Review: BLACK COFFEE at Dolphin, Onehunga

Dolphin Theatre’s production of  Agatha Christie's Black Coffee is an excellent antidote to the mid-winter blues.

Directed by Glenda Pearce; her vast experience and meticulous attention to detail in both set design and costume has created a visual feast for the audience, transporting them effortlessly into the 1928 world of intrigue and suspense. Dolphin Theatre has a reputation for great sets and costuming but they have surpassed their own high standards with this production. Additional to this is the original music underscore - this really helps to keep the pace and emotional colour of the play. Bravo to Jake La Jeunesse for composing these original works.

The play centres around the theft of eminent physicist, Sir Claude Amory’s explosive formula. Having summoned Poirot to his house to uncover the thief, the plot darkens when Sir Claude is dispatched by poisoned coffee. Poirot not only has to unmask a thief but a murderer as well.

Grant Lloyd, as Sir Claud, masterfully sets the scene for the unfolding mystery. His performance provides a solid foundation for the story, drawing the audience into the suspenseful plot with ease. Lloyd’s ability to portray said ‘despatched’ person is also commendable.

The cast of 12 has each fully claimed their role; skillfully adding a unique level of flavour, intrigue, and off-the-scent humour to their roles.

From the stiff-upper-lip Butler played by Jake La Jeunesse, to the frivolous, frolickling and delightfully outspoken niece Barbara (Izzy Van Ellemeet) who seems more interested in dancing than the ‘mawder’ to the mysterious Dr Carelli (Gary Sandelin) who clearly has a dark past, this is the full fruit salad of intriguing characters. 

There are several accents among the cast, from Italian to upper-class British, Belgian, and Cockney; each one is perfectly held as if it was the mother tongue of each performer.

 A shoal of red herrings faces Hercule Poirot, the intrepid Belgian detective. Zane Fleming shines in his portrayal of Christie’s iconic detective.  His performance is both captivating and nuanced, embodying Poirot's nature and sharp intellect with aplomb. Fleming deserved the outburst of applause when he first stepped onto the stage.  His character's distinctive mannerisms were wonderfully executed, making him a standout in this production.

 Poirot’s side-kick Arthur Hastings (Blair Purkiss) plays off well against Fleming and they are suitably juxtaposed by the cockney Inspector Japp (Gavin Leary)  who brings a new level of interest at the right time. 

Vacillating between appearing wholly guilty and completely vulnerable, Georgia Benton as Lucia Amory, masterfully depicts a woman who is in serious emotional turmoil which faultlessly lends itself to Agatha Christie’s ability to complicate audience suspicions. Benton’s timing and facial expressions were excellent. Caroline Amory (Victoria Poole) is delightfully confused by Lucia’s behaviour so she suitably ignores it and talks about herself.

Playing Lucia’s husband Richard is Thomas Campbell whose authentic portrayal of the grieving (?) resentful (?) suspicious (?) son and husband keeps the audience guessing.  

Then there’s Edward Raynor (Jesse Park) and the Dr (Steve Russon) but surely the Dr didn’t do it? Or did he?

The supporting cast members also deserve praise for their contributions. Each actor brings their character to life with conviction, enhancing the overall experience and ensuring that the story flows seamlessly. The characterisation is palpable, adding to the authenticity and intensity of the production.

A delightful aspect of the performance was the "whodunnit conversations" overheard during the intermission. These discussions among audience members added an extra layer of enjoyment, reflecting the engagement and intrigue inspired by the show.

In summary, this production of Black Coffee is a testament to Glenda Pearce's directorial prowess, the talent of the cast and the tech team. It is a must-see for fans of Agatha Christie and anyone who appreciates a well-crafted, suspenseful drama.

Black Coffee
Dolphin Theatre
26 July - 10 August
Spring St, Onehunga
Bookings here

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