The Public Theater (Oskar Eustis, Artistic Director; Joey Parnes Interim Executive Director) announced the line-up today for the second Public Forum event of 2011, "Too Rich To Fail: A Town Hall Meeting on Americans and Their Money," on Monday, February 28 at 8 p.m. To coincide with The Public's production of Timon of Athens, Shakespeare's timely tragedy about a man who loses and gains a fortune, The Public Forum continues its popular new series with a program exploring the power of money in America, the land of million-dollar bonuses, credit-card debt, and more. The program features insights from leading voices in politics, arts, and the media. Tickets are $25 and are on sale now at (212) 967-7555 or www.publictheater.org.
In the first part of the program, Richard Thomas, the stage and screen actor who's playing Timon, will talk about the role and Shakespeare's views on money with Barry Edelstein, the play's director and author of Thinking Shakespeare. The discussion will be moderated by RAndy Cohen, who currently writes the Ethicist column for The New York Times Magazine.
The second part of the evening will be a wide-ranging conversation about the role of money in our lives: the widening gap between rich and poor, the financial crisis, the power of Wall Street, money in politics, why Americans equate wealth and virtue, and more. Participants will include David Patrick Columbia, who chronicles the city's elite on the website New York Social Diary; Katy Lederer, who worked at a hedge fund before writing a book of poems about money, The Heaven-Sent Leaf, and has also written the memoir Poker Face: A Girlhood Among Gamblers; and Bethany McLean, who writes Slate's "Moneybox" column and is the co-author of Enron: The Smartest Guys in the Room and All the Devils Are Here, a new history of the financial crisis. The conversation will be moderated by the director of the Public Forum, Newsweek senior writer Jeremy McCarter.
The Public Forum spring season will continue on Monday, March 7 at 8 p.m., with "Imagination and Memory," a riveting discussion of Anne Frank's legacy and Holocaust literature today held in conjunction with The Public Theater's production of Compulsion.
BETHANY MCLEAN is the former editor-at-large of Fortune Magazine. Her 2001 piece, "Is Enron Overpriced?" was one of the first skeptical articles about Enron, and after the company collapsed into bankruptcy, she co-authored the Smartest Guys in the Room: The Amazing Rise and Scandalous Fall of Enron with her Fortune colleague Peter Elkind. A documentary based on the book was nominated for an Academy Award in 2006. In 2008, McLean joined Vanity Fair as a contributing editor. Her recent book, which she co-authored with New York Times columnist Joe Nocera, is All the Devils are Here: The Hidden History of the Financial Crisis. McLean is also a columnist for Slate.
Jeremy McCarter is the Director of Public Forum. He writes about culture and politics for Newsweek and is the editor of Bite the Hand That Feeds You: Essays and Provocations by Henry Fairlie (Yale University Press, 2009). Until 2008, he was the drama critic for New York Magazine. He has written for The New York Times, The New Republic, Politico, and The New York Sun. Richard Thomas was last seen by Public Theater audiences in As You Like It at The Delacorte Theater. His Broadway credits include David Mamet's Race, Sunrise at Campobello, Strange Interlude, The Playroom, Everything in the Garden, Fifth of July, The Front Page, Democracy, and A Naked Girl On The Appian Way. His additional New York and US credits include The Seagull, Richard II, Richard III, Hamlet, Peer Gynt, Tiny Alice, Love Letters, Measure For Measure, A Midsummer Night's Dream, Saint Joan, Merton of the Movies, Square One, The Count of Monte Cristo, Citizen Tom Paine, Streamers, Danton's Death, Arms and the Man, The Barbarians, La Ronde, Vieux Carre, The Devil's Disciple, The Lisbon Traviata, The Stendhal Syndrome, and Art (London). His most recent performances include Twelve Angry Men (National Tour), and Terrence McNally's Unusual Acts of Devotion. He regularly performs around the country A Distant Country Called Youth and Blanche and Beyond, from the letters of Tennessee Williams. Over 50 films for television include "The Red Badge of Courage," "Roots: The Next Generations," "All Quiet on the Western Front," "Living Proof: The Hank Williams Jr. Story," "Common Ground" and "Andre's Mother." His TV series include "It's a Miracle," "Just Cause" and "The Waltons," for which he received the Emmy Award. Thomas' films include Winning, Last Summer, Red Sky at Morning, You'll Like My Mother, 9/30/55, Battle Beyond the Stars, Wonder Boys, Taking Woodstock and The Beaver. The Public Theater (Oskar Eustis, Artistic Director; Joey Parnes, Interim Executive Director) was founded by Joseph Papp in 1954 and is now one of the nation's preeminent cultural institutions, producing new plays, musicals, and productions of classics at its downtown headquarters and at the Delacorte Theater in Central Park. The Public's mandate to create a theater for all New Yorkers continues to this day onstage and through extensive outreach and education programs. Each year, over 250,000 people attend Public Theater-related productions and events at six downtown stages, including Joe's Pub, and Shakespeare in the Park. The Public has won 42 Tony Awards, 151 Obies, 41 Drama Desk Awards and four Pulitzer Prizes. The Public has brought 54 shows to Broadway, including Sticks and Bones; That Championship Season; A Chorus Line; The Pirates of Penzance; The Tempest; Bring In 'Da Noise, Bring In 'Da Funk; On the Town; The Ride Down Mt. Morgan; Topdog/Underdog; Elaine Stritch at Liberty; Take Me Out; Caroline, or Change; Well; Passing Strange; the Tony Award-winning revival of Hair; Bloody Bloody Andrew Jackson; and currently, the 2010 Shakespeare in the Park production of The Merchant of Venice. www.publictheater.org. TICKET INFORMATIONVideos