Penumbra Theatre Company, the nation's preeminent African American theatre, announces a special presentation of I Wish You Love in the 2011-2012 season. Due to popular demand, 16 performances will be staged at Penumbra Theatre November 18 - December 4, 2011. Details included in the quick reference below.
"This is the first time in Penumbra's history that we are not able to extend a show due to popular demand. Immediately following the run at Penumbra, the show will be presented at the Kennedy Center, and then at the Hartford Stage in Connecticut. It is important that our home town audiences get a chance to see it, and the first opportunity available is November, 2011," says Artistic director, Lou Bellamy. "We are proud of this production and grateful that critics and audiences have deemed it a "must-see show." We are thrilled to bring it back!"The production features Dennis W. Spears as Nat "King" Cole, singing over 20 of Mr. Cole's beloved songs. The cast also includes Kevin D. West (Oliver Moore), Eric Berryman (Jeffrey Prince), and Michael Tezla (Bill Henry).I Wish You Love is a drama with music about a moment in the life of Nat "King" Cole. The play uses Cole's television show as a way to illustrate the man, the times, and the real life drama behind the sanitizing lens of the television camera. In 1957, President Eisenhower had the Civil Rights Act on his desk that he may or may not sign. Althea Gibson had won Wimbledon. Nine children were about to integrate Little Rock Central High School in Arkansas. And, Nat "King" Cole was the first black man that many in America let into their living room as they swooned to his tunes, including "Get Your Kicks on Route 66" and "Let There Be Love." Cole came to the forefront of American life as the storm clouds of the modern civil rights era grew. Still, he believed that with enough talent and persistence he would be judged on the content of his character as opposed to the color of his skin. This production will be relevant to all ages and engage everyone in a dialogue about the power of advocacy - and how it can create change.OKRA, the Penumbra Theatre new play program was launched in 2008-- a rigorous culturally specific program where playwrights can develop their plays in a safe, nurturing environment without restriction or reservation. The program has three components dedicated to play development - the expansion of early ideas, the exploration of a play script, and a developmental workshop to share the script with an audience. The ultimate goal of OKRA is to move a new play onto the main stage. Each year, we conduct Word(s)Play!, an intense development workshop for playwrights to refine completed scripts with the help of actors, directors, designers and musicians - readying it for full production. Penumbra has nurtured three plays that have received further production opportunities at New York Theatre Workshop and LAByrinth Theatre Company in New York City; Providence Black Rep in Providence, Rhode Island; and American Conservatory Theatre in San Francisco, California. Word(s)Play! has quickly gained critical acclaim within the industry for the caliber of the playwrights involved and the complexity of the works selected. The program receives generous support from the Jerome Foundation.
THE KENNEDY CENTER FUND FOR NEW AMERICAN PLAYS has awarded grants totaling nearly $4 million to more than 126 playwrights, 61 not-for-profit theaters across the country, and 135 new works throughout its history. The Fund awarded grants to Pulitzer Prize winners Tony Kushner for Angels in America, Robert Schenkkan for The Kentucky Cycle, and Wendy Wasserstein for The Heidi Chronicles. Recent grants include Don DeLillo's Love-Lies-Bleeding presented with The Steppenwolf Theatre Company; Emily Mann's Mrs. Packard, presented with the McCarter Theatre Company; Julie Marie Myatt's Welcome Home, Jenny Sutter with the Oregon Shakespeare Festival; Michael John LaChiusa's Giant with Virginia's Signature Theatre; and Golden Age with Philadelphia Theatre Company.
QUICK REFERENCE
Dominic Taylor (Playwright) is the associate artistic director of Penumbra Theatre, head of Penumbra's OKRA New Play Development Program, and an assistant professor at the University of Minnesota. Select directing credits: Black Nativity: A Season for Change at Penumbra, Fresh Faust at the Institute of Contemporary Art in Boston, The Negroes Burial Ground at the Kitchen, N.Y.C., and Uppa Creek at Dixon Place. His published plays include Wedding Dance, Personal History and UpCity Service(s).Mr. Taylor has also worked with Crossroads Theatre, Rites and Reasons Theatre, Goodman Theatre, Steppenwolf Theatre, The Public Theatre, New York Theatre Workshop, Playwrights Horizons, and Ensemble Studio Theatre.
SARAH BELLAMY (Education Director) has designed several programs that engage participants in critical thinking, dialogue and action around issues of race and social justice. Select programs include: "RACE Workshop: Meet Your Metaphor," curated to accompany the Science Museum of Minnesota's exhibit RACE: Are We So Different?, and Penumbra's Summer Institute, a theatre-training program for youth to practice socially responsible art and civic engagement. Ms. Bellamy is currently working toward her doctorate in Comparative Studies and Discourse in Society at the University of Minnesota.
SANFORD MOORE (Musical Director) has several Penumbra credits that include: Ma Rainey's Black Bottom, The Piano Lesson, Get Ready, Blue, Black Nativity: Now's the Time, and Ain't Misbehavin'. Other select credits include: Crowns, Dream on Monkey Mountain, Triumph of Love, and As You Like It at the Guthrie Theater and Two Queens, One Castle at Mixed Blood Theatre. Sanford is an adjunct professor at the University of Minnesota School of Music, and Minister of Music for Fellowship Missionary Baptist Church.
MARY K. WINCHELL (Stage Manager) is a Penumbra company member. Select Penumbra credits: Sleep Deprivation Chamber, Black Pearl Sings!, Radio Golf, Gem of the Ocean, The Piano Lesson, Get Ready, Seven Guitars, Jitney, and Two Trains Running. Other stage management credits: Orpheum Theatre, State Theatre, Pantages Theatre, Children's Theatre Company, The Jungle Theater and the Coconut Grove Playhouse. She served as production stage manager for Macy's Glamorama, Dorothy Hamill's Nutcracker on Ice, Aveda's 20th Anniversary Celebration at Radio City Music Hall, and Super Bowl xxvi Winter Magic.MATHEW LEFEBVRE (Costume Designer) has designed fifteen productions for Penumbra including Ma Rainey's Black Bottom, Two Old Black Guys Just Sitting Around Talking, A Raisin in The Sun, Fences, Get Ready, and Gem of the Ocean (scenery and costumes). Other regional credits include: the Guthrie Theater: Kansas City Rep, American Players Theatre, Geffen Playhouse, Minnesota Opera, Children's Theatre Company, Cleveland Play House, Trinity Rep, Arizona Theatre Company, The Joyce, The Acting Company, Theatre de la Jeune Lune, and Mixed Blood Theatre. Off-Broadway credits include: Signature Theatre, Two Trains Running and New York Theatre Workshop, Bach at Leipzig.
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