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A good musical will often send audience members out of the theatre wanting to pick up a copy of the cast album. But the new musical version of Jack Heifner's 1976 Off-Broadway hit, Vanities, might send more than a few attendees to the public library to read a copy of the playscript, or at least hope for a full-on revival of the musical's source.
The three-woman tuner chronicles the lives and friendship of three Texans who thrive on the acceptance (and envy) of others, only to have individual setbacks force them to value what's beyond the mirror's reflection. The original was presented in three scenes; we first meet the trio in 1963 as inseparable and popular high school cheerleaders, then as '68 college sorority sisters whose individual goals seem to be loosening their bonds, and then as 28-year-olds who have grown so different from one another that their past seems to be all that binds them. The musical adds a sugar-frosted epilogue.
The problem lies not in the capabilities of the talented and fine-singing performers, but in the fact that Heifner and composer/lyricist David Kirshenbaum never justify the need for songs. The meat of the story-telling remains in the book while the platitude infested lyrics ("If your world stops at your own reflection, you've still got a long way to go.") tend to tread water rather than take the story anywhere. While the dialogue intrigues with its color and rhythm, music cues like "Life is full of surprises" and "Doesn't time fly by" serve as warnings of the innocuous melodies and repetitive words to come. To the composer/lyricist's credit, his music does effectively create a period mood for each scene and his method of making the show trio-heavy at first and then developing individual voices for each character as they emotionally separate makes for smart musical theatre dramatics. If those dramatics could be equaled in each song's content, Vanities might have a shot at being as successful as, well... Vanities.
Photos by Joan Marcus: Top: Lauren Kennedy, Sarah Stiles, Anneliese van Der Pol; Bottom: Lauren Kennedy, Sarah Stiles, Anneliese van Der Pol
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