Max Crumm Stars In EVOLUTION OF MANN, Beginning Previews 9/23

the cell, who scored a surprise hit with Bastard Jones last winter, invites you to the New York Premiere of THE EVOLUTION OF MANN, a musical featuring music & lyrics by Drama Desk nominee Douglas J. Cohen (Children's Letters to God, The Opposite of Sex) and book & lyrics by Dan Elish (13: The Musical) based on his novel, Nine Wives. Directed by Joe Barros (Bastard Jones), performances run September 23 - October 21 at the cell is located at 338 W 23rd St, between 8th & 9th Aves in Chelsea.)

THE EVOLUTION OF MANN follows Henry Mann, a thirty-something single New Yorker eager to settle down...or so he thinks. After receiving an invitation to his ex-fiancée's wedding, he and his lesbian roommate embark on a quest to find Henry's soulmate, his perfect date. THE EVOLUTION OF MANN is a musical comedy that explores love in all its forms and how to build a lasting relationship in the 21st century.

THE EVOLUTION OF MANN stars Max Crumm (Grease, Disaster!) in the title role, with Allie Trimm (13: The Musical and Bye Bye Birdie on Broadway) and Leslie Hiatt.

The production team includes music supervisor Vadim Feichtner (Spelling Bee, Falsettos revival), Eric Svejcar (Music Direction), Libby Stadstad (set), Chris Steckel (lighting), Siena Zoë Allen (costumes), Nathan Scheuer (projections), Kristyn Smith (sound design), Matt Aument (Orchestration), Wojcik | Seay Casting (Casting), Kayla Santos (production stage manager), Brian Reager (associate director) and Liz Flemming (associate producer).

Max Crumm appeared on Broadway as Scott in Disaster! (The Nederlander) and Danny in Grease (Brooks Atkinson). Off-Broadway, he starred in Hot Mess, The Fantasticks, Disaster! and Brooklyn Crush (aka F#%king Up Everything). Other credits include Woody Harrelson in Matthew McConaughey vs. The Devil (NYMF 2017), The Situation in Jersey Shoresical (FringeNYC), Beatsville (Asolo Rep.), Legendale (Human Race Theatre). Film/TV credits: Ray Donovan, Easy A, Killing Diaz, & Deception. @MaxCrumm

Allie Trimm is a San Diego native and so excited to be joining the company of Evolution of Mann in her Cell Theater debut. Broadway: Critically acclaimed Broadway debut originating the role of Patrice in 13; Kim MacAfee in the Roundabout Theater Company's revival of Bye Bye Birdie. Regional: Daisy Buchanan in BAZ- A Musical Tour de Force (Palazzo Theater), Parade (?Lincoln Center), Home Street Home (The O'Neill), 13 (Goodspeed), Les Mis (Lamb's Players Theater), Allegiance (The Old Globe), Violet in the immersive production of Violet performed on a bus at A.R.T. in Boston. Film /TV: SAINTS REST, Disney's PROM, 30 Rock, Private Practice and Lifetime series Cinnamon Girl. Pursuing a dual degree in Psychology and Human Biology at Stanford University. More at ?www.allietrimm.com ??

Leslie Hiatt is thrilled to be joining this production! Previous credits include A Christmas Carol (twice) at Theatre Row with MOD theatre company, All Shook Up, Love's Labour's Lost, Little Shop of Horrors, Much Ado About Nothing, and other shows you probably did not see. She loves her husband and playing board games. She has a BFA from Brigham Young University. See more of her at: www.lesliehiatt.me

Douglas J. Cohen (Music and Lyrics) is the recipient of the 2010 Fred Ebb Award. He also received two Richard Rodgers Awards for No Way To Treat A Lady (Hudson Guild, York Theatre Company, plus 150 productions globally) and The Gig (O'Neill Music Theater Conference, MTC Stage II, Goodspeed, winner 5 NYMF Awards). With librettist/ lyricist Cheryl Davis: Bridges (Richard Rodgers Finalist; Ignite Series Concert at Times Center produced by Amas and Prospect Theater; Berkeley Playhouse production), and Barnstormer (Jonathan Larson Grant for Lark Theatre bare bones; NAMT Festival of New Musicals; Red Mountain Theatre). A Drama Desk nominee for Outstanding Lyrics (Children's Letters to God, Lamb's Theatre), Doug wrote music and lyrics for The Opposite of Sex (Williamstown Theatre Festival); The Big Time (book by Douglas Carter Beane, NYMF Festival directed by Chris Ashley); Boozy (Bleeker Street Theatre directed by Alex Timbers); and composed Glimmerglass (Goodspeed) and A Charles Dickens Christmas (Urban Stages, Theatreworks/USA).

