A LIFE, Starring David Hyde Pierce, Extends Before Off-Broadway Opening

Playwrights Horizons has announced a two-week extension for A Life, the world premiere of a new play by Obie Award winner Adam Bock (A Small Fire and The Drunken City at Playwrights, The Receptionist, The Thugs, Swimming in the Shallows).

Directed by two-time Obie Award winner Anne Kauffman (Marjorie Prime, Detroit, Maple and Vine at Playwrights; You Got Older; Belleville; This Wide Night; Smokefall), A Life will be the second production of the theater company's 2016/2017 Season.

Due to public demand, the extension comes before the production begins previews this coming Friday, September 30 at 7:30 PM at the company's Peter Jay Sharp Theater (416 West 42nd Street). Opening Night is set for Monday, October 24 at 8PM. Originally scheduled to play a limited engagement through Sunday, November 13, the production will now play through Sunday, November 27.

The cast of A Life features Marinda Anderson (Far From Heaven at Playwrights, Sex of the Baby, Every Good Girl, Macbeth), Brad Heberlee (Small Mouth Sounds, These Paper Bullets!, The Thugs), two-time Audelco nominee Nedra McClyde (Mr. Burns at Playwrights, Lost Lake, Headstrong, Miss Evers' Boys), Lynne McCollough (Angels in America, The Thugs, Dot, Cavedweller) and beloved stage and television star, Tony Award winner and Emmy Award winner David Hyde Pierce (The Heidi Chronicles, The Maderati at Playwrights; "Frasier"; Broadway's Curtains, Vanya and Sonia and Masha and Spike, Monty Python's Spamalot, the upcoming Hello, Dolly!).

Nate Martin (Mr. Pierce) is hopelessly single. When his most recent breakup, another in A Lifelong string of ill-fated matches, casts him into a funk, he turns to the only source of wisdom he trusts: the stars. Poring over astrological charts, he obsessively questions his past and his place in the cosmos. But in Adam Bock's disarming new play, the answer he receives, when it comes, is shockingly obvious - and totally unpredictable.

The production features scenic design by Laura Jellinek, costume design by Jessica Pabst, lighting design by Matt Frey and sound design by Mikhail Fiksel. Production Stage Manager is Erin Gioia Albrecht.

Playwrights Horizons is dedicated to cultivating the most important American Playwrights, composers and lyricists, as well as developing and producing their bold new plays and musicals. Under Artistic Director Tim Sanford and Managing Director Leslie Marcus, Playwrights builds upon its diverse and renowned body of work, counting 400 writers among its artistic roster. In addition to its onstage work each season, Playwrights' singular commitment to nurturing American theater artists guides all of the institution's multifaceted initiatives: our acclaimed New Works Lab, a robust commissioning program, an innovative curriculum at its Theater School and more. Playwrights has been recognized with numerous awards and honors, including six Pulitzer Prizes, 13 Tony Awards and 39 Obie Awards. Prior artistic directors include André Bishop and Don Scardino. Robert Moss founded Playwrights Horizons in 1971 and oversaw its first decade, cementing the mission that continues to guide the institution today.

Notable productions include six Pulitzer Prize winners - Annie Baker's The Flick (2013 Obie Award, 2013 Susan Smith Blackburn Prize), Bruce Norris's Clybourne Park (2012 Tony Award, Best Play), Doug Wright's I Am My Own Wife (2004 Tony Award, Best Play), Wendy Wasserstein's The Heidi Chronicles (1989 Tony Award, Best Play), Alfred Uhry's Driving Miss Daisy and Stephen Sondheim and James Lapine's Sunday in the Park with George - as well as Ms. Baker's Circle Mirror Transformation (three 2010 Obie Awards including Best New American Play); Lisa D'Amour's Detroit (2013 Obie Award, Best New American Play); Samuel D. Hunter's The Whale (2013 Lortel Award, Best Play); Kirsten Greenidge's Milk Like Sugar (2012 Obie Award); Jordan Harrison's Marjorie Prime (2015 Pulitzer finalist); Lucas Hnath's The Christians (2016 Obie Award, 2016 Outer Critics Circle Award, 2015 Kesselring Prize); Robert O'Hara's Bootycandy (two 2015 Obie Awards); Taylor Mac's Hir; Danai Gurira's Familiar; Anne Washburn's Mr. Burns, a post-electric play; Sarah Ruhl's Stage Kiss and Dead Man's Cell Phone; Gina Gionfriddo's Rapture, Blister, Burn; Dan LeFranc's The Big Meal; Amy Herzog's The Great God Pan and After the Revolution; Bathsheba Doran's Kin; Adam Bock's A Small Fire; Edward Albee's Me, Myself & I; Melissa James Gibson's This (2010 Susan Smith Blackburn Prize finalist); Doug Wright, Scott Frankel and Michael Korie's Grey Gardens (three 2007 Tony Awards); Craig Lucas's Prayer For My Enemy and Small Tragedy (2004 Obie Award, Best American Play); Adam Rapp's Kindness; Lynn Nottage's Fabulation (2005 Obie Award for Playwriting); Kenneth Lonergan's Lobby Hero; David Greenspan's She Stoops to Comedy (2003 Obie Award); Kirsten Childs's The Bubbly Black Girl Sheds Her Chameleon Skin (2000 Obie Award); Richard Nelson and Shaun Davey's James Joyce's The Dead (2000 Tony Award, Best Book); Stephen Sondheim and John Weidman's Assassins; William Finn's March of the Falsettos and Falsettoland; Christopher Durang's Betty's Summer Vacation and Sister Mary Ignatius Explains It All For You; Richard Nelson's Goodnight Children Everywhere; Lynn Ahrens and Stephen Flaherty's Once on This Island; Jon Robin Baitz's The Substance of Fire; Scott McPherson's Marvin's Room; A.R. Gurney's Later Life; Adam Guettel and Tina Landau's Floyd Collins; and Jeanine Tesori and Brian Crawley's Violet.