The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson), Producer Mark Russell and the Association of Performing Arts Presenters (Executive Producer) announced the largest and most expansive line-up for UNDER THE RADAR 2010, running January 6-17 at The Public Theater as well as partner venues. This 12-day festival, coinciding with the New York APAP conference, is committed to tracking new theater from across the U.S. and around the world. Tickets are $15 to UNDER THE RADAR shows at The Public and go on-sale on Tuesday, December 1.
Now in its sixth year, UNDER THE RADAR is an explosively diverse kaleidoscope of new theater-examples from around the world and the U.S. that spotlight artists ranging from emerging talents to masters in the field. Located at The Public Theater as well as partner venues, UNDER THE RADAR offers a crash course in theater that is exciting, independent, and experimental, created by some of the most dynamic artists working today.
"Every year Under the Radar provides a dizzying and exhilarating look at the range of theater being created by some of the world's most exciting radical artists," said Public Theater Artistic Director Oskar Eustis. "This Festival is irreplaceable; it's also a lot of fun."
"This Under the Radar is the most ambitious we've mounted with more presentations in more places than ever before," said Producer Mark Russell. "Just as UTR visual artist MK Guth makes beautiful ropes out of re-purposed clothes, this festival is bound together with themes of youth and aging, theater and film, technology and performance, visual art and puppets, politics and faith, making for a wildly colorful and daringly bold festival that reflects our world and our very complicated times."The UNDER THE RADAR festival is timed to coincide with the New York City APAP Conference, the world's top forum and marketplace for the performing arts. More than 4,000 performing arts presenters, agents, managers and other industry leaders are expected to attend this year's conference. In addition to UNDER THE RADAR, the conference features more than 1,000 showcase performances staged throughout New York.Complete Line-Up for UNDER THE RADAR (January 6 - 17, 2010):
American DocumentWed. Jan 6th 8pm |Thurs. Jan 7th 1pm | Sat. Jan 9th 4pm | Sun. Jan 10th 7pm | Tues. Jan 12th 7pm | Wed. Jan 13th 7pm | Sat. Jan 16th 7pm | Sun. Jan 17th 7pm |
The Martha Graham Center has invited director Anne Bogart, playwright Charles L. Mee Jr. and the SITI Company to reinvent Martha Graham's American Document using filmed excerpts, written descriptions and Graham's handwritten notes. In several work-in-progress showings, catch a firsthand glimpse at this stirring new theatrical work featuring a ground-breaking collaboration between SITI Company actors and Martha Graham Company dancers. American Document reflects our current cultural concerns by answering the same questions Martha Graham asked over 70 years ago: What is an American? And what is America?
Chautauqua!
January 7-17 (Running Time: 75 minutes)
Created by The National Theater of the United States of America
Must - The Inside Story
January 8-17 (Running Time: 60 minutes)
Clod Ensemble in collaboration with Peggy Shaw / Produced by Fuel (UK)
Thurs. Jan 7th 5:30pm | Sat. Jan 9th 9:30pm | Sun. Jan 10th 7pm | Tues. Jan 12th 7pm | Wed. Jan 13th 7pm | Fri. Jan 15th 9:30pm | Sat. Jan 16th 7pm | Sun. Jan 17th 2pm |
In collaboration with the celebrated UK-based Clod Ensemble, legendary New York performance artist Peggy Shaw takes the audience on a journey across the landscape of her own body. Renowned for her own gender-bending autobiographical work, she recounts her extraordinary experiences of the medical profession from her current perspective as a 65-year-old lesbian grandmother. Must weaves together the stories of a lifetime - giving birth on the way to Woodstock, her mother's electric shock treatment in 1950s America, the loss of a loved one - with projected microscopic images and live musicians performing a powerful score. Silver StarsSpace Panorama
January 7-17 (Running Time: 30 minutes)
Created and Performed by Andrew Dawson (UK)
Presented with support from Broadway Across America
The Word Begins
January 8-16 (Running Time: 75 minutes)
Written and Performed by Sekou tha Misfit and Steve Connell
Developed and Directed By Robert Egan
Fri. Jan 8th 8:30pm | Sat. Jan 9th 2pm | Sun. Jan 10th 9:30pm | Mon. Jan 11th 9:30pm | Thurs. Jan 14th 9:30pm | Fri. Jan 15th 7pm | Sat. Jan 16th 2pm |
Nominated for three Helen Hayes Awards, The Word Begins is an exciting journey with two young men as they struggle to come to terms with belief and morality in America today. Taking on race relations, religion, sexuality, and the power of mass communication --- among other great American issues, they travel from the inner city to the malls to the heartland of our country. Blending spoken word, comedy and hip hop, Steve Connell and Sekou tha Misfit travel rapidly through the chaotic and confusing world of what the national landscape of politics looks like to a young white man and a young black man.Versus - In the Jungle of Cities
January 6-17 (Running Time: 80 minutes)
Produced by Teatr Nowy (Poland)
Directed by Radek Rychcik
On Sunday afternoons, in his living room and for a very small audience, Serge performs 1-3 numbers with low-tech special effects. Serge's focused concentration on his own universe highlights the implicit futility in our daily rituals and at the same time exposes the pleasure and necessity of these routines. L'Effet de Serge is drama on a small scale, void of traditional thematic breadth and complex intrigues, and shows us a man who finds the sublime in the trivial.