Dan Elish (Book and Lyrics) wrote the book to the musical 13 which played at the Mark Taper Forum and won the 2007 Los Angeles Drama Critics Circle Award for Best Production; he was also nominated for Best Writing. 13 went on to play on Broadway at the Bernard B. Jacobs Theatre in 2008. Dan is also the author of ten novels including The Royal Order of Fighting Dragons and The Worldwide Dessert Contest, Nine Wives, and Born Too Short, which won a 2004 International Reading Association Students' Choice Award for young adult literature. Dan has also written music and lyrics for six musicals (upcoming: book and co-lyrics for musical Mudville) and scripts for TV (notably Cyberchase and The Wonder Pets). He is a member of the Dramatists Guild.

Joe Barros (Director) is a New York based director and an award-winning choreographer with an emphasis on actor-driven storytelling and new work development. Broadway: Gigi (associate director). Off-Broadway: Bastard Jones (winner of the Clive Barnes Award, nominated for Drama Desk, Off-Broadway Alliance, and Chita Rivera Awards), Hard Times (New York Innovative Theatre Award nominee, Best Choreography), Sam's Room (producer), Cagney (associate director), A Taste of Things to Come (associate director to Lorin Latarro; Broadway in Chicago, York Theatre Company, Bucks County Playhouse), Alice in Alice's (also co-writer, a children's musical adaptation of Alice in Wonderland with a cast of actors with disabilities; world premiere at Weathervane Theatre), Shoes and Baggage (the cell, Out of the Box Theatrics), Charlotte's Web (Theatreworks USA), I Married Wyatt Earp (59E59 Theatres), King Kong (workshop, written by Jason Robert Brown/Marsha Norman). Regional/Int'l: Beaches (Chicago's Drury Lane), The Mysterious Candy Factory and Mini Lover (Kaixin Mahua, Shanghai), Tuck Everlasting and Catch Me If You Can (Southeastern Summer Theatre Institute), plus Arlington, VA's Tony Award-winning Signature Theatre, Goodspeed Musicals, Music Academy International (Italy), National Alliance for Musical Theatre, New York Musical Festival, New York Film Academy, Michigan State University, and The Hartt School. Artistic Director: New York Theatre Barn, a Manhattan based theatre company dedicated to incubating and producing new musicals that tell untold stories. Recipient: The Drama League's First Stage Residency, 2017 BroadwayWorld Regional Award (Best Choreography). Film: Mangus (with John Waters, Jennifer Coolidge, and Leslie Jordan) and Petunia (with Christine Lahti, Thora Burch, and Michael Urie).

Vadim Feichtner (Music Supervisor). Broadway: The 25th Annual Putnam County Spelling Bee, Falsettos. Off-Broadway: Fly By Night, A New Brain (Encores), Little Miss Sunshine, Nobody Loves You, The Other Josh Cohen, Elegies: A Song Cycle, The Memory Show, Infinite Joy, The Burnt Part Boys, Ordinary Days, Long Story Short, I Sing!. Writing Credits include: Surviving the Avalanche (Barrington Stage), Lincoln Center Songbook's Songs of Innocence and Experience and incidental music for NY Public Theater's As You Like It (both written with William Finn). TV: Last Week Tonight, Live From Lincoln Center.

Nancy Manocherian's the cell (Artistic Director Kira Simring) is a not-for-profit organization dedicated to the incubation and presentation of new works by emerging artists. the cell has produced over a dozen critically-acclaimed world premiere productions of new plays and musicals including Bastard Jones (Drama Desk Nominee), Crackskull Row, Horse Girls, Hard Times: An American Musical and more. the cell also features the jazz @ the cell series and has served as a home base for a large community of resident artists and organizations such as Blackboard Reading Series, Artists Without Walls (AWOW), Irish American Writers and Artists (IAW), Sybarite5, Tribeca New Music and New York Theatre Barn. www.thecelltheatre.org @thecelltheatre

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