The Frist Art Museum will open We Count: First-Time Voters in the Conte Community Arts Gallery on July 31, 2020. The exhibition features the work of five local artists inspired by the 100th anniversary of the ratification of the 19th Amendment. Originally introduced online while the Frist was temporarily closed because of COVID-19, the exhibition will now be presented in the museum's galleries as originally intended through January 3, 2021. It will also remain online at FristArtMuseum.org/WeCount. The Nashville Flood: Ten Years Later, currently installed in the Conte Gallery and originally scheduled to be on view from January 10 through May 17, will now close on July 26.
"As this is our first-ever completely digital exhibition, we were thrilled with the experience and the new expanded audiences we were able to reach virtually-approximately 9,000 page views to date," says Frist Art Museum assistant director for community engagement and exhibition curator Shaun Giles. "With the reopening of our building, we are now very excited to be able to install the works in our galleries as we had originally planned. In person, visitors will be able to appreciate new facets and details in the works, many of which are intricately designed and warrant close looking." The online version of the exhibition-featuring artist interviews, a viewer response feature, and other resources, will remain on our website for anyone who wishes to experience the exhibition in the virtual space or learn more about the artists after viewing the works in the Conte Gallery.
We Count highlights the history and challenges of voting in the United States and the first voting experiences of a diverse group of Nashvillians. The artists-Beizar Aradini, M Kelley, Jerry Bedor Phillips, Thaxton Waters II, and Donna Woodley-connected with individuals and community groups across Nashville to learn about their experiences. The artists then created visual representations of those stories, through drawing, painting, printing, stitching, and other techniques. "Some topics that emerged from the conversations were disenfranchisement, awareness of everyday inequities, the challenges of the immigration and citizenship process, and the restoration of voting rights," says Frist Art Museum assistant director for community engagement and exhibition curator Shaun Giles. "The resulting works of art embody both individual and collective insights on civic engagement and responsibility, as well as the systemic hurdles that prevent people from participating in our democracy."
Together, the artists represent many different backgrounds of Americans-they have ancestors who were African, Kurdish, Latino, Native American, and Pacific Islanders. "We were intentional about reaching out to a diverse group of artists working in a variety of mediums," says Giles. "They are all certainly skilled artists, but also community-oriented individuals who value shared dialogue and civic engagement."
The 19th Amendment, which guarantees and protects women's right to vote, is especially significant to Tennessee, as it was the 36th state to pass the amendment, completing the two-thirds majority needed to make it the law of the land. Tennessee, however, is now ranked 49th in voter turnout and 45th in voter registration. "On top of all of our current challenges, 2020 contains a confluence of events in our country, with the census and the presidential election," says Anne Henderson, Frist Art Museum director of education and engagement. "Through this exhibition, we hope to encourage visitors to exercise their constitutional right to vote and to deepen understanding of historic and ongoing struggles for equal voting rights."
Several works address the struggles to gain or regain the right to vote. Beizar Aradini's reflection on the immigrant experience of gaining citizenship is told through an embroidered poem and portrait mimicking an ID photo. M Kelley's prints highlight the journey of reentry into society after incarceration, expressed through the use of iconic paper ballot and flag imagery, symbolic colors, and depictions of themes raised in interviews with those who have restored their rights and those who continue to work toward system reform.
Thaxton Waters II conducted interviews and held conversations throughout North Nashville. His painting addresses the persistent denial of voting rights to black men in the segregated South even after military service, as depicted in the faces of generations of soldiers. Roses surrounding the painting's border symbolize the War of Roses, the battle between the ideals of suffragists and anti-suffragists.
In colored pencil drawings, Jerry Bedor Phillips portrays four members of the Nashville community who represent different backgrounds but are all engaged voting citizens concerned for the future and how they can help shape it. Donna Woodley celebrates a passionate and tireless voter's advocate in North Nashville whom she got to know, paying tribute to her life in a painting.
Thursday, July 23
We Count Conversation: Jerry Bedor Phillips, with Vesna Pavlović and Shaun Giles
5:30 p.m.
Free; registration required
Register here
More details about online public programs for this exhibition will be posted on FristArtMuseum.org and @FristArtMuseum on their social media platforms.
Photo Credit: Aisha S. Kaikai
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