After its December 17 broadcast, the program will be available to stream online for 30 days.
On Friday, December 17, 2021 at 8PM CT/9PM ET, PBS will premiere the national broadcast of Live from Bradley Symphony Center: Milwaukee Symphony Orchestra. The recording is of Milwaukee Symphony Orchestra's October 2, 2021 season opening concert, A Grand Opening, which featured the world premiere of Eric Nathan's Opening. After its December 17 broadcast, the program will be available to stream online for 30 days. Watch the trailer for the program recording and watch an excerpt from Opening. Check local PBS station listings for future broadcasts.
This December 17 broadcast is a reprise of the October 2 live broadcast that was free for viewers in the Milwaukee, WI region, made possible by a partnership between MSO and Milwaukee PBS. Performed at the Bradley Symphony Center, the program recording also includes James B. Wilson's Green Fuse, Gershwin's Rhapsody in Blue featuring pianist and Artistic Partner Aaron Diehl, Ellington's New World A-Comin', and Stravinsky's Firebird Suite led by MSO Music Director Ken-David Masur.
Eric Nathan's 8-minute Opening (2021) was commissioned by MSO and The Serge Koussevitzky Music Foundation at the Library of Congress to open MSO's 2020-21 season and inaugurate its new home, the Bradley Symphony Center. After the pandemic and with the return of in-person performances for the 2021-22 season, the long-awaited premiere of Opening has made Nathan consider the meaning and significance of a full orchestra and audience finally meeting in their new concert hall for live music and embarking on a highly-anticipated musical journey together.
Nathan explains, "Composing this piece was itself a willful act of hope. Opening juxtaposes music of stillness and activity in a series of broadening gestures that unfurl over the course of its eight-minute trajectory. It asks us to listen to ourselves in the space that we inhabit together. Solo players are placed around the hall surrounding the audience, participating in intimate dialogues that reach across to the other soloists and players on the stage. The musicians also resound forcefully, enveloping the hall from all sides in resonance. At times, players in the strings are asked to play their parts asynchronously, as if they are soloists within a larger collective, creating a communal sense of singing. Opening begins with reverence and closes in celebration."
Eric Nathan's (b. 1983) music has been called "as diverse as it is arresting" with a "constant vein of ingenuity and expressive depth" (San Francisco Chronicle), "thoughtful and inventive" (The New Yorker), and as "a marvel of musical logic" (Boston Classical Review).
A 2013 Rome Prize Fellow and 2014 Guggenheim Fellow, Nathan has been commissioned by leading ensembles and institutions including the New York Philharmonic, Milwaukee Symphony Orchestra, Tanglewood Music Center, Aspen Music Festival, Boston Musica Viva, Collage New Music, The New York Virtuoso Singers, Fromm Music Foundation, Barlow Endowment and University of Chicago's Grossman Ensemble. The Boston Symphony Orchestra has commissioned three works, including a chamber work, "Why Old Places Matter" (2014) for the Boston Symphony Chamber Players, and two orchestral works, "the space of a door" (2016), that Andris Nelsons and the BSO premiered in November 2016 and commercially released on the Naxos label in 2019, and "Concerto for Orchestra" which Nelsons premiered on the 2019-20 season-opening concerts, and was scheduled to repeat at Tanglewood in summer 2020.
Nathan's works have also been presented nationally and internationally at the New York Philharmonic's 2014 and 2016 Biennials, Louvre Museum, Library of Congress, the 2012 and 2013 World Music Days, Emily Dickinson Museum, Nasher Sculpture Center and at the festivals of Aldeburgh, Aspen, Cabrillo, Domaine Forget, MATA, Ravinia Steans Institute, and Tanglewood. In 2019, Yellow Barn featured Nathan's 50-minute dramatic song cycle, "Some Favored Nook," created in collaboration with librettist Mark Campbell, on opening night of its 50th anniversary season. Composer portrait concerts of Nathan's music have been presented by the Berlin Philharmonic's Scharoun Ensemble Berlin at the American Academy in Rome, by the Hudson Valley Music Club, and at the Tenri Cultural Institute (New York). In April 2020, the Longy School of Music was scheduled to present a portrait concert featuring the premiere of Nathan's evening-length work, "Missing Words" (postponed due to the coronavirus pandemic).
