DUST at Grand Theatre of the City of Luxembourg

bewegtbild theater developed by Martin Roth and John Conen innovative form of theater, the virtual and real game levels seamlessly linked. A fascinating combination of live scenes with the same

ongoing interaction sequences in film. moving picture theater

embarks on, in search of display areas of human consciousness and states using visual art, music, dance, acting, film and video art - completely new ways staged theater.

Nine of the first production and one based on the novel by Virginia Woolf The Waves explores the inner world of a female figure at the moment of her death and split them into biographical reflections on nine others which are still just the one.

In the next production, Antigone.Stimmen, after Sophocles, was the intrusion of the outside world into the psychic interior, and the female identity is destroyed in battle with the patriarchal imperative.

"... Martina Roth and John Conen has been successful and what many are trying, they have brought the ancient drama in a contemporary form, a memorable performance, shattering force at the same time and understanding ... Nürnberger Nachrichten

"... What the viewer visually and verbally is already packed, exacerbated by the musical contrasts. André Mergenthaler played live on cello digs, scratches in the wounds, prevents comfort. No wonder that this Antigone gets under the skin. The spectators celebrated the unusual right to Antigone editing by Martina Roth and John Conen. Trierischer Volksfreund

In their new production shows how the moving picture theater in times of persecution, attempted to extinguish the deadly triumphant outside each individual psychic experience of the world. In DUST lie outside their own lives and how

Transparencies. "The Visitor" in dialogue and communicates via a "mirror" with their mirror images. The humanity of these characters, their breath of remembrance with which they speak exert an irresistible pull on them to take possession of it and make it ever more deeply immersed in their worlds of memory. She takes over their pain, grief, anger and fear and makes them her own feelings and experiences. The contours of the here and now cause blurred and "The Visitor", in search of oneself and the associated debt to a ruthless self-analysis and passionate self-dissolution. In a ballad of this type End

Process in "the rain" continued. "The Visitor" recalls its mandate to keep things, carry things, the memories of lives lived and unlived hopes in himself. By and by weathering and decay all these strange life and mirror images, which it carries with it to dust.