Performance Network Theatre and the Ann Arbor District Library Present an Evening of Mark Rothko, 5/8

As the recent recipient of international critical acclaim as well as six Tony Awards, John Logan's drama, "Red," has brought the artist Mark Rothko out of the museums and onto stages across the country. Soon to be produced by Performance Network Theatre, "Red" chronicles two years in the life of Rothko, as he works feverishly on the then highest paid commission in history, for New York's Four Seasons Restaurant. In conjunction with the production, PNT and the Ann Arbor District Library are teaming up to bring community members a deeper look at Rothko's famed commission as well as his other life's works. Grant Mandarino, from the UM History of Art department, will be presenting a free lecture on Tuesday, May 8, from 7:00-8:30pm. The event will take place at Performance Network Theatre.

In addition to his regular teaching duties, Mr. Mandarino works as a freelance art critic and has published reviews in journals such as Artnet Magazine, USart, The Stranger, Ann Arbor Observer, and H-Net German.

Performance Network Theatre's production of "Red" runs April 19 - May 27. Tickets are available through the theatre's box office at 734-663-0681, online at www.performancenetwork.org or in person at 120 E. Huron St., Ann Arbor, 48103.

Born Marcus Rotkovitch in the town of Dvinsk, Latvia, then part of the Russian Empire, Mark Rothko immigrated to the United States with his family at the age of ten, settling in Portland, Oregon. A gifted student, Rothko attended Yale University on scholarship from 1921-23, but disillusioned by the social milieu and financial hardship, he dropped out and moved to New York to "bum around and starve a bit." A chance invitation from a friend brought him to a drawing class at the Art Students League where he discovered his love of art. He took two classes there but was otherwise self-taught. Rothko painted in a figurative style for nearly twenty years, his portraits and depictions of urban life baring the soul of those living through The Great Depression in New York. The painter Milton Avery offered Rothko both artistic and nutritional nourishment during these lean years. In the 1930s, Rothko exhibited with The Ten, a close-knit group of nine American painters, which included fellow Avery acolyte, Adolph Gottlieb. Success was moderate at best but the group provided important incubation for the Abstract Expressionist school to come. The war years brought with it an influx of European surrealists, influencing most of the New York painters, among them Rothko, to take on a neo-surrealist style. Rothko experimented with mythic and symbolic painting for five years before moving to pure abstraction in the mid 1940s and ultimately to his signature style of two or three rectangles floating in fields of saturated color in 1949. Beginning in the early 1950s Rothko was heralded, along with Jackson Pollock, Willem deKooning, Franz Kline and others, as the standard bearers of the New American Painting--a truly American art that was not simply a derivative of European styles. By the late 1950s, Rothko was a celebrated (if not wealthy) artist, winning him three mural commissions that would dominate the latter part of his career. Only in the last of these, The Rothko Chapel in Houston was he able to realize his dream of a truly contemplative environment in which to interact deeply with his artwork. RED presents a fictionalized account of Rothko's frustrated first attempt to create such a space in New York's Four Season's restaurant. Rothko sought to create art that was timeless; paintings that expressed basic human concerns and emotions that remain constant not merely across decades but across generations and epochs. He looked to communicate with his viewer at the most elemental level and through his artwork, have a conversation that was intense, personal and, above all, honest. A viewer's tears in front of one of his paintings told him he had succeeded. While creating a deeply expressive body of work and garnering critical acclaim, Rothko battled depression and his brilliant career ended in suicide in 1970.

Grant W. Mandarino is a PhD student in the History of Art department at the University of Michigan specializing in modern painting and visual culture. His research focuses on the intersection of art and politics during the Weimar Republic in Germany between 1923 and 1933, but his broader interests include: artistic radicalism, Cold War-era abstract painting, Marxist art historiography, film, and the history of espionage. In addition to regular teaching duties, Grant works as a freelance art critic and has published reviews in journals such as Artnet Magazine, USart, The Stranger, Ann Arbor Observer, and H-Net German.

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