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ABINGDON THEATRE COMPANY VIRTUAL FESTIVAL OF SHORT PLAYS: PLAYWRIGHT SUBMISSIONS - Abingdon Theatre Company Non Equity Auditions

Posted December 9, 2022
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ABINGDON THEATRE COMPANY VIRTUAL FESTIVAL OF SHORT PLAYS: PLAYWRIGHT SUBMISSIONS - Abingdon Theatre Company

Abingdon Theatre Company is seeking submissions for their Virtual Festival of Short Plays.

Abingdon Theatre Company continues to be committed to creating opportunities for all voices to be heard. With this in mind, they are thrilled to be producing their third annual Virtual Festival of Short Plays, a virtual festival shedding light on stories by people of color.

**Submissions open Monday, December 5th, 2022 and will continue through Monday, January 9th, 2023.

**Submissions should be no longer than 40 pages and written by BIPOC individuals. Please send all scripts to Kate Bell, Abingdon’s Artistic Associate, at
kbell@abingdontheatre.org.

**The Virtual Festival of Short Plays is set to take place February 23-24, 2023.

For more information please contact
kbell@abingdontheatre.org or visit
https://abingdontheatre.org/.

Abingdon Theatre Company was formed in 1993 by a group of theatre artists, eager for ongoing collaboration and greater control over their creative lives. Now, 30 years later, Abingdon has collaborated with over 200 playwrights including Tony Award Winner, V (Formerly Eve Ensler), Philip Dawkins, David Greenspan, Anne Bogart, James Lecesne, Michael Weller, Dominique Fishback, Charles Mee, and many more. In recent years their annual galas have honored artists such as Bebe Neuwirth, Donna Murphy and Andrew Lippa. Recent productions include the New York Premieres of both Fruit Trilogy and The Gentleman Caller and the critically acclaimed Drama Desk Nominee, Get On Your Knees. The company provides a safe home where playwrights, directors and actors can collaborate within a supportive and nurturing environment. They search for stories about the human experience that reflect our social, political, historical and cultural diversity. They are acutely aware of the theatre’s power to unite disparate population groups through stories about common human interests and strive to shed light on a variety of perspectives.

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