Photo Flash: First Look at New Yiddish Rep's RHINOCEROS, Starting Tonight Off-Broadway

The Yiddish world premiere of Eugene Ionesco's Rhinoceros begins performances tonight at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.) New Yiddish Rep, which produced last season's smash hit GOD OF VENGEANCE, is presenting Rhinoceros in association with the Castillo Theatre. Rhinoceros is performed in Yiddish with English supertitles. BroadwayWorld has a first look at the cast in action below!

Nearly 60 years since its premiere, the agonizingly comedic Rhinoceros merges the sublime with the ridiculous in this savage commentary on the human condition in which an individual citizen of a small town watches his friends turn into Rhinoceroses one by one until he alone stands unchanged.

Under the direction of Moshe Yassur, the cast of Rhinoceros features Leyzer Burko, Amy Coleman, Macha Fogel, Malky Goldman, Sean Griffin, Chezky Israeli, Caraid O'Brien, Eli Rosen, Gera Sandler, Luzer Twersky, and Melissa Weisz.

Eugene Ionesco (1909 - 1994) was one of the foremost figures of the French avant-garde theatre. Among his most popular plays are Rhinoceros, THE BALD SOPRANO, THE LESSON, THE CHAIRS and THE KILLER.

A veteran of both the Yiddish and modern theatre, director Moshe Yassur, who was born in Iassy, Romania (the cradle of the Yiddish theatre), worked for several years with Jean-Marie Serreau at the Théatre de Babylone in Paris, taking part often as assistant director in several first productions of Beckett and Ionesco. In New York Yassur was a protege of Woody King Jr., directing at the New Federal Theatre, and he helmed New Yiddish Rep's acclaimed productions of Death of a Salesman and Waiting for Godot.

RHINOCEROS marks the second Yiddish world premiere at New Yiddish Rep, following their groundbreaking production of GOD OF VENGEANCE, which scored a New York Times Critics' Pick. New Yiddish Rep is dedicated to creating modern theater which speaks to a diverse contemporary audience, including those who never might have thought they could connect to a performance in a language other than their own.