The New Victory Theater will end its run of Elephant, a co-production between Dodgy Clutch of the UK and Johannesburg's The Market Theatre, creators of the Broadway hit musical Sarafina (1988 Tony® Award nomination for Best Musical) on May 2nd.
In Elephant, performers weave physical theater, puppetry, storytelling and tribal dance into an exultant tale of family, redemption, and ubuntu (humanity). In keeping with the show's title, elephants are central to the story. Portrayed by true-to-size, life-like puppets, these majestic creatures, with their arresting stage presence and uncanny tenderness, embody the pure spirit of ubuntu.Elephant is directed by Ozzie Riley. Puppet Design is by Adam Riley and Sarah Riley, based on an original concept by Jane Robinson. Technical Design is by Adam Riley. The Musical Director/Composer is Simon Tarrant. Story is by Ozzie Riley, with Malcolm Purkey and input from company members.The nonprofit New Victory Theater is supported, in part, with public funds from the National Endowment for the Arts; New York State Council on the Arts, a state agency; and from the New York City Department of Cultural Affairs. The New Vic Council, Friends of The New Victory and the theater's dedicated patrons, corporate and foundation donors also provide essential contributions, helping to make possible programming of the highest quality.Â
About Dodgy Clutch Theatre Company
Dodgy Clutch, formed originally as a partnership between Elaine Beard and Ozzie Riley in 1982, is based in the northeast of England. The company produces new works of visual theater, which combine the theatrical elements of music, dance, performance and puppetry. While Dodgy Clutch works with a core team of specialist artists, including musicians, performers and visual artists, the company also draws from a wider pool of artists who work both in and outside of the region. Training and development is a key aim and is inherent in the Dodgy Clutch team structure. The company's primary areas of work include large-scale outdoor and site-specific specific events, indoor and outdoor touring productions and education and community projects.
The Market Theatre challenged the apartheid regime, armed with little more than the conviction that culture can change society. The strength and truth of that conviction was acknowledged in 1995 when the theater received the American Jujamcyn Award. In providing a voice to the voiceless, The Market Theatre did not forego artistic excellence, but, rather, made a point of it. Its 21 international and over 300 South African theater awards bear eloquent testimony to the courage and artistic quality of its work.
During the past three decades, The Market Theatre has evolved into a cultural complex for theater, music, dance and the allied arts. Today, The Market Theatre remains at the forefront of South African theater, actively encouraging new works that continue to reach international stages.
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