Nathan's orchestral music has additionally been performed by the National Symphony Orchestra, Boston Modern Orchestra Project (BMOP) and orchestras of Charleston, Charlotte, Daejeon, Louisville, Milwaukee, Omaha, Portland as well as A Far Cry, Aspen Music Festival and New York Classical Players. Chamber ensembles have performed Nathan's work, such as International Contemporary Ensemble, Nouvel Ensemble Moderne, Ensemble Dal Niente, JACK Quartet, and American Brass Quintet. In addition, Nathan's music has been performed by sopranos Tony Arnold, Jessica Rivera, Lucy Shelton and Dawn Upshaw; violinists Jennifer Koh and Stefan Jackiw; baritone William Sharp; and pianists Gloria Cheng, Gilbert Kalish and Molly Morkoski.
Nathan began a four-year appointment as Composer-in-Residence with the New England Philharmonic in the 2019-20 season. He has previously served as Composer-in-Residence at the Chelsea Music Festival (New York) and Chamber Music Campania (Italy). Nathan has completed artist residencies at Yellow Barn, Copland House and the American Academy in Rome, and will be a fellow at Civitella Ranieri Foundation in 2022. Nathan has been honored with awards including ASCAP's Rudolf Nissim Prize, four ASCAP Morton Gould Awards, BMI's William Schuman Prize, Aspen Music Festival's Jacob Druckman Prize, a Charles Ives Scholarship from the American Academy of Arts and Letters, and Leonard Bernstein Fellowship from the Tanglewood Music Center.
In 2015, Albany Records released a debut album of Nathan's solo and chamber music, "Multitude, Solitude: Eric Nathan," produced by Grammy-winning producer Judith Sherman, featuring the Momenta Quartet, trombonist Joseph Alessi, violist Samuel Rhodes, oboist Peggy Pearson, pianist Mei Rui, and trumpeter Hugo Moreno. (Le) Poisson Rouge presented a CD release concert of Nathan's music in October 2015. In 2019, Chelsea Music Festival Records released "Eric Nathan: Dancing with J.S. Bach," featuring conductor Ken-David Masur in Nathan's two suites of orchestrations of Bach keyboard works. In May 2020, Gil Rose and the Boston Modern Orchestra Project released a portrait album of Nathan's orchestral and large ensemble music on the BMOP Sound label. Nathan's music has additionally been released on Bridge Records.
Nathan is also a passionate educator and advocate for contemporary composers. He serves as Associate Professor of Music in composition and theory at Brown University's Department of Music. At Brown, he teaches a variety of subjects from composition to popular music history that engage students with and without backgrounds in music. In 2018, he was awarded Brown University's most prestigious award for junior faculty, the Henry Merritt Wriston Fellowship, that recognizes excellence in teaching. He has additionally served as David S. Josephson Assistant Professor at Brown, Visiting Assistant Professor at Williams College and has taught composition at the New York Philharmonic's Composer's Bridge program and at Yellow Barn's Young Artists Program.
Nathan completed his doctorate studying at Cornell with Steven Stucky, Roberto Sierra and Kevin Ernste, his masters from Indiana University studying with Claude Baker and Sven-David Sandström, his B.A. from Yale College where he studied with Kathryn Alexander, John Halle, Matthew Suttor and trumpeter Allan Dean, and a diploma from the Pre-College Division of The Juilliard School where he studied composition with Ira Taxin. Nathan additionally was a composition fellow at Tanglewood, Aspen, Aldeburgh and the Composers Conference.
For more information, visit http://www.ericnathanmusic.com/.
Photo Credit: Luyuan Nathan
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