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Review: YOU RAISE ME UP at Lillestrøm Kultursenter
This jukebox musical strikes a delicate balance between humor, drama, and emotion, making effective use of Rolf Løvland’s music to support its themes. The combination of Løvland’s stirring compositions and the show’s engaging characters ensures that the audience leaves with both laughter and tears.
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Review: THE BODYGUARD at Chateau Neuf
Bodyguard: The Musical is real crowd-pleaser! And the most pleasing aspects are Mimmi Tamba, Anna-Lisa Kumoji and the very talented ensemble. If you’re a fan of Whitney Houston's music or looking for a night of big performances and visual flair, 'The Bodyguard' is a solid choice, though purists of the musical genre might find themselves craving more from the storytelling.
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Review: JESUS CHRIST SUPERSTAR at Folketeatret
Folketeateret’s new production of Jesus Christ Superstar set out to offer a fresh take on Andrew Lloyd Webber and Tim Rice’s beloved rock opera, but it felt more like a retread of concepts that had become borderline clichés. Most of the lead actors cannot handle Llloyd Webber's score amd the use of live autotune cheapens the experience. The ensemble (and the orhestra) are the only saving grace in this struggling reimagining.
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Review: WATERLOO - WE LOVE ABBA at Christiania Teater
ABBA's music is a cultural phenomenon that has stood the test of time, resonating with audiences across the globe for decades. Known for their catchy melodies, unforgettable lyrics, and vibrant performances, the Swedish pop sensation continues to captivate both long-time fans and new generations alike, even as «Abbatars» in a specially bulit concert hall in London where thay have been digitally recreated so people can get a hint of how it was during the 70s. They have next generation light show that this production clearly has been inspired by.