This is the first round of our New Plays Festival presenting the work of the 2020, 2021, and 2022 Playwrights of Columbia's MFA Theatre Program.
Columbia University School of the Arts presents an expanded festival of new plays written by Columbia MFA Playwriting Students. The esteemed faculty who have nurtured these students, including Tony©, Pulitzer, and Obie Award winners such as David Henry Hwang, Lynn Nottage, Charles Mee, and Rogelio Martinez invite you to experience these innovative new playwrights.
A modernized queer, disabled new play inspired by Tennessee Williams' A Streetcar Named Desire with no cis white men and one Gentleman Caller who is not a gentleman, Blanche & Stella explores and reimagines the central complex female relationships at the heart of Williams' play and canon. In this retelling, Blanche DuBois and Stella Kowalski are two only-children and childhood best friends ("sisters") who end up living together after Blanche goes through a cataclysmic breakup and shows up unannounced on Stella's doorstep in Washington, D.C. Now adults, the pair must navigate mismatched expectations and their own maladaptive coping mechanisms as they question what to do when the people they love aren't quite who they appeared to be.
An intrepid and revealing look at intimacy, revolution, and global identity, set within the paper-thin walls of a telo, a pay-by-the-hour sex hotel in the heart of Buenos Aires, three pairs of people across three eras of Argentine history find themselves torn between the personal and political in a perpetually changing and increasingly dangerous world. Repressed gay lovers in a tango bar, two sisters planning a terrorist attack, and a random hookup in the middle of an economic crisis are woven together in a narrative that crosses generations. Accompanied by a dynamic score that brings together tango, cumbia, and Latin rock, Telo connects the revolutions--big and small--of the past with what we face in the world today.
Donna and Matt Walker face the impending foreclosure of their family store and inn when Lana Usman, an immigrant single mother, offers them a deal that gives them a chance to stay. How To Gild An Eagle is a play about what it takes to belong and what one must sacrifice to hang on to past legacies.
Performances:
A.A. Brenner (they/them) is a playwright, dramaturg, and New Yorker. Their writing blends naturalistic dialogue with heightened realism to explore queer, Jewish, and disability themes, challenging both societal power structures and theatrical form. A.A.'s plays have been produced or commissioned by La Jolla Playhouse, National Disability Theatre, CO/LAB Theatre Group, Shakespeare Theatre Company (Fellows Consortium), Three Muses Theatre Company, Young Playwrights Inc., The Schwartz Center for the Performing Arts, Columbia University, Mason Gross School of the Arts @ Rutgers University, and The Hangar Theatre Lab Company; their play for all audiences, EMILY DRIVER'S GREAT RACE THROUGH TIME AND SPACE (co-written by Gregg Mozgala), was featured on the 2020 Kilroys List. Additionally, A.A. was a Finalist for the 2020-22 Apothetae & Lark Playwriting Fellowship, the 2021 Platform Presents Playwright's Prize, and the 2021 Columbia@Roundabout New Play Reading Series. Currently, A.A. lives on Lenape land in Brooklyn, NY, and is an October 2021 graduate of the MFA Playwriting Program at Columbia University School of the Arts. Website: www.aabrenner.com
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