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CIRQUE MECHANICS Comes to Overture This Week

By: Mar. 12, 2019
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CIRQUE MECHANICS Comes to Overture This Week  Image

At the center of every circus rests a 42ft ring full of thrills, laughs and excitement. 42FT - A Menagerie of Mechanical Marvels, is the latest invention from the creative minds of Cirque Mechanics.

The troupe will thrill Overture Center patrons on March 14-15 at 7:30 p.m. Tickets are available at the Overture Center Ticket Office (201 State Street), by phone (608.258.4141) or online (overture.org). Groups of 10+ may be eligible for discounted tickets; for information, please call 608.258.4159.

The Cirque Mechanics company dares us to leap into the circus ring and experience the timelessness of this evolving art form. The shows' unique mechanical interpretation of the traditional, and its story full of the lore of the historic one-ring circus, create a welcoming place, like a big top, where we can be amazed. The action in 42FT is full of theatricality and a modern sensibility, showcasing a galloping mechanical metal horse and a rotating tent frame for strongmen, acrobats and aerialists.

Cirque Mechanics, inspired by modern circus, finds its roots in the mechanical and its heart in the stories of American industrial ingenuity. The shows, embedded in realism, display a raw quality rarely found in modern circus. Cirque Mechanics signature style is wrapped in acrobatics, mechanical marvels, and a bit of clowning around. 42FT follows the great successes of Birdhouse Factory, Boomtown, and Pedal Punk.

Step right up ladies and gentlemen, boys and girls, to the Cirque Mechanics world of gears and canvas, pulleys and sawdust- within 42FT.

Cirque Mechanics was founded in 2004 by Boston native and German Wheel artist, Chris Lashua, after the success of his collaborative project with the Circus Center of San Francisco, Birdhouse Factory. Cirque Mechanics quickly established itself as a premiere American circus, with its unique approach to performance, inspiring storytelling and innovative mechanical staging. Spectacle Magazine hailed it as "the greatest contribution to the American circus since Cirque du Soleil."



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