Audition Notice
Vagabond Players Presents:
ALL MY SONS
By Arthur Miller
Directed by Michael Byrne Zemarel
Please email
mbzemarel@gmail.com with enquirers
Thursday May 19th at 7PM
Saturday May 21st at 7PM
Vagabond Theatre 806 S. Broadway in Fells Point
Show Dates: September 9th-October 2th (Friday-Sunday); one Thursday performanceSeptember 29
Rehearsals will start in late July, Monday-Thursday nights. Some weekends will be required
Appointments are not necessary.
Please come prepared with a familiarity with the play and a 1-minute monologue of your choice. Some actors may be reading from script sides as well.
Available Roles
The roles of Joe Keller, Kate Keller, Ann Deaver, George Deaver, Jim Bayliss, and Sue Bayliss have been cast. The following roles are available:
Chris Keller — Chris, 32, returned home from World War II two years before the play begins, disturbed by the realization that the world was continuing as if nothing had happened. He has summoned Ann Deever to the Keller house in order to ask her hand in marriage, but they're faced with the obstacle of Kate's unreasonable conviction that Larry will someday return. Chris's idolization of his father, Joe, results in his devastation when he finds out the truth about what Joe did.
Frank Lubey — Frank, 33, was always one year ahead of the draft, so he never served in World War II, instead staying home to marry George's former sweetheart, Lydia. He draws up Larry's horoscope and tells Kate that Larry must still be alive, because the day he died was meant to be his favorable day. This strengthens Kate's faith and makes it much harder for Ann to reveal the truth to her.
Lydia Lubey — Lydia, 27, was George's love interest before the war; after he went away, she married Frank and they quickly had three children. She is a model of peaceful domesticity and lends a much-needed cheerful air to several moments of the play.
Bert — (8-13) Bert is a little boy who lives in the neighborhood; he is friends with the Bayliss' son Tommy and frequently visits the Kellers' yard to play jail with Joe. He only appears twice in the play. The first time he appears, his part seems relatively unimportant, but the second time he appears his character gets more important as he sparks a verbal attack from mother when mentioning jail, which highlights Joe's secret.
This is a non-paid/non equity production.
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