News on your favorite shows, specials & more!

Rock & Roll Love Story THE CONSEQUENCES Opens 8/22 During undergroundzero Fest At PS122

By: Jul. 08, 2009
Get Access To Every Broadway Story

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click.




Existing user? Just click login.

Ripped apart when they were teenagers, ten years later, Elle & Jeremy are thrust into each other's lives again and forced to discover if maybe they're meant to be together after all. THE CONSEQUENCES is a bittersweet rock and roll love story about the road not taken, dreams not followed, and whether you can start over again.

THE CONSEQUENCES is the new indie-rock musical from Kyle Jarrow and Nathan Leigh, the team behind Love Kills (NYMF), Big Money (Williamstown Theater Festival), and the rock band Super Mirage.

This workshop of THE CONSEQUENCES is the first collaboration between terraNOVA Collective and the Pace Musical Theater Program, integrating terraNOVA's method of script development with Pace's interest in developing and exposing students to new work. The piece will be directed by the director of Pace's Musical Theater Program, Amy Rogers, and features Emily Stockdale and Ari Fife, both part of the Pace Program. Jaimie Mayer, Managing Director of terraNOVA Collective, produces.

THE CONSEQUENCES will play as part of the undergroundzero festival at Performance Space 122 (150 First Avenue at East 9th Street), July 22 at 7pm, July 23 at 9pm, July 24 at 7pm, July 25 at 9pm, and July 26 at 2pm. Tickets ($15) are available online at www.ps122.org or by calling 212-352-3101.

Kyle Jarrow is a writer and musician based in New York City. He writes for the stage as well as film and television, and he plays in the bands Super Mirage and The Fabulous Entourage. He won an OBIE Award for his Off-Broadway hit A Very Merry Unauthorized Children's Scientology Pageant, which has subsequently been produced all over the country. Kyle's play Armless won the Overall Excellence Award at the New York International Fringe Festival. Other plays include Love Kills, Trigger, President Harding is a Rock Star, Rip Me Open (co-writer), Gorilla Man, Big Money (with Nathan Leigh), Hostage Song (with Clay McLeod Chapman) and Whisper House (with Duncan Sheik). Kyle's playwriting work encompasses both music theater and straight plays, and has been presented at New York Theatre Workshop, Performance Space 122, The John Houseman Theatre, American Repertory Theatre, Williamstown Theatre Festival, Abron Arts Center, HERE Arts Center, Boston Theatre Works, New Dramatists, The Flea, The Hangar Theatre, and Dad's Garage in Atlanta among others. Kyle was a 2005-2006 Dramatists Guild Fellow. He was nominated for a 2004 Los Angeles Drama Critics' Circle Award and a 2004 BackStage West Garland Award, and was runner-up for the 2002 Princess Grace Playwriting Award. He was winner of the 2001 John Golden Prize. Kyle has guest-lectured at Juilliard, Pratt, and The Actors Studio. More info on Kyle at www.landoftrust.com

NATHAN LEIGH is a composer, sound designer, musical director, and arranger. His theater credits include work at Berkshire Theatre Festival, ART, Speakeasy Stage Company, Connecticut Repertory Theatre, The Ohio Theatre, Williamstown Theatre Festival, Theatre Row, and PS 122. He has been the sound designer and composer in residence for Boston Theatre Works from 06 - 08, and for the Brown/Trinity Consortium for the 07 - 08 season. Nathan is currently the resident designer and composer for Wellfleet Harbor Actors Theatre and The Debate Society. He has also created film scores and produced several records through his own label, Keroscene Records. Nathan plays guitar and sings in the rock bands A Thousand Ships and Super Mirage. He has collaborated with Jarrow on the scores for Big Money and the forthcoming The Consequences. Gothamist awarded him Best Sound Designer of 2007.

Amy Rogers is the Director of the BFA Musical Theatre Program at Pace University. Amy's professional/academic directing credits include: The original workshops of Darling (Ryan Scott Oliver/B.T Rybeck, COLLEGE: The Musical (Fornarola, Elmgreen), the R&B Musical Warm, But I'm a Cheerleader (conceptual director), Hoods and Hoofers (Rob Lindsay Nassif) and LUCK!(Brad Ross and Mark Waldrop). Full productions include; Ragtime, Carousel, Wild Party (Lippa), The Most Happy Fella, Flora The Red Menace, Little Women, My Name is Alice, Urinetown, Violet, Pippin, Into The Woods, Funny Girl, and A Grand Night for Singing. Amy has assisted critically acclaimed director Lonny Price on the Pre-Broadway workshop of 110 in The Shade starring Audra McDonald, the Emmy Award-winning Passion for Live at Lincoln Center on PBS (Patti LuPone, Audra McDonald, Michael Cerveris); Candide with the New York Philharmonic (Patti LuPone, Kristin Chenoweth); Anyone Can Whistle at the Ravinia Festival, and both Kismet (Brian Stokes Mitchell, Marin Mazzie) and Can-Can with Encores! at City Center.

TERRANOVA COLLECTIVE is a vibrant playground for artists devoted to innovative new and original theatrical works. Our multi-layered development process, solo arts festivals, and productions serve to nurture and liberate New York City. terraNOVA is best known for its' soloNOVA Arts Festival, as well as the Groundbreakers Program, a unique way of fostering and nurturing new work throughout the developmental phases. terraNOVA is proud to be a theatre in residence at the DR2 Theatre in Union Square. www.terranovacollective.org

PACE MUSICAL THEATER PROGRAM, a part of the Performing Arts Department at Pace University, began with six majors in 2002, and has grown to 100 majors in just six years. In 2006, Pace became only the second school in New York City to offer a BFA in Musical Theater. The Pace New Musicals Program was developed in 2007 to nurture the creation of new musical theater in New York City, while at the same time providing an invaluable educational opportunity for students to work directly with top professionals in the field. Perhaps most importantly, the program allows students to experiment with new, untested works without precedent-setting productions, a rare opportunity in theater education.

www.weird.org/ugz
www.PS122.org

 



Comments

To post a comment, you must register and login.






Videos