The profound influence that Detroit dance has on the Chicago scene was revealed last year and this year Music Hall will be the venue of collaborations from Los Angeles. The evening features new Detroit choreographers and innovative companies from LA, such as Body Traffic and ArtLabJ here in Detroit.
First we took New York (313 To The 212) and then Chicago (313 To The 312) and now we connect with Los Angeles in what be our best Expo yet! Detroit nurtures and contributes a major amount of dance talent and has a profound influence on the New York, Chicago and now Los Angeles dance scene! Scan the roster of any LA-based dance company or Broadway show, and you will turn up a Detroit dancer and/or choreographer.
(313) to the (213) is a choreographic showcase that celebrates and highlights this profound contribution of both cities to create a synergy that bridges the two distinct cities
Artists include:
Eisenhower Ballet
ArtLabJ
Jennifer Harge
www.midwestradfest.org/artist/jennifer-harge
Take Root (pictured, above)
Body Traffic
A special Dance on Film Commission from Marcus White and Contre Tiempo
Ticket Prices: available at the MH Box Office, Ticketmaster.com, Startickets.com for $50.00 / $40.00 / $30.00. **For Special Discounts, visit the Box Office in person at Music Hall Center for the Performing Arts, 350 Madison Avenue, Detroit, MI 48226. Go to www.musichall.org or call 313-887-8500 for more information.
Built in 1928 by Matilda Dodge Wilson, Music Hall Center for the Performing Arts is a cultural gem in Detroit's entertainment crown, and has been presenting 88 years of legendary artists and performances from Flo Ziegfeld and Follies and WC Fields, to Billie Holliday, Duke Ellington, Miles Davis, DEVO, The Pretenders and Marcel Marceau to name but a few of the diverse performers who have graced our stage. It has been home to both the DSO (The famous radio broadcasts of "The Ford Hour" were performed here) and the Opera Theater as well, not to also mention that we were the first theater fit for Cinerama in Michigan.
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