Amas Musical Theater Presents NO, NO NANETTE At Hudson Guild 5/8-5/17

Amas Musical Theatre, The Rosetta LeNoire Musical Theatre Academy, Donna Trinkoff/Producing Artistic Director To present NO, NO NANETTE May 8 - May 17 at Hudson Guild Theatre.

No, No Nanette, a musical comedy by Vincent Youmans, Irving Caesar and Otto Harbach is a light-hearted, knee slappin', toe tappin' romp back to the Roaring Twenties. Jimmy Smith is in and out of a whole mess of trouble the trouble on a summer weekend at Chickadee Cottage. Included in the score are two of the most famous show tunes ever written: Tea for Two and I Want to Be Happy. You'll be singin' and dancin' from your seats!

No, No Nanette, directed by Christopher Scott and choreographed by Monica Johnson opens on May 8, 2009 and runs for eight performances only through May 17, 2009.

The Amas Academy youth theatre has been featured in The New York Times, The New York Post, and on NY1. The New York Times hailed "the Academy production of Virtual Families as a "spirited revival...that displayed the triple-threat talents of a teenaged multicultural ensemble..."

Hudson Guild Theatre is located 441 West 26th Street

Friday, May 8 & May 15 @ 7:30

Saturday, May 9 & May 16 @ 3:00 & 7:30

Sunday May 10 & May 17 @ 3:00

Tickets: $20.00 Students and Seniors: $15
www.Theatermania.com 212-352-3101 for Special Group Rates 10+ call 212-563-2565

Amas Musical Theatre is a non-profit, multi-ethnic theatrical organization founded in 1968 by Ms. Rosetta LeNoire. The Amas mission is grounded in non-traditional, multi-ethnic production, education and casting. Amas ("you love" in Latin) is devoted to the creation, development and professional production of new American musicals through the celebration of diversity and minority perspectives, the emergence of new artistic talent, and the training of inner-city young people. Recent productions include Wanda's World, Shout! The Mod Musical, Lone Star Love, From My Hometown, Zanna, Don't! and Stormy Weather: The Story of Lena Horne. This production is made possible with funds from the New York State Council on the Arts, the New York City Department of Cultural Affairs, Ampacet Corporation, Jean and Bill Cantor, and the Irwin Trinkoff Scholarship Fund.

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