Signature Theatre has announced that due to an injury sustained by actor Sahr Ngaujah in a recent automobile-related incident, the role of Jonathan in Athol Fugard's The Painted Rocks at Revolver Creek will be played by Kevin Mambo until Mr. Ngaujah is able to return to the production.
Signature recently announced a second one week extension for the world premiere, which opened on Monday, May 11 and already extended once through June 7. The play will now run through June 14 in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues).
The cast includes Bianca Amato (LCT's Macbeth) as Elmarie, Leon Addison Brown (Signature's The Train Driver) as Nukain, Caleb McLaughlin (The Lion King) as Bokkie, Tony Award nominee Sahr Ngaujah (Fela!) as Jonathan.
With The Painted Rocks at Revolver Creek, Athol Fugard, Signature's 2012 Playwright-in-Residence and winner of the 2011 Special Tony Award for Lifetime Achievement in the Theatre, returns with a new play suggested by the life of outsider artist Nukain Mabusa. Aging farm laborer Nukain has spent his life transforming the rocks at Revolver Creek, South Africa, into a vibrant garden of painted flowers. Now, the final unpainted rock, as well as his young companion Bokkie, has forced Nukain to confront his legacy as a painter, a person and a black man in 1980s South Africa. When the landowner's wife arrives with demands about the painting, the profound rifts of a country hurtling toward the end of apartheid are laid bare.
The design team includes Christopher H. Barreca (Scenic Design), Susan Hilferty (Costume Design), Stephen Strawbridge (Lighting Design), Stowe Nelson (Sound Design), Barbara Rubin (Dialect Coach). Linda Marvel is the Production Stage Manager. Casting by Telsey + Company, Karyn Casl, CSA.
Tickets for the extension performances start at $35. To purchase tickets for all Signature productions, call Ticket Services at 212-244-7529 (Tues. - Sun., 11am - 6pm) or visit signaturetheatre.org.
Photo Credit: Joan Marcus
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