company, it plans to also make a unique contribution to the NY cultural scene by acting Scandinavian plays in their original languages as well as English, sometimes in repertory with alternating languages.

The troupe is managed by an Artistic Board of seven members, all theater professionals living in New York, representing the fields of acting, directing, choreography, film and theater management. They are Albert Bendix (Denmark), Anette Norgaard (Denmark), Henning Hegland (Norway), Elin Eggertsdottír (Iceland), Sebastian Nyman Agdur (Sweden), Vígdis Hentze Olsen (Faroe Islands) and Lisa Pettersson (Sweden, USA). Their backgrounds are detailed on the company's website, www.satcnyc.org. "As Scandinavians, we have a lot to share, and it extends beyond our common regional roots. It's about the tradition and the culture we hail from," said Pettersson to an interviewer from the Danish newspaper Politiken.

There has been a dream for a NY-based Scandinavian-American theater troupe ever since "Scandinavia On Stage" in April 2001, when American theater professionals met with Scandinavian playwrights during a two-day conference and showcase of theater from Denmark, Finland, Iceland, Norway, and Sweden. Held at the (then newly-built) Scandinavia House, the conference examined trends in contemporary Scandinavian drama, bringing American theater professionals face to face with playwrights and artistic directors from such institutions as the Norwegian National Theater, the Royal Theater in Copenhagen and the City Theaters of Reykjavik and Stockholm. The conference was the brainchild of Irene Krarup, then Vice Consul of the Culture and Information Department at the Royal Danish Consulate in NYC, who organized it as a joint project of all the Scandinavian consulates in New York. To read in-depth journalistic coverage of the conference, please visit http://nytheatre-wire.com/scand.htm.

Future mainstage productions of SATC will include a Finnish play (TBA) directed by Sebastian Agdur (Spring 2011) and "Pinocchio's Ashes" by Jokum Rohde (Denmark), directed by Henning Hegland (Fall 2011).

SATC also presents a Contemporary Reading Series, offering five plays annually, all free to the public. The series is co-presented by Scandinavia House, the Consulate General of Denmark in New York and the Swedish Consulate General in New York. The season's first reading will be "For Sheer Love Of Me" by Anna Krogerus (Finland), directed by Kathleen Amshoff, on October 18. The play is winner of the 2006 Finnish Critics Association Award. Subsequent readings this season will be held December 6, January 31 and May 23. All will take place at 7:30 PM in Scandinavia House, Park Avenue between 37th and 38th Street, where the company presented its debut production, an adaptation of Strindberg's "Miss Julie" by Craig Lucas, last June.

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