Gin and "It"This Fable Is Intended For You: A Work-Energy Principle is a public project that amplifies the human presence and connections of the people living and working in Lower Manhattan. The project involves a public residency, a working exhibition and a series of performances. The residency and the exhibition act as animated sites of production as well as social sites of interaction. Material contributions by audience members will shift and affect the outcome of the work being created. The residency and exhibition culminate in a series of performances at the World Financial Center Winter Garden where the objects made at these sites become the materials that intertwine 24 people in an evolving set of temporary geometric sculptural shapes.
Chekhov LizardbrainSat. Jan 16th 2pm & 8pm | Sun. Jan 17th 7pm |
Philadelphia's Pig Iron Theatre Company returns to New York with their OBIE Award-winning concoction of neuroscience and maladroit Russian melodrama. A lonely, Aspergian botanist conjures up a parade of unsettling and comic recollections in an attempt to shape his fractured memories into a comforting fiction. Pig Iron's virtuosic physical performers spin a dizzying and poignant web of memory, vaudeville, and stories that won't stay straight.
L.A. Party
January 8-10 (Running Time: 40 minutes)
Conceived and Directed by Phil Soltanoff
Written by David Barlow
Presented by HERE Arts Center
HERE Arts Center (145 6th Ave., between Spring and Broome)
$15 tickets: www.here.org/laparty or 212-352-3101
The Devil You Know
January 6-24 (Running Time: 75 minutes)
La MaMa ETC In Association With Ping Chong and Company and Phantom Limb Company
Written and Directed by Ping Chong
LaMaMa (74A E. 4th Street)
$30 Tickets: lamama.org or 212-475-7710
Directed by Stephen Earnhart
Ohio Theatre 66 Wooster Street
$18 Tickets: windupbc.com or 212-352-3101
Tues. Jan 12th 6pm | Wed. Jan 13th 8pm | Thurs. Jan 14th 8pm | Fri. Jan 15th 8pm | Sat. Jan 16th 8pm | Sun. Jan 17th 2pm |
Interdisciplinary, multimedia theatrical performance based on the international best-selling novel by Haruki Murakami combining live performance and puppetry with video projections and hypnotic soundscapes.AdsUsing simple glove puppets, Jerk is an imaginary reconstruction - strange, poetic, funny and somber - of the crimes perpetrated by American serial killer Dean Corll, who with the help of teenagers David Brooks and Wayne Henley, killed more than twenty boys in the state of Texas during the 70s. Jerk is also a featured presentation of P.S. 122's COIL.
THE PUBLIC THEATER (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) was founded by Joseph Papp in 1954 as the Shakespeare Workshop and is now one of the nation's preeminent cultural institutions, producing new plays, musicals, productions of Shakespeare, and other classics at its headquarters on Lafayette Street and at the Delacorte Theater in Central Park. The Public's mandate to create a theater for all New Yorkers continues to this day on stage and through its extensive outreach and education programs. Each year, over 250,000 people attend Public Theater-related productions and events at six downtown stages, including Joe's Pub, and Shakespeare in the Park. The Public has won 42 Tony Awards, 149 Obies, 40 Drama Desk Awards, 24 Lucille Lortel Awards and 4 Pulitzer Prizes.Mark RusselL (Producer) is an independent producer/curator working in New York City. He was also the guest Artistic Director for the Portland (Oregon) Institute of Contemporary Art - Time Based Arts Festival for 2006, 2007. From 1983-2004, Russell was the Executive Artistic Director of Performance Space 122 (P.S. 122).THE ASSOCIATION OF PERFORMING ARTS PRESENTERS (Executive Producer), based in Washington DC, is the national service organization for the field of arts presenting, with nearly 2,000 organizational members and more than 5,000 registered individuals. Members range from the nation's leading performing arts centers, to civic and university performance facilities, to the full spectrum of artist agencies, managers, national consulting practices that servIce The field, and a growing roster of self-presenting artists. A non-profit 501(c)3 organization governed by a volunteer board of directors, Arts Presenters is led by its CEO Sandra Gibson, now in her eighth year. In addition to presenting the annual APAP Conference NYC - the world's leading forum and marketplace for the performing arts (January 9-13, 2009) -- Arts Presenters also provides a broad array of professional development programs.
Tickets: $15 single tickets for UNDER THE RADAR shows at The Public Theater go on-sale on Tuesday, December 1 at The Public Theater box office (425 Lafayette Street); online at www.publictheater.org or by phone at 212-967-7555. Seating for all UTR shows at The Public is general admission. Seats are available on a first-come, first-served basis.Box office hours are Tuesday through Saturday from 1:00 pm to 7:30 pm, and Sunday and Monday from 1:00 pm to 6:00 pm.
For more information, visit www.publictheater.org